What Hi-Fi (UK)

Sony VPL-VW270ES

FOR Class-leading sharpness; rich colours; set-up; native 4K AGAINST No 3D glasses supplied

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If content is king, context is next in line to the throne. Without any context, you may think £5000 for a 4K projector sounds a bit steep, considerin­g such devices can be picked up for a fifth of that price nowadays.

But that doesn’t consider the whole picture. This Sony is a ‘true’ 4K projector, using 4K-resolution chips as opposed to ‘faux-4k’ methods of pixel-shifting and enhancemen­t technology. It’s also the most affordable projector in the brand’s long and successful native-4k line – even if the previous model, the VPLVW260ES, cost just £200 more.

That five-star beamer is now discontinu­ed, and in its place is this VPL-VW270ES, which Sony introduced earlier this year alongside the VPLVW570ES (£8000) and pro VPLVW870ES (£25,000).

If you’ve noticed that it receives a five-star review, you may be feeling better about the price. But you might still want to ask how Sony justifies itself in a world where 4K projection is becoming increasing­ly accessible.

Tried and tested 4K tech

As with its predecesso­r, the 270ES has a 4K SXRD panel projection system, with native 4K (4096 x 2160) resolution and support for HDR10 and HLG (Hybrid Log

Gamma). The picture’s stark crispness and clinical cleanlines­s are the first signs of the Sony’s superiorit­y over more affordable faux-4k rivals.

We play Life Of Pi on 4K Blu-ray and the VPL-VW270ES offers the kind of sharpness we haven’t witnessed on our projector screen since we reviewed its predecesso­r. With this new model, improvemen­ts have been made to the panel’s reflective silicon layer for better reproducti­on of shadows and blacks. Sony has evolved its ’Motionflow’ mode for smoother motion performanc­e, too.

Its 1500-lumen output feels more than bright enough when our test room lights are dimmed right down – the likely environmen­t for a projector of this price and calibre. However, with the lights on, it doesn’t fare quite as well as a highbright­ness projector (say, 3000-lumen).

Those familiar with the lights-out black levels offered by OLED TVS and the sheer brightness capabiliti­es of QLED and LCD TVS may not raise eyebrows at the Sony’s capabiliti­es in these areas. But by projector standards, contrast across the spectrum is exemplary – as is highlighte­d by the darkness of the night and sea and when stars and creatures glow intensely against it.

In such high-contrast scenes, detail emerges from darkness, with nothing lost to shadows or sacrificed for black depth. To give you an idea, the Sony’s contrast level is similar to that of a decent LCD TV.

Regardless of what’s on screen, insight on the whole is excellent. Solid colours are among the Sony’s strengths, with not only the differenti­ation of tones but also the layering and richness playing into the hands of the disc’s HDR. The stars above (and reflected in) the ocean in Pi twinkle with differing levels of brightness to create a real sense of depth in the sky, and subtle variations of colour in sunsets are rendered with precision.

“The VPL-VW270ES does its lineage proud. Though you can get ‘4K’ projectors for less money, none does the resolution quite like this Sony”

Preset preference

Of the nine picture modes – all of which have a dedicated button on the remote – we prefer ’Cinema Film 1’, which offers the best contrast, brightness and colour balance for our tastes. We still find ourselves tweaking a little: bumping up brightness slightly and opting for ’contrast enhancer’ on ’low’.

And what of Sony’s improved Motionflow? ’True Cinema’ gets our vote for effectivel­y producing a stable and solid picture, however those particular­ly sensitive to the artificial­ness of frame insertion may prefer it off altogether.

Our testing schedule means we can compare the Sony with a five-star, 4K-supporting (not native) Epson projector that’s less than half the price. Play Star Wars: The Last Jedi on Ultra HD Blu-ray through the two projectors, and

the Sony’s picture gleams in comparison; much sharper and more capable of visual splendour.

We swap the 4K Star Wars disc for the standard Blu-ray one, and the Sony almost seems to welcome the idea. During the crawl, the solid yellow hues of text against a decently black space backdrop are strong, and that penchant for richness is evident with explosions, the island’s lush green grass, the orange pilot boilersuit and gleaming lightsaber handles. Overall, it’s a carefully considered and stable picture.

That’s also the case as we play a DVD of Edge Of Tomorrow. Much to our delight, it offers a hugely watchable performanc­e with admirable clarity and colour punch, as richly coloured army uniforms, shiny helmets and blazing battlefiel­ds take up the screen. Some noise creeps in to remind us of the format, but given the upscaling task, the Sony handles it very well indeed.

Remote set-up

Once the Sony has been unpacked, a 2.06x motorised lens and powered controls mean it can be set up simply by using the remote, negating the need for you to twist lenses and turn dials.

There are 2.1x zoom and focus controls, and a lens shift option which means you can can fine-tune the image precisely. The 1.36:1 to 2.16:1 throw ratio means it can beam a 100in image from a 3.05m to 6.28m distance from the screen, or a 120in screen from 3.67m to 7.55m. Sony claims the VPL-VW270ES has been optimised with gaming in mind. Support for 60 frames-per-second 4K playback and beefed-up processing power, with faster response speeds and reduced input lag, will no doubt have gamers interested.

With its active 3D support, the Sony will also appeal to the niche crowd of those who still watch the format. The glasses aren’t supplied, and at a hefty £50 each that’s a shame, but we doubt it will trouble many owners, who will no doubt find satisfacti­on with the rest of the Sony’s offering.

A worthy successor

The VPL-VW270ES does its lineage proud, upping the picture game slightly while shedding a few pounds. Though you can get ‘4K’ projectors for less money, none does the resolution quite like this Sony. It promises a scintillat­ing home cinema experience, and delivers just that.

 ??  ??
 ??  ?? The 2.06x motorised lens can beam a 100in image from as close as 3.05m
The 2.06x motorised lens can beam a 100in image from as close as 3.05m
 ??  ?? Twin HDMI inputs, along with a LAN socket for networking, are side-mounted
Twin HDMI inputs, along with a LAN socket for networking, are side-mounted
 ??  ?? Support for HDR10 and HLG gives the Sony an innate advantage
Support for HDR10 and HLG gives the Sony an innate advantage
 ??  ?? Subtle tweaks have borne much fruit in this latest in a prestigiou­s line
Subtle tweaks have borne much fruit in this latest in a prestigiou­s line

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