What Hi-Fi (UK)

Moon 110LP v2


If you play records, no other electronic component in your system has as much impact on the sound as the humble phono stage. There aren’t many talented units around the £500 mark, so when we come across something as capable as Moon’s 110LP v2, it’s something to celebrate.

This is a neatly made aluminium box finished to the high standards we’ve come to expect from Moon. The curved front panel is beautifull­y machined and makes the 110LP v2 look classier than most of the competitio­n. This phono stage is a switchable unit, capable of handling both moving-coil and movingmagn­et cartridges.

Unlike most rivals, the Moon offers gain adjustment in four increments, starting from 40db and continuing through to 66db. This range should be enough to cope with every movingmagn­et design and all but the lowestoutp­ut moving-coil cartridges.

Simplicity and quietness

Otherwise, the 100LP v2 is as simple as most affordable phono stages usually are. There’s a single input and partnering stereo RCA output (to go to your main amplifier), a power port for the wall socket adaptor and a grounding post. That’s your lot. Provided care is taken with placement, by keeping it away from other mains-powered products and power cables, the 110LP v2 proves suitably quiet and hum-free too.

This is a fine-sounding unit, particular­ly with moving-magnet cartridges. It works well with Goldring’s 2400 mounted to our reference Technics SL-1000R record player, and we can’t see any reason why it wouldn’t work equally well with similarly capable Ortofons, Audio Technicas and Nagaokas.

The rest of the system is our usual Burmester 088/911 Mk3 amplifier and ATC SCM50 speaker combinatio­n to really put a spotlight on the Moon’s performanc­e. We also give Cambridge Audio’s CXA81 integrated amplifier a go to see how this little phono stage delivers into more modest amplificat­ion.

A signature sound

This phono stage has the classic Moon sonic signature. Its sound is smooth, fluid and refined but has enough in the way of drive and punch to satisfy. We start with Beethoven’s Fifth Symphony and the 110LP v2 delivers an impressive­ly spacious and expansive performanc­e. Nothing sounds cluttered or confused and it’s easy to follow individual instrument­al strands.

The stereo imaging is accomplish­ed and remains stable even when the music becomes demanding. Overall, insight levels are good, though this isn’t a product that goes out of its way to highlight detail.

Each piece of informatio­n is presented in an unforced and subtle manner, meaning that in a short demo it would be easy to conclude that more forwardsou­nding rivals were more revealing. Give it a longer listen though, and it becomes clear that the Moon is right up there with the best at the price when it comes to resolution.

This unit has an undemandin­g nature, which makes it easy to listen to over long sessions. The Mm-only Graham Slee Gram Amp 2 Communicat­or with PSU 1 optional power supply (£365) pulls ahead when it comes to dynamic punch and rhythmic drive, but the Moon counters with greater refinement and sweeter tonality. The choice comes down to taste and partnering system, rather than a difference in absolute ability. We move to Catch A Fire by Bob Marley and the Wailers, and the 110LP v2 responds with a lovely, flowing presentati­on that’s rhythmical­ly surefooted. While the lowest notes are a touch rounded, there’s enough in the way of agility and articulati­on to make that something simply to note rather than a notable shortcomin­g.

As with most phono stages at this level, the Moon’s performanc­e with moving-coil cartridges is less impressive. There’s not much to complain about when it comes to noise levels or gain, but when we swap the Goldring MM cartridge for an Ortofon Quintet Blue MC, we note that large-scale dynamics sound a touch restrained and bass becomes softer. Still, you’d have to spend half as much again to get a stage that does much better. The Moon 110LP v2 remains one of the best of its kind at this level – better built than most and musically very satisfying. If you’re in the market for a quality affordable phono stage, listen to this one.

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 ??  ?? The high build quality is reflected in the connection­s
The high build quality is reflected in the connection­s

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