What Hi-Fi (UK)

Audio Pro Addon C10 MKII

The wireless speaker loses its cute leather handle, but features plenty of multi-room and sonic improvemen­ts

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Audio Pro is in the highly favourable position of having produced one of our favourite wireless speakers in the Addon C10. In the three years since its arrival, it has won three consecutiv­e What Hi-fi? Awards in its price category. Now, the Swedish firm has released a sequel, the sensibly named Addon C10 MKII, promising enhanced functional­ity, sound quality and design.

With the C10 MKII, Audio Pro builds on the original model’s feature list, which boasted Bluetooth, Airplay, aux and RCA inputs and access to music streaming services via wi-fi, by adding Airplay 2 and Google Cast streaming smarts.

Essentiall­y, the C10 MKII has three ways of being used in a multi-room environmen­t: with Apple devices via Airplay 2, Google Cast-compatible speakers via built-in Chromecast, and other Audio Pro wireless speakers via Audio Pro’s own dedicated app.

The aesthetic design has also been tweaked, although the dimensions and driver configurat­ion remain the same. Is it about to become the first wireless speaker capable of trouncing its triple-crown predecesso­r?

Flush with success

In the name of improved sound quality, Audio Pro has enhanced the electronic­s here and revised the bass-port design. The dual 20mm textile dome tweeters and 13cm long-throw woofer that helped make the original such a sonic classleade­r remain, but the tweeter grilles are now flush with the front baffle rather than slightly bulging.

This could be to accommodat­e the new removable mesh fabric grille, which is fixed with hidden magnets. It’s nice to have the option of a more understate­d and contempora­ry aesthetic (available in arctic white, coal black or storm grey hues), which brings the new C10 more in line with the firm’s latest speakers such as the G10 and BT5, but we still prefer the classic rock ’n’ roll Audio Pro look.

A quick glance at the premium-look brushed-metal top plate – silver on the white model, a gold tone on our grey sample – shows that the number of preset buttons has been increased from four to six, allowing two more shortcuts to any playlist or radio station without the need for the control app.

High-end clicks

There are now also skip forward and backward buttons on this control panel, in addition to the play/pause button. They function with a high-end feeling click, too, with three small LED lights to indicate how you are currently accessing your tunes (labelled ‘wi-fi’, ‘BT’ and ‘line’) completing a classy finish.

Gone is the ethernet port on the back of the unit, the wi-fi/input switch and the 3.5mm aux in; and the retro leather handle has also been scrapped for the MKII edition to help achieve the new sleeker aesthetic. We’d be lying if we said we didn’t miss the handle, which made carrying the relatively weighty C10 around much easier.

There are still RCA inputs, meaning you can connect sources such as a turntable with a phono stage, but it’s worth noting that RCA cables are not included. There’s a subwoofer output, too.

The headline grabber here is that multi-room connectivi­ty, so we set two C10 MKIIS up with Audio Pro’s app (naming one ‘White’ and one ‘Grey’) and it’s remarkably easy to get audio to play through one, both, or as a stereo pair.

Painless streaming

The app itself is slick and easy to navigate, with a little musical note icon on our iphone taking us to the exhaustive menu of streaming services it can access, plus the option to go Bluetooth. We log in to Tidal, and streaming our playlists and searching for songs is a painless and fuss-free experience. The Addon C10 MKII supports Apple Lossless, MP3, WMA, AAC and FLAC files.

For those who own the previous C10, Audio Pro says the C10 MKII can be used as the master speaker with the older version following a firmware update. Indeed, after setting up the older C10 through the Audio Pro app, we are able to use it as the master and sync the MKII with it for multi-room audio.

One thing for Alexa users to note is that Alexa voice control integratio­n, which works well on the C10, is nowhere to be found on the MKII model. Because the C10 MKII has Google Chromecast and is built upon Google’s software, Alexa is now off-menu. For us, the move toward Google is preferable and the compromise is worth it, but those who regularly use Alexa may disagree.

Throughout our listening session, we notice sonic gains through the low end afforded by the updated bass-port design, especially during grime tracks such as Stormzy’s Vossy Bop. Bass is marginally cleaner and tighter on the new model and the performanc­e is a touch more expansive too, particular­ly through the lower registers. We hear layered bass notes, such as the bluesy keys in Stormzy’s Lesson, in isolation and with an extra ounce of precision.

Without losing its predecesso­r’s impeccable timing, the new C10 MKII offers a slightly more even presentati­on. We stream Daniel Avery and Alessandro Cortini’s Illusion Of Time and are treated to a neutral and transparen­t presentati­on where each musical passage and atmospheri­c element is given its due. Leading edges of notes throughout the more lyrical passages are clearer and more perceptibl­e.

“If £500 is your maximum budget, you will be hard-pressed to find a speaker that comes close to the Audio Pro Addon C10 MKII”

A little less enthusiast­ic

If you’re waiting for a ‘but’, here it comes. In the same way that we prefer the older model’s leather handle and grille-free aesthetic, it proves a touch more sonically enthusiast­ic, lively and fun, if a little less refined, than the new speaker.

We stream Ghostpoet’s Concrete Pony and the original C10 offers a marginally more zealous and entertaini­ng performanc­e. Sirens, guitar feedback, percussion and whispered backing vocals are more compelling, adding to the brooding nature of the track. It’s a small issue and notable only in direct isolation – but for those who favour an exciting listen over hi-fi transparen­cy, it’s worth noting, especially if you’re looking to upgrade an original to the MKII iteration.

When we tested the original C10, we pitted it against models almost double its price and found that it bettered them. We’re happy to report that the case for buying a C10 stands today – if £500 is your maximum budget, you will be hard pressed to find a speaker that comes close to the Audio Pro C10 MKII. We miss the handle, but in return we can’t argue with three options for multi-room streaming or the levelled-up grippy bass and improved high-fidelity performanc­e.

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 ??  ?? There are now six preset buttons on the control panel of the C10 MKII
There are now six preset buttons on the control panel of the C10 MKII
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 ??  ?? The MKII version loses the carry handle, but has gained elsewhere
The MKII version loses the carry handle, but has gained elsewhere

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