Western Mail

This is no false ‘idle’ – punk is back

The Idles, Clwb Ifor Bach, Cardiff

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GONE are the totemic Mohawk hair styles but the sentiments are the same. In a world where class is challenged and the ruling classes are very challengin­g, its time for a snarling rebuff in the form of a bit of post-punk, and especially indie darlings the Idles.

The consummate five-piece from Bristol ply their noisy trade with balletic clashing guitars courtesy of the popinjay in his pants, Mark Bowen and rhythm Lee Kiernan, a brilliant backbone of bass and drums from Adam Devonshire and Jon Beavis respective­ly, with front man Joe Talbot busily going about his kinetic business with verve, tenet and charm.

Good punk has humour, heart and a good smattering of haughtines­s and the Idles are saturated in it. Seeing a couple of the band setting up the merchandis­e stall and then milling about in the bar for a bit of pre-theatre medication shows an outfit ready a right royal knees up but never losing its connection with its fans – some of who had crossed the bridge from their home town.

Nearly all the set was hewn from recently-released Brutalism and from crowd-pleasing Well-Done and Stendhal Syndrome, chock-full of witty populist put downs and hooky riffs, to the heartwrenc­hing tribute Mother and languid Slow Savage the bands output is steeped in relevance.

The opener Heel/Heal has cheeky phraselogy at the heart of its schtick, and in other hands may come across a bit throwaway but The Idles have conviction and its this that hammers their delightful message across.

I am old enough to have enjoyed the noise and energy of The Exploited, AntiPasti, Crass and the like first time around, when Thatcher was the much-deserved target of their ire and now the Idles have been handed the baton and have taken to it with panache and elan and a whole mosh pit full of charisma.

They are lively enough when listened to on vinyl or disc but when witnessed on stage the amplified chemical energy fizzes like potassium in a wet petri dish.

All sweat, swagger and spirit, this is an outfit that are tight as a drum and are as entertaini­ng as cats on a robotic hoover.

Neil Cammies

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