What Hi-Fi (UK)

FIRST TESTS

Featuring the Apple Homepod Mini, a new Google Chromecast, Dali’s Menuet SE, Elipson’s Chroma turntable and Grado’s first in-ears

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The Apple Homepod Mini has been a long time coming. As soon as the original Homepod was announced, it was assumed that it would be the first in a large family of smart speakers. It hadn’t even hit shops before people were asking when a smaller, more affordable model would be introduced.

It has taken almost three years for that model to arrive – that’s aeons in the world of tech – so, has the wait been worth it? It sure has: the Homepod Mini outperform­s its size and price like no other smart speaker you can buy.

Small beginnings

The Homepod Mini really is small. At just 8.5cm tall and 10cm wide, it’s roughly half the size of the similarly priced and spherical new Amazon Echo. In fact, it’s even smaller than the new Echo Dot. The Homepod Mini comes in simple white or black finishes and is wrapped in a seamless fabric mesh, chosen as much for its acoustic properties as for its stylishnes­s. The whole design gives the impression of a tiny, woven plant pot – it’s pretty and unobtrusiv­e, and will happily fit in any room of the house.

The glass panel on the top is opaque when the speaker is inactive, but a swirling orb of coloured light appears when Siri is listening or processing, and a smaller white orb gently oscillates as music plays. It’s a classy and alluring touch beyond anything you’ll get from any other similarly priced speaker. It makes the wraparound lightstrip of the new Amazon Echo look as sophistica­ted and seductive as a set of traffic lights.

There are no physical buttons on the Homepod Mini. When the top panel is lit, it reveals otherwise near-invisible plus and minus symbols that, when touched, raise or lower the volume. A tap of the centre of the panel will pause or resume your music, a double-tap skips forward and a triple-tap skips back. A long press, meanwhile, sets Siri to listening mode. At its core, though, this is designed as a hands-off affair.

There are no physical audio connection­s, either. Even the power cable is fixed, terminatin­g at the other end in a USB-C plug that slips into the same 20W wall charger that’s bundled with the company’s higher-end ipads. If you’re wondering whether the Homepod Mini can be powered by the USB-C socket of a Mac; it can’t. At least, it doesn’t work when plugged into our Macbook Pro, with an angry pulsating orange light indicating the Homepod Mini’s displeasur­e at being asked to perform on an underpower­ed port.

Within the Homepod Mini’s spherical, mesh-covered frame is a single, Apple-designed full-range driver that fires sound downwards and out of the 360-degree waveguide around the bottom. The driver is held by a suspension system to reduce distortion, and it’s flanked by two passive radiators designed to help create a bigger, weightier sound.

There are four microphone­s built into the chassis: three that specifical­ly listen out for the “Hey Siri” command and a fourth that uses echo location to ensure you can be heard over background noise or loud music. Certainly, the Homepod Mini has no issue hearing or understand­ing us during our tests.

Also impressive is the way Siri always seems to know which device is being addressed, sensing when an instructio­n is to the Homepod Mini on the other side of the room even when an iphone is lying much closer. This is particular­ly clever compared with Alexa; we find that questions directed at an Echo speaker just a couple of feet away are often answered by a different speaker in another room.

Optimised performanc­e

The brain of the Homepod is Apple’s own S5 chip, also found in the new Apple Watch Series 5 and Apple Watch SE.

In the Homepod Mini, it enables computatio­nal audio. Apple claims that it’s analysing and optimising the performanc­e more than 180 times per second, based on what’s being played and the position of the speaker.

Of course, the Homepod Mini also uses its power for a variety of Siripowere­d smart functions, from

controllin­g any Homekit-compatible devices in your house, to setting timers and alarms, creating reminders and shopping lists, sending messages and making phone calls. It can now make announceme­nts to one or all other Homepods in the house using the new Intercom feature. And that’s just the tip of the iceberg.

But Siri’s real strength in the context of the Homepod Mini (just as it was with the original Homepod) is its music curation. After a short period of learning, Siri responds to the phrase “play something I like” not by streaming your most played track of the last few weeks, but with something less obviously liked.

If you’re not in the mood for Siri’s first suggestion, simply say “play something different” and the Homepod Mini will switch genres, while remaining within your general tastes. It’s a powerful way to discover new music and, here, Siri is much better than Alexa at it.

Where the Homepod Mini falls back a little is in its support for third-party services. Things have certainly opened up somewhat since the original Homepod was launched, most notably in the addition of radio stations via Tunein, but there’s still some way to go. Spotify integratio­n is top of the wishlist, but we’d also like to see Tidal and Deezer. BBC Sounds is a must, too, as you can’t currently access BBC radio stations using Siri commands. We say “Hey Siri, play BBC Radio 5 Live”, and the Mini starts playing Five-o by James. Whatever the song’s merits, it’s not the Champions League football we were after.

Apple is at least taking steps in the right direction – Pandora and Amazon Music will be added shortly – but there’s no guarantee that the service you want or already use will be added further down the line. In short, this is a device aimed at those already embedded in the Apple ecosystem: not only do you require an IOS device to set up the Homepod Mini, but you also need to be a regular user of many of its services, particular­ly Apple Music, in order to get the most out of it.

That isn’t to say that it’s impossible to play non-apple Music music on the Homepod Mini. Airplay 2 integratio­n means that audio can be sent from myriad IOS apps, including Spotify and Tidal. The slight issue there is that Airplay 2 works like Bluetooth, using your IOS device as a source, rather than Chromecast, which uses your phone as a way to control music that the speaker then streams directly from the cloud. There’s nothing particular­ly wrong with the Airplay/bluetooth method, but it does have implicatio­ns for sound quality and battery life.

Regularly switching between Siri and Airplay can make for a slightly disjointed user experience. We can’t help but feel that Apple could do with a dedicated Homepod app that integrates all available services and makes all content searchable and then combinable in queues, much in the way that Sonos has. Right now, control of the Homepod and Homepod Mini is built into the Home

“For a speaker this small and inexpensiv­e, its audio performanc­e is startling. The Homepod Mini gets right to the core of your music, ensuring everything it plays is engaging and interestin­g”

app, but you’ll find only rudimentar­y controls for music (play, pause, volume) alongside a number of settings.

From the moment we start playing music, though it’s clear the Homepod Mini comfortabl­y outperform­s its size and price. It goes far louder than expected – even 75 per cent volume is louder than most people will want to go in an average-sized living room. But, even if you push it a little further, the Homepod Mini never shows any sign of strain. It’s clean and composed, no matter what.

While a bigger speaker, such as the Amazon Echo, will produce deeper bass, the Homepod Mini doesn’t sound bass-light. In fact, it’s more solid and authoritat­ive than a speaker this small has any right to be, and its bass is seamlessly integrated into the overall presentati­on. In fact, there’s excellent overall tonal balance and consistenc­y, with no frequencie­s over-exaggerate­d.

It’s rhythmic and driven, too. We play Hole In The Earth by Deftones and the Homepod Mini delivers plenty of the requisite power and urgency. There’s also enough dynamic capability to convey the track’s shifts from bass-led groove to swirling bridge and hammering crescendo. The quieter moments are properly quiet (and lots of speakers don’t do quiet effectivel­y), leaving the space open for the next big hit.

A rare talent

Like the original Homepod, the Mini has an innate ability to get to the core of a track, delivering it as faithfully as its stature allows. That’s a rare talent, particular­ly for a smart speaker at this price. The performanc­e from the new Amazon Echo simply isn’t as engaging. It’s not as immediate or driving, and a lot of that comes down to it being less well tonally and rhythmical­ly organised.

We switch to Lane 8’s Nothing You Can Say and the bassline of the stripped-back track bubbles along with a surprising degree of extension. The bass here is supposed to be pronounced, underpinni­ng the track, but without drowning out Lucy Stone’s vocals. That’s just how the Homepod delivers it. Each element, from the electric drums to the twinkling keyboard, is easy to focus on and enjoy, with no one strand coming at the expense of any other.

Once again, the Homepod Mini impresses in its ability to deliver the music as intended. The early beat from the kick drum is punchy with plenty of texture. You can tell it’s a live instrument, included along with the maraca to contrast the electronic effects of the track.

What’s also impressive about this delivery is how well it’s projected. We play the same track on the Amazon Echo and it’s as though Stone is singing from a little, spherical cell. The Homepod Mini projects sound and fills the space far more effectivel­y, removing itself as an object from the soundstage to a greater degree. The presentati­on is consistent from all around the room, too, with the Mini delivering on its promise of 360-degree sound.

Switching to the sparse, live recording of The Road soundtrack by Nick Cave and Warren Ellis, the Homepod proves itself adept at presenting the subtle details and low-level dynamics necessary to convey the raw emotion of the track. This level of nuance is rare at this level.

Saying “Hey Siri, play something different” offers up Paolo Nutini’s Coming Up Easy and, despite the Homepod Mini not being as outright bassy as bigger speakers, there’s still an authentic fullness to Nutini’s voice, along with plenty of texture, passion and dynamic flow. Getting voices right at this level is hard, but the Mini manages it marvellous­ly.

Finally, we use the Home app to combine two Homepod Minis in a stereo pair. This predictabl­y makes for a much bigger, more solid and more room-filling sound. Bass weight is increased and the Mini’s general qualities in terms of punch, clarity, dynamism and tonal balance are only improved by the pairing. There’s really no downside to creating a stereo pair.

Worth waiting for

Apple took a while to launch its first smart speaker, but the Homepod was worth the wait. It has taken even longer to launch a smaller, cheaper model, but the Homepod Mini is, if anything, even more impressive.

For a speaker this small and this inexpensiv­e, its audio performanc­e is startling. Though it has its limits, the Homepod Mini embarrasse­s its direct competitio­n with the sophistica­tion and maturity of its sound. It gets to the core of your music, ensuring everything it plays is engaging and interestin­g.

It’s also affordable enough to be bought in quantity, small enough to be placed in any room of the house, laden with smart skills and has an uncanny ability to introduce you to new music you’ll love. All this makes it a highly impressive speaker indeed.

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 ??  ?? At 8.5cm tall, the Homepod Mini is smaller than expected
At 8.5cm tall, the Homepod Mini is smaller than expected
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The glass panel lights up when the Homepod Mini is active

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