What Hi-Fi (UK)

FIVE OF THE BEST MOVIE SOUNDTRACK­S TO TEST YOUR SYSTEM

These films are indelibly wed to the music, and deserve to be heard through a great speaker package

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Kill Bill Vol 1 (2003)

It’s no easy task selecting only one of Tarantino’s works for this list – such is the brilliance and significan­ce of his soundtrack­s – but here is where his sprawling eclecticis­m seems to peak. More than that, though, it never feels disjointed, even stirring together music from Nancy Sinatra, Isaac Hayes, James Last, Quincy Jones, Ennio Morricone, Tomoyasu Hotei and RZA.

This Is England (2006)

A stark rites-of-passage story about growing up in a skinhead gang in the Midlands in the ’80s thrives on its realism, helped by a soundtrack entrenched in the subculture. Toots & The Maytals, UK Subs, the Specials and Percy Sledge feature, with the minimalist modern classical piano of Italian composer Ludovico Einaudi providing a blunt and sobering backdrop.

Goodfellas (1990)

Music was at the forefront of Scorsese’s creative process, with some scenes even filmed to the tracks that would eventually accompany them. Only tracks that were historical­ly befitting were used, such as Giuseppe Di Stefano’s

Parlami d’amore Mariu and Layla (Piano Exit) by Derek and The Dominos. The perfect pairing of music and moving image.

Superfly (1972)

Curtis Mayfield’s incredible soundtrack to 1972 Blaxploita­tion crime drama

Superfly is not only equal to its film in terms of legacy: it surpasses it. Inspired by the script, Mayfield wrote one of the most socially aware and politicall­y charged funk and soul albums of the decade, which spent four weeks at the top of the pop albums chart upon its release.

2001: A Space Odyssey (1968)

Music plays a hugely significan­t role in the sci-fi epic, with around half of it heard before the first and after the last line of the film’s limited dialogue. Works by Richard Strauss, György Ligeti, Aram Khachaturi­an and Johann Strauss II had originally been used as guide tracks, but adopted new significan­ce once tethered to this masterpiec­e.

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