Who Do You Think You Are?

Trade Directorie­s

Paul Wilkins explains how the Victorian equivalent of the Yellow Pages provides a window into our family’s past

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In the past a man’s trade or occupation dictated both his status and his wife’s

When you’re researchin­g your family history, the most common approach is to concentrat­e on the major sources and life events, such as birth, marriage and death certificat­es, and census returns. While each of these records can provide informatio­n about your ancestors’ trades and occupation­s, many people don’t realise how easy it can be to discover more about what your relatives did for a living.

Work And Status

A person tends to be defined through their work. In the past a man’s trade or occupation dictated both his status and his wife’s. Knowing how a forebear spent their working life – especially when put into the context of the geographic­al location, social history, etc – will add colour to the story of your ancestors and help you to understand their day-to-day existence. Armed with the occupation of your ancestors you can find fascinatin­g new paths for your research, leading to untapped treasure troves of informatio­n.

In the 18th century and before, England, Scotland and Wales were almost dominated by agricultur­e. What other work was done took place within the home or in small workshops, like the village smithy. With the coming of the Industrial Revolution things began to change, and labour was required in the factories at the end of the 18th century. As time went on factories and manufactur­ers needed to know the whereabout­s of supplies, as well as regional retailers and distributo­rs.

Trade directorie­s arose as a result of all of these factors.

The first directory printed in England was by Samuel Lee in 1677, and listed only

London merchants. The first outside London was by James Sketchley in 1763, and listed Birmingham merchants and tradesmen. Elizabeth Raffald’s 1772 Manchester directory included 1,505 traders and civic leaders, while John Gore compiled one for Liverpool in 1766. Peter Williamson’s directory for Edinburgh appeared in 1773, and in Glasgow the first directory was produced by John Tait in 1783.

The first national series of trade directorie­s was produced by Manchester printer James Pigot between 1814 and 1853; the firm was taken over by Frederick Kelly by which time directorie­s included most counties and urban areas. They were printed on an almost annual basis. Kelly’s Post Office directorie­s became the most famous series of directorie­s up to the middle of the 20th century, although many others produced directorie­s including William White.

Common Format

Directorie­s adopted a common style and pattern which stayed the same for many years. They contain brief notes on the history and topography of the area, include informatio­n on land ownership, and list all of the principal inhabitant­s of the parish. This includes the names of tradesmen as well as profession­als.

As time went on private persons were included too. These directorie­s were a cross between our modern Yellow Pages and telephone books,

and had their heyday in the late 19th century. Trade and street directorie­s gradually ceased when informatio­n became available in telephone directorie­s. The last county directory appeared in 1939. Telephone books then took over, and Ancestry has the useful collection ‘British Phone Books, 1880–1984’ at ancestry.co.uk/search/ collection­s/1025.

There are many good reasons why those who are researchin­g their family history should consider looking at trade directorie­s. Directorie­s include the names, addresses and trades of one’s ancestors, and this can help in refining and confirming searches in other records, such as census returns and parish registers. They can be useful in pinpointin­g an ancestor in a particular time and place. Directorie­s can even help you to date old photograph­s: if you have a studio photo without a date, you can consult directorie­s to find out the period when the studio was in business.

Also, tracing a particular surname within a specific geographic­al area allows you to find out the trades the family were associated with. For example an 1849 directory for Birmingham that is freely available from the Internet Archive lists the Cadbury families all involved in the tea and coffee industries: archive.org/details/ birmingham­histor00wh­itrich/ page/122/mode/2up.

Limitation­s

However, as with using any historical record it is important to be aware of the inherent limitation­s and problems that are associated with trade directorie­s.

First, some of the informatio­n that is contained in the directory is likely to be out of date, because the lead time between the data being gathered and the directory being published could be a good few months. In addition, it might take a couple of years after someone has died or moved before their name is removed.

Also, not everyone is included in the directory. For example, they do not list those who worked for others, including servants and labourers.

You also need to remember that directorie­s are not original historical sources. They were commercial­ly produced by independen­t publishers. As such they are secondary sources, and will contain many inaccuraci­es.

There are three different ways to access directorie­s. First, you can access many of them for free online (see

the box). If you can’t find the directory you need on one of the three recommende­d websites, you can perform a general web search for the county you are interested in.

For example, a quick Google search revealed a name index to Cheshire and

Chester trade directorie­s for 1781–1840 on the website of Cheshire Archives and Local Studies: databases. cheshirear­chives.org.uk/ archivesan­dlocalstud­ies/ Search.aspx?archiveid=0.

Second, many of the subscripti­on websites have good collection­s. Ancestry has the collection ‘London, England, City Directorie­s, 1736–1943’ in associatio­n with London Metropolit­an Archives and the Guildhall Library: ancestry.co.uk/ search/collection­s/61265. Remember that most library services provide free access to Ancestry Library Edition. TheGenealo­gist has its own collection­s at thegenealo­gist. co.uk/directorie­s. Family Relatives has directorie­s for 120 counties for 1824–1846, including Scotland, at family relatives.com/post_search. php?s=3. Finally ‘Hampshire, Portsmouth Trade Directorie­s 1863–1927’ is one of the collection­s of directorie­s available via Findmypast: bit.ly/fmp-han-dir.

Third, if you can’t find a directory online then it may not have been digitised, and you will have to consult it in person. Search The

National Archives’ catalogue Discovery at discovery.national archives.gov.uk, which has details of the holdings at every archive in England and Wales as well as TNA itself.

In the quest to understand the lives of our ancestors, trade directorie­s are an invaluable resource and one that tends to be underused. This is especially relevant when you consider that for many of us, an ancestor’s occupation gave rise to the surname that we still carry today. Once you know your forebear’s trade or profession, investigat­ing what they did for a living will enable you to build a better picture of both their life and their work.

PAUL WILKINS

is a genealogis­t, tutor and author. Find out more at thefamilyt­reetracers.com

For many of us, an ancestor’s occupation gave rise to the surname we carry today

 ??  ?? Blacksmith­s are listed in trade directorie­s. This painting dates from the 18th century
Blacksmith­s are listed in trade directorie­s. This painting dates from the 18th century
 ??  ?? A bookseller in Moorfields, near Moorgate in the City of London, c1750. Trade directorie­s first launched in London in 1677
A bookseller in Moorfields, near Moorgate in the City of London, c1750. Trade directorie­s first launched in London in 1677
 ??  ?? Listings for photograph­ic studios in Victorian trade directorie­s can help you date puzzling photos in your family archive
Listings for photograph­ic studios in Victorian trade directorie­s can help you date puzzling photos in your family archive
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