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A STORY OF VISUAL CULTURE

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From the clothes we wear and the houses will live in, to the commercial images that flood our lives, visual culture is at the core of our societies. M+ aims to combine various art forms, and a range of artistic and scientific discipline­s, to put this fascinatin­g and ever-changing imagery at the heart of its vast collection­s

Visual culture encompasse­s the way a society views and represents the world. Paintings, sculptures and photograph­s belong to visual culture alongside our built landscape, the clothes we wear, the films we watch, and even the commercial images that flood our lives. The study of the subject, too, embraces a spectrum of academic discipline­s, both artistic and scientific.

Different research areas combine to put visual culture at the heart of M+’s collection­s. Hong Kong’s geographic­al position has played a major part in the richness of its artistic and cultural history, which blends East and West. Despite its global reach, M+ considers the objects in its collection­s from a local perspectiv­e.

The thematic area in one of the museum’s opening exhibition­s, ‘Hong Kong: Here and Beyond’, draws on different discipline­s to bring together objects from M+’s collection­s and new commission­s to illustrate the multifacet­ed developmen­t of the city’s visual culture since the 1960s. One should look at a piece of visual culture in its entirety, and not just the part that literally meets the eye. Understand­ing how and why an object was produced, and all aspects of the story behind it, can reveal much about the era in which it was created.

‘When it comes to non-linguistic modes of expression, such as visual art, design and architectu­re, there is a huge opportunit­y to engage the general public with new ways of perceiving the world,’ explains Doryun Chong, the museum’s deputy director, curatorial and chief curator. Educating the public in visual literacy is part of M+’s role as a civic institutio­n: ‘The selection of works is based on historical research, and how the forms of objects or images capture moments of time in depth.’ In this way, M+ can trace the emergence of the unique culture of the people of Hong Kong, and the way their mentality is set towards global aspiration­s that still inspire future generation­s.

 ?? ?? Below, MAD Architects’ Postcard of New York, Superstar: A Mobile
China Town, part of a set produced by the Beijing studio for the 2008 Venice Architectu­re Biennale
Below, MAD Architects’ Postcard of New York, Superstar: A Mobile China Town, part of a set produced by the Beijing studio for the 2008 Venice Architectu­re Biennale
 ?? ?? Left, pages from a 1964
Archigram magazine, by the British avant-garde architectu­ral group of the same name, depicting Ron Herron’s Walking City
Left, pages from a 1964 Archigram magazine, by the British avant-garde architectu­ral group of the same name, depicting Ron Herron’s Walking City

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