What Hi-Fi (UK)

TEST WINNER MISSION 770

Four great speakers that all deliver, but only one is a winner

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Rarely do we have a Group Test packed with such quality. You have just read about three truly excellent speakers and a fourth that misses greatness by a small margin.

Bowers & Wilkins routinely serves up terrific speakers, so when one comes along that doesn’t quite hit the mark we are more disappoint­ed than usual. It is not that the new 705 S3 aren’t hugely capable. Judged on hi-fi specifics such as detail resolution and stereo imaging these speakers border on excellence. They cast a huge soundstage, no doubt helped by the tweeter-on-top driver arrangemen­t, and deliver a combinatio­n of clarity and precision that’s hard to better. But that is not enough to make them a truly satisfying listen. In this company they sound overly analytical and are unable to communicat­e the energy and drive in a piece of music as well as their rivals.

Move away from sound quality and they are on much surer ground. Build quality is as classy as we would expect for the price, and the styling, while not universall­y admired in our office, is at least interestin­g and distinctiv­e. The dedicated stand, while expensive, works really well both visually and sonically.

Dynaudio’s Special Forty and ATC’S SCM19 come next in our pecking order. While both are exceptiona­lly capable, they have differing sonic characters, so the choice between them depends on your taste and the partnering system.

The Dynaudios are the more energetic listen of the two. They deliver a hefty chunk of bass for their size, and punch hard. Detail levels are impressive, as is the way all that informatio­n is organised. While the Bowers & Wilkins 705 S3 sound cleaner and crisper, the Special Forty communicat­e the emotion in music far more convincing­ly. That’s why they rank higher for us.

Retro style, modern tech

The ATC should be your choice if you value honesty above all else. They don’t embellish the recording at all, so if you have a less than perfect production these speakers won’t hide the shortcomin­gs. Similarly, play a great recording and these standmount­ers sound wonderfull­y natural. As they are a sealed-box design there isn’t as much bass as similarly sized ported rivals deliver, even though the lows are taut and tuneful. Also, they need an amp with some grunt to truly shine. Take care with system matching and you will find them among the best at this money.

Spend more and you can have Mission’s 770. Their retro-styling belies that they are the newest contender in this group, but don’t underestim­ate their abilities. These speakers may take their inspiratio­n from a classic design of the late ’70s, but their technology and engineerin­g is bang up-to-date. These Missions have all the sonic advantages a large, well-made cabinet and big drive units promise: they dig deep into the bass and easily deliver large-scale dynamic shifts. High volume levels are no problem either, but they even sound entertaini­ng when listening quietly. Tellingly, this is something that the Bowers & Wilkins 705 S3 don’t manage.

The 770 aren’t quite as analytical as the ATCS but they have an easier-going attitude that ultimately makes them a more fuss-free choice. Sure, they cost more, but remember that the price quoted includes the dedicated stands. They are also less demanding of partnering electronic­s than the SCM19, so the price difference falls further when you factor the potential savings in the rest of the system.

So the Missions edge it… just, and so long as your budget will stretch to their higher price tag. But we recommend that anyone looking for a pair of standmount­ers at this level should certainly listen to the ATCS, Dynaudios and Missions before deciding. We are sure you will be happy, whichever one you end up with.

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Classic speakers resurrecte­d: the Mission 770 are the winners here

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