What Hi-Fi (UK)

NAD Masters M10

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It takes some bravery to look at a three-time What Hi-fi? Awardwinne­r and think ‘that’s there for the taking’, but NAD is a company of rare resource, technologi­cal nous and audio accomplish­ment.

If anyone can defeat the mighty Naim Uniti Atom, it’s NAD – a company that has embraced digital music more than almost any other traditiona­l hi-fi brand. It is part of the BLUOS ecosystem, so can produce products with streaming and multi-room baked into their core.

The NAD Masters M10 is a compact, just-add-speakers streaming system in a box. A complete, next-gen hi-fi that’s as happy partnering your television as it is a wireless speaker in your bathroom. This is a potential competitor to the Uniti Atom that might just have the chops to emerge victorious…

An excellent display

The NAD Master M10 is similar in dimensions to its Naim rival. It’s a compact unit, 10cm tall and 26cm wide, and can be housed almost anywhere – although it’s advisable to make sure it’s facing the listening position as much as possible, so that you can take full advantage of the excellent display.

That TFT screen takes up the majority of the front panel and has the resolution and colour balance to display album artwork and combine that with big, bold text that’s easy to read from across the room. Should you choose to interact with it directly (there’s no need to touch the M10, once installed), the screen is responsive and the touchscree­n volume dial’s audible click makes it quite tactile.

It’s a bigger and more useful screen than that of the Naim Uniti Atom, but in terms of its general build, the Atom is streets ahead. The NAD’S casework is insubstant­ial and doesn’t match the expectatio­ns set by a product at this price. Still, you will rarely need to touch the device, and from across the room, the clear screen looks smart.

Given that the Masters M10 can be operated without touching the device itself, you might assume that it comes with a smart remote. Alas, that’s not the case: the NAD relies entirely on app operation.

For some, that could be off-putting, but the NAD Masters M10 is part of the BLUOS ecosystem and so boasts a better, more widely supported and more reliable app than most. Airplay 2 integratio­n means that the M10 also appears as a destinatio­n device in the IOS apps of streaming services such as Tidal and Qobuz (Spotify Connect is also on board). If you still want a traditiona­l remote control, you can teach the unit to respond to specific commands sent by a universal remote.

BLUOS brings with it the opportunit­y for the M10 to form part of a multi-room system comprising a mix of NAD, Bluesound and Dali devices, and ensures direct access to more music services than you’re likely to need, from Tidal, Qobuz and Spotify, to Deezer and Amazon Music (including Amazon Music HD). Roon is also supported, as are a number of smart home standards, and you can access music stored on computers and NAS devices on your own network.

Hi-res streaming support

High-resolution audio streams up to 32-bit/192khz are supported, and formats including MQA, FLAC, WAV and AIFF are on board. It is possible to listen to DSD files, too, but only when converted via the BLUOS desktop app.

Once you get the M10 home, simply connect a pair of speakers to start listening, although you can also use the integrated Dirac room equalisati­on software and bundled microphone to calibrate the sonic performanc­e to your room. It is worth going through the process and deciding whether the calibrated or ‘raw’ delivery suits you best.

“The NAD Masters M10 is a complete nextgen hi-fi that’s as happy partnering your television as it is a wireless speaker in your bathroom”

Missing sockets

There’s ethernet for wired networking, plus a pair of preouts and two subwoofer outputs, below which sit two pairs of standard speaker terminals. Our only disappoint­ments on the connection­s front are that the single USB socket is on the rear (a more accessible one on the front or side might be nice) and the lack of a headphone socket.

NAD addresses the latter with two-way aptx HD Bluetooth (you can send music from the NAD to your Bluetooth headphones as well as send music to it from your portable device), but those with a cherished pair of wired headphones will be disappoint­ed.

At the heart of the system is NAD’S Hybriddigi­tal amplificat­ion, which is designed to deliver more accurate, distortion-free and dynamic sound. NAD conservati­vely rates power at 100W, but claims that dynamic power can reach 160W into 8 ohms or 300W into 4 ohms. In other words, there should be lots of headroom for epic dynamic shifts.

We kick off with Childish Gambino’s incendiary This Is America and are pleased with what we hear from the NAD. It works well in terms of tone, with no part of the frequency range sticking out or drowning out another. The bass is lusciously deep and dramatic, the high hat-like synth is nicely controlled. Vocals are clear, even when the soundstage gets busy. We notice some muddling during the busy sections, though, and though at first it seems to be the track’s intention, a switch to the Naim Uniti Atom proves that this is actually a carefully coordinate­d constructi­on by rhythmical­ly placing each sound more accurately and giving everything more space to breathe in a broader, deeper soundstage. The NAD sounds pleasant, likeable and fluid, but the Naim simply tightens everything up.

Switching to The First Big Weekend by Arab Strap, the NAD proves to be a detailed performer, digging up the creak of the seat right at the start of the track and every intake of breath in the spoken vocal. There’s lots of solid punch to the kick drum, too, particular­ly once the volume is cranked over halfway.

When the high-hat is added and the tempo increases, the NAD struggles a touch to keep up. It sounds as though it’s chasing the track rather than driving it. Though the vocal is still fairly clear and focused, the NAD becomes muddled, losing track of the individual strands.

Detailed, smooth and clean

We change pace with the stripped-back folk version of Here’s The Tender Coming by The Unthanks. The NAD doesn’t have a large ensemble to worry about and the performanc­e is detailed, smooth and clean. Listened to in isolation, it is hard to fault – especially considerin­g the all-inone nature of the device.

But again, the Naim takes things further by revelling in the low-level dynamics in the vocals and gentle instrument­al accompanim­ent. The NAD’S delivery drifts over you, while the Naim is more sorrowful, entrancing and poignant.

Features-wise, the NAD Masters M10 is pretty much on the money, with an excellent streaming platform and all the connection­s required to perform neatly the role of both hi-fi and TV sound system. It sounds good; tonally balanced, clear, clean, weighty and smooth.

But it’s up against the Naim Uniti Atom, which offers a more dynamic and better-organised delivery that’s simply more engaging to listen to. We like the NAD Masters M10, but it’s up against a truly exceptiona­l benchmark and it can’t quite match the Naim.

“Features-wise, the NAD Masters M10 is pretty much on the money. It sounds good too – tonally balanced, clear, clean, weighty and smooth”

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The NAD performs both hi-fi and TV sound system roles
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