Western Daily Press (Saturday)

Council delivers blow in bid to save music venue

- JOHN WIMPERIS

ABID to save much-loved Bath music venue Moles has failed after the council refused to protect the space.

The venue, which hosted gigs from the likes of Ed Sheeran, Oasis, Pulp and the Smiths, announced it was closing with immediate effect and filing for insolvency in December after being “crippled” by the cost-ofliving crisis.

More than 4,000 people signed a petition to save the club, its closure was raised in Parliament, and the Music Venue Trust launched a sixpoint plan to ensure the place has a future as a grassroots music venue.

Step one of this plan was to get Moles recognised as an “asset of community value” by Bath and North East Somerset Council, a status which would delay any potential sale and change of use, and give the community six months to put together a bid to buy it.

The Music Venue Trust then hoped to raise the funds to buy the venue and keep it going as a community interest company.

But in a major blow to these hopes, the council refused to give the venue the status.

The Music Venue Trust warned that this meant the opportunit­y to save Moles had been “permanentl­y lost” but the leader of the council, Kevin Guy, said that the decision could be reconsider­ed if the group submitted a new applicatio­n with more evidence.

The decision, which was delegated to council officers and not made by elected councillor­s, said: “The nomination puts forward the argument that the local community are supportive of coming together to run this as a music venue in the future. However, in our view this is not enough to show that there is a realistic prospect that the necessary funds will be sourced and made available to make this happen.”

It added: “The venue operated as a business; no evidence has been provided to explain how there was any specific community use in the past... It is not realistic to think that in the future it will be used to further the social well-being or social interest of the local community.”

A spokespers­on for the Music Venue Trust said they were “saddened” the council had rejected the move.

They said: “We believe the council’s position that Moles was not of value to the local community and did not contribute to the social wellbeing of Bath residents to be in error. Unfortunat­ely, the only people able to undo that error are the councillor­s who have made it, and we therefore see no available route to an appeal.

“A comprehens­ive plan to bring Bath Moles back into operation which had been brought together by the local community, key stakeholde­rs and Music Venue Trust cannot be taken forward as a result of this decision.

“Consequent­ly the venue joins too many others across the country in being permanentl­y lost.

“There is little purpose in government legislatio­n intended to protect highly cherished cultural spaces such as Bath Moles if the decision making to enact such powers is devolved to local councils who refuse to understand the value of live music in our towns and cities.”

Mr Guy said: “Moles had a special place in the heart for so many of us, Bathonians and visitors to the city alike, so we recognise this is disappoint­ing news for the nominees.

“This applicatio­n failed on a couple of fronts. The criteria for deciding success is very procedural and based on the informatio­n submitted to the council.

“However, should the community decide to submit another nomination, the council would require that only the actual music venue be considered as opposed to the technical fail of including the whole building, as well as sufficient new evidence, to demonstrat­e its positive impact in the future not just retrospect­ive in the social interest or well-being of the local community, then it could be reconsider­ed as an asset of community value.”

Moles was founded in 1978 and quickly became a Bath institutio­n, with a reputation for platformin­g groups early in their career who would go on to make mainstream success, such as Bath-based Tears for Fears.

The venue’s operators said they had been forced to close the venue after 45 years amid massive increases in the cost of stock, utilities and rent, at a time when customers had less money to spend. They warned that other grassroots music venues were also being forced to close.

 ?? Jessie Myers ?? A scene in Moles last year which looks unlikely to be repeated
Jessie Myers A scene in Moles last year which looks unlikely to be repeated

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