What Hi-Fi (UK)

WHAT IS A HEADPHONE AMPLIFIER AND WHY SHOULD YOU BUY ONE?

Headphones don’t always get the partnering equipment they deserve. Here’s how to change that

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In the language of hi-fi, the name ‘headphone amplifier’ is more likely to raise a puzzled frown than a nod of recognitio­n. And yet, a headphone amplifier simply does what it says on the can – it is an amplifier circuit that is specifical­ly designed to drive headphones rather than speakers. That might sound like a simple enough task, but few manufactur­ers make it more than a low priority.

While dedicated headphone outputs have faded from many phones (thanks for that, Apple) they still exist on a huge array of audio and video components. And at a basic level they work; you connect your headphones and you get a sound. That might be enough for some people; but you are reading What Hi-fi? – you care about sound quality.

Look out for the signal

How is a headphone amplifier different from a convention­al amplifier? Speakers require more power than a pair of headphones, which makes sense if you think about the difference in size between a listening room and your ear cavity. That vastly lower power requiremen­t means that a headphone amplifier circuit has to be engineered to excel at low-signal levels, and many simply are not designed to do that.

Made to measure

It is not just about muscle though, as the electrical loading of headphone drive units is different from that of speakers. Most speakers have a nominal impedance of around 8 ohms, with some falling to half of that. Headphones tend to have far more of a spread, typically going from 16-600 ohms.

The amplifier designed to drive them must be happy working with such a range of electrical loads. It isn’t uncommon to find a unit where the headphone feed is simply an attenuated version of the signal coming out of the speaker terminals. This is a cheap, easy and ultimately limited way of doing things. Poor sound is usually the result.

Buy a dedicated unit and the story is very different. Here, headphone sound is the priority and so every care is taken to get the best performanc­e. Component quality is higher and the power supply is optimised for the task at hand. Essentiall­y, everything is geared towards delivering the best sound quality inside the operating range of the headphones. Hand; meet glove. Good examples of this include the entry-level ifi Zen Can and, on the premium side, the SPL Phonitor xe (see main pic).

Headphone amplifiers tend to be wholly analogue devices in their most basic form; purist units with a handful of line-level inputs. Outputs can be more varied, with the traditiona­l 3.5mm and 6.3mm sockets often augmented by balanced options.

The role of a DAC

You can buy digital-to-analogue converters with headphone outputs (also known as a Dac/headphone amp) and the best of these can be exceptiona­l performers. We’re thinking of Audioquest’s three-strong Dragonfly range here (Black, Red and Cobalt) or Chord Electronic­s’ superb Mojo 2, Hugo 2 or the high-end Hugo TT2. These DACS usually only have digital inputs, which range from a single USB (Type A) for the Audioquest­s to the full range of coaxial, optical and USB for the Chords.

The advantage of this type of DAC/ headphone amp combinatio­n is the potential for getting better sound from your digital sources. But that happens only if the unit has better digital processing capabiliti­es than the source you currently have – something that isn’t always a given.

Any reasons not to buy a headphone amplifier? The additional cost might be one. Also, it’s another box to house (plus cabling). Maybe your current set-up sounds good enough, in which case lucky you!

It is also fair to say that your headphones have got to be of a good standard before you can really enjoy the benefits of a headphone amplifier. Think of Austrian Audio’s HI-X15 (£89) or the similarly priced Grado SR80X as good starting points.

In most cases, we suspect that a carefully chosen headphone amplifier will be a sizeable step up from what you have, and the sonic improvemen­ts will easily

justify the outlay.

 ?? ?? The Chord Hugo TT2: a standardbe­arer for DAC/ headphone amps
The Chord Hugo TT2: a standardbe­arer for DAC/ headphone amps
 ?? ?? The SPL Phonitor’s meters aren’t that useful but we like them all the same
The SPL Phonitor’s meters aren’t that useful but we like them all the same
 ?? ?? Austrian Audio’s HI-X15: a good starting point for a headphone amp
Austrian Audio’s HI-X15: a good starting point for a headphone amp

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