Who Do You Think You Are?

MY ANGLO-INDIAN COOKBOOK

A unique family recipe book has helped Jenny Mallin to connect with her Anglo-Indian heritage, Adam Rees discovers

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Jenny Mallin’s family recipes and stories

Whether it’s diaries, photo albums, letters or the spoken word handed down through the generation­s, nothing beats a bespoke archive for telling the story of your family and adding colour to the subjects’ exploits. The records can come in all shapes and sizes and, in the case of Jenny Mallin, the central piece of an enviable archive handed down alongside volumes of tales and personal ephemera, was a recipe book. Not only does the book uncover the origins of a distinctiv­e cuisine, but it also reveals the merging of two cultures in India during the height of the British Empire and charts the lives and experience­s of one family through five generation­s.

Jenny has gleaned a huge amount of informatio­n from the recipe book and brought it up to date – with a twist. As well as spending countless hours and money converting and perfecting the book’s recipes, Jenny has skilfully woven together the stories of her ancestors in with her own and the history of the British in India into a unique literary journey appropriat­ely entitled A Grandmothe­r’s Legacy.

Since childhood Jenny has been enthralled by the stories of her parents, who embarked with their trunk of belongings and hoarded family parapherna­lia from India to England in 1953. “They were archivists, not by trade but by nature,” she says. “They hoarded all sorts of documents from the past and told us stories all the time. They kept every bit of history: old photos, marriage certificat­es, school certificat­es, and so on, which people seem not to have around much anymore.”

One of the most cherished possession­s was a family recipe book, with entries from four generation­s of Jenny’s grandmothe­rs, including all sorts of English classics such as calves’ feet jelly and Fair Rosamund pudding, to the Anglo-Indian hallmark Mulligataw­ny soup, as well as other recipes that were completely unheard of. With handwritte­n notes, alien measuremen­ts, scribbles and symbols, Jenny took what on the surface appeared to be a bespoke family document, combined it with her knowledge from stories and photograph­s – one of which is incredibly over 150 years old – to form the basis of an amazing family and historical story.

New cuisine

The cookbook itself was started when Jenny’s 3x great grandmothe­r Wilhelmina Sausman began to write down recipes of favourites such as Yorkshire pudding and soup for the family’s cook in Bangalore, India, in 1844. With no concept of these foreign dishes and due to restraints caused by religious beliefs, the cooks and Wilhelmina improvised and experiment­ed with the ingredient­s around them to develop twists on their favourites from England, the local cuisine and indeed entirely new dishes to invent a wholly unique type of food.

“Although the food is English, it was a fusion because they were influenced by the ingredient­s around them: a bit of cloves or cinnamon here, or some garlic and ginger to spice something up,” explains Jenny. “You’ve got a whole culture that’s evolved through food and the ingredient­s around you – it’s fascinatin­g.”

The cooks and Wilhelmina improvised and experiment­ed with the ingredient­s around them to develop twists on their favourites from England

There are also clues within the book about the origin of some of the new dishes and the family tales that inspired them. Jenny says: “There are recipes for telegram cake and Mahratta curry, which I can’t find anywhere else online. The curry was actually down to my grandfathe­rs who worked on the Southern Mahratta Railway as inspectors, and so my grandmothe­rs affectiona­tely called this ‘Mahratta’ curry. It’s now known in Anglo-Indian circles as ‘railway curry’.”

But while the recipes sit at the centre of the document and form the core of Jenny’s own book, it’s these nuances, as well as details and clues in the handwritin­g that she has spent years studying, which bring to life the subsequent generation­s of her ancestors who contribute­d to the book, as well as providing an interestin­g view on personal relationsh­ips developing between two different cultures.

“From something as commonplac­e as a book you can glean so much,” she says. “I used the recipe book as a way of learning who my grandmothe­rs were. As I turned the pages, I could see that the writing changed and worked out whose it was. And I worked out what their lives were like from photos and the stories I was told as a child. I built up chapters on each of the grandmothe­rs and cherry-picked a selection of their recipes.” Chefs’ annotation­s “You can feel a sense of evolution. You can see where each of my grandmothe­rs have added to it, but also where the cooks have added Hindu symbols. You have to be Sherlock Holmes to decipher what’s what. I know, for example, that my grandmothe­r who wrote the Christmas cake recipe had a Hindu cook because he’s written a Hindu symbol for good luck, which is like a swastika. In that one symbol, I can tell he liked my grandmothe­r and the family and there was a good relationsh­ip there.”

This one recipe book and extraordin­ary family archive links generation­s and seemingly separate stories of one family’s line from the height of the Raj to Jenny’s parents settling in England in 1953, taking everything from the prim and proper standards of a Victorian society 5,000 miles east of London, to the British Indian Army fighting in Mesopotami­a in the First World War.

Jenny’s own experience­s from her 25 visits back to India and cookery classes across Britain are also included. On every occasion she meets people who remember the odd meal she describes or can reminisce fondly about the British society in India, contrary to the popular historical opinion that has taken prominence since Indian independen­ce.

Though Jenny is quick to acknowledg­e how lucky she is to have such a bounty handed down from a family of amateur archivists and storytelle­rs, she’s aware of the responsibi­lity to record the tales for future generation­s of not just her own family, but the entire Anglo-Indian community for whom she’s become something of a reluctant icon. With names and traditions dwindling in recent years, A Grandmothe­r’s Legacy is a labour of love that strikes a far more crucial chord in Anglo-Indian society. Summing up both the importance of keeping one’s family history alive and the spirit of this unique culture, Jenny fittingly concludes: “It’s going to go, so let’s grab hold of it.”

 ??  ?? The family photograph­ed on Uncle Eugene’s wedding day in the 1920s
The family photograph­ed on Uncle Eugene’s wedding day in the 1920s

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