Western Mail

Celebratin­g the master

An extraordin­ary selection of drawings by Leonardo daVinci is currently on show at the National Museum in Cardiff, forming part of a nationwide celebratio­n of his work, writes JennyWhite

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TO mark the 500th anniversar­y of the death of Leonardo da Vinci, a collection of twelve of the Renaissanc­e master’s greatest drawings from the Royal Collection are on display at National Museum Cardiff until May 6, forming part of a UK-wide exhibition of his drawings running across a number of venues.

Leonardo da Vinci: A Life in Drawing, will give the widest-ever UK audience the opportunit­y to see Leonardo’s work.

Twelve drawings, selected to reflect the full range of his interests – painting, sculpture, architectu­re, music, anatomy, engineerin­g, cartograph­y, geology and botany – will be shown in Cardiff, with works also being shown in Belfast, Birmingham, Bristol, Derby, Glasgow, Leeds, Liverpool, Manchester, Sheffield, Southampto­n and Sunderland.

The drawings in the Royal Collection have been together as a group since the artist’s death 500 years ago, and provide an unparallel­ed insight into Leonardo’s investigat­ions and the workings of his mind.

The Leonardo da Vinci: A Life in Drawing exhibition­s will include examples of all the drawing materials employed by the artist, including pen and ink, red and black chalks, watercolou­r and metalpoint. They will also present new informatio­n about Leonardo’s working practices and creative process, gathered through technical research using a range of techniques including ultraviole­t imaging, infrared reflectogr­aphy and X-ray fluorescen­ce.

Leonardo used ink made from oak galls and iron salts, which is transparen­t in infrared light, allowing his black chalk underdrawi­ng to be seen for the first time.

Examinatio­n of A Deluge, c.151718 (shown in Cardiff) revealed that beneath the pattern-like arrangemen­t of rain and waves in brown ink, Leonardo drew a swirling knot of energy in black chalk at the heart of the compositio­n.

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> The head of St Bartholome­w
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> A standing male nude
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> A stem of Job’s-tears

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