West Sussex County Times

The art of the popular Victorian brooch

- By Rupert Toovey

From the mid-19th century an increasing­ly affluent middle class combined with a growing supply of gold and precious metals from California and Australia created an explosion in demand for jewellery. From the 1840s the classical world, Renaissanc­e and the natural world continued to inspire jewellery designs which evolved to adorn the fashion of the times.

The small mid-19th century circular gold, garnet and diamond brooch is by the Neapolitan jeweller Giacinto Melillo. Melillo trained in the workshop of Alessandro Castellani.

The Castellani workshop was famous for its copies of ancient jewellery. An inch in diameter this brooch was modelled on a typically classical design and realised £2,200 at Toovey’s.

From the 1860s, influenced by the fashion for décolletag­e neck lines, many brooches changed from horizontal to vertical axis designs.

Coral was particular­ly fashionabl­e between 1845 and 1865. The Victorian gold and pendant brooch measures some 3 ¼ inches. It, too, is classicall­y inspired with its vertical design, classical amphora pendant drop and delicate applied wire work.

In contrast to the earlier corsets and crinolines from the late 19th century

women’s fashion sought to enhance rather than alter the wearer’s figure employing softer materials.

As a consequenc­e brooches became smaller and lighter.

The Romantic Movement of the 1840s had stimulated designs in the forms of flowers and foliage. These designs remained popular throughout the second

half of the 19th century. The late Victorian diamond set brooch is a typical example with its beautifull­y conceived scrolls.

You can imagine it moving in a spring breeze as the light moves across the diamonds. It measured 2 ¼ inches.

Late 19th century Fin de siècle brooches of smaller, delicate design became popular. They were worn pinned to the lace and tulle draped around the décolletag­e. It did not matter whether the brooches matched, the fashion was for wearing numerous brooches at the same time.

The late Victorian gold, diamond and half pearl set pendant brooch with its detachable brooch fitting measured just 1 ¾ inches. Its delicate design and scale is characteri­stic of the late 19th century.

Jewellery at its best adds to the beauty of the wearer and speaks across generation­s of love and precious moments in our human lives. These examples sold for £700, £1,000 and £550 respective­ly. The appeal of jewellery is timeless.

Online has been an incredible blessing in these times with strong interest and prices for jewellery and across all the specialist auctions throughout lockdown.

But nothing beats real life human encounters and we are now excitedly making preparatio­ns so that, ‘R’ number willing, we will be able to welcome you once again at the salerooms for valuations and auctions from April 12 by appointmen­t.

Until then I look forward to seeing you for valuations online and at your homes.

Rupert Toovey is a senior director of Toovey’s, the leading fine art auction house in West Sussex, based on the A24 at Washington - www.tooveys.com - and a priest in the Church of England Diocese of Chichester.

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 ??  ?? A Victorian gold and coral pendant brooch, circa 1860
A Victorian gold and coral pendant brooch, circa 1860
 ??  ?? A Victorian gold, diamond set brooch of floral and foliate spray design, circa 18802
A Victorian gold, diamond set brooch of floral and foliate spray design, circa 18802

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