What Hi-Fi (UK)

“You owe it to yourself to track down a pair”

Clear, balanced, detailed; rhythmic skill; dynamic subtlety Nothing of note

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We like tradition. It’s what puts sprouts on our plate every Christmas. Year after year we shuffle them toward the edge of the plate attempting to locate the mouth of some gluttonous house pet. Then at some point they become the highlight of the day.

It’s the rule that our parents must make atrocious jokes that end up included in our repertoire much earlier than they should. Tradition also states that every four years there must be some blind hope, faint as it may be, in order for us to revel in the misery of exiting the World Cup with a whimper.

In hi-fi, tradition can mean a lot of boxes and a lot of clutter; but it can also mean finely tuned system-matching and broadened horizons for upgrading. It means versatilit­y, often a better overall performanc­e and, frankly, it keeps people like us in a job.

Active speakers are hardly a gargantuan step from tradition, but it’s rare to find a pair at this price that leave us struggling to come up with separates that would match their talents.

Nice and easy

Acoustic Energy’s AE1 Actives are relatively basic in terms of their set-up and function. Connect them to your source via either their RCA or balanced XLR inputs and you’re ready to go. There’s no Bluetooth built-in, but attaching a separate module would be far more cost effective than for AE to have integrated the technology itself, and decent pre-amps and streamers with wireless capability are far from hard to find.

While intuitive, the AE1S’ method is scarcely rewriting the rulebook, either. Each drive unit is driven by a dedicated 50W class A/B power amplifier module, while dials at the back of the cabinets allow for treble adjustment and bass cut up or down by 2db.

The drivers themselves are likely to be familiar to anyone already acquainted with Acoustic Energy speakers. The mid/bass drivers are products of the company’s pure piston ceramic aluminium cone technology, the use of metal for its rigidity targeting a more consistent output, while the aluminium dome tweeters benefit from AE’S Wide Dispersion Technology waveguide for enhanced room integratio­n.

And it’s all wrapped up in a charmingly unassuming box. Available in Piano Black, Piano White or Piano Cherry real wood veneer finishes, the AE1S’ faces are bare but for the drivers footed by the brand name – and at only 30cm tall won’t be dominating the landscape of your living room. The sonic landscape, however, is a different matter.

We test the AE1S primarily using the balanced XLR connection to our reference Gamut pre-amp and Naim NDS/555PS streamer, but the consistenc­y of their character irrespecti­ve of source (as long as it's good) is worth celebratin­g from the off.

We end up with the speakers slightly toed in, around a 1.5m from each wall, but those bass and treble controls mean you’re free to tweak their response in synergy with their placement if space is at a premium.

The AE1S deserve decent, hefty speaker stands. Their presentati­on is forward, but that’s not to say they lack subtlety or dimension, just that they’re endearingl­y excitable. They never cross a line even with our lighter speaker stands, but the sturdier the better, and they’re consummate­ly worthy of more than an MDF bookshelf.

Variety with quality

Testament to their talent is the range of music we end up playing while testing, and the time we spend listening, unable to tear ourselves away. We get through a hefty chunk of our library over a couple of days, and with each album the AE1S’ response is an absolute delight.

We play Soulwax’s From Deewee, and these speakers’ character reveals itself almost from the outset. The rising synthesize­r phrases of Preset Tense ring with clarity and climb with vigour; there is granular detail to their waveforms and an irrepressi­ble sense of anticipati­on.

With Masterplan­ned, we get a sense of the AE1S’ fine integratio­n and balance. The synth hook stabs away at the low end, complement­ed by substantia­l body in the midrange to showcase the vocal melody and control over potentiall­y coarse percussion in the treble.

We’re also treated to these speakers’ punch and drive. Rhythms jab as much as time, able to contrast often quite ghostly vocal lines with the verve and swagger of their synth-led polyrhythm­ic accompanim­ents.

That this record is so dependent on the delivery of its rhythmic personalit­y is testament to how well the AE1S are able to convey it. Timing is spot on, of course, but equally the dynamic expression is subtle enough to spotlight differing intensitie­s of beats that texturally can be cluttered.

Fast-forward to Is It Always Binary, for example, an unabashed album highlight. Here, relying on timing or the timbre of the drums alone to differenti­ate rhythmic strands is not enough; the AE1S allow the 4/4 to pulse while busier strands lead each bar into the next.

Punching above

Simply, these AE1S do everything down to a tee. Not only for what they are, but to the standards we could expect from any amp and speaker combinatio­n. So, yes, we love tradition, and we love hi-fi separates. But it would be a much more expensive pair of components that would see a marked improvemen­t on these Acoustic Energy active speakers. You owe it to yourself to track down a pair to find that out.

“We get through a heŠy chunk of our library over a couple of days, and with each album the AE1S’ response is an absolute delight”

 ??  ?? Each driver in the AES has its own, dedicated amp
Each driver in the AES has its own, dedicated amp
 ??  ?? At just 30cm high, the AES make few demands on space
At just 30cm high, the AES make few demands on space

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