Wokingham Today

Review: It’s A Wonderful Life at Reading Rep Theatre

It’s a Wonderful Life Reading Rep Theatre Until December 30 www.readingrep.com

- Details and tickets available via: readingrep.com/its-awonderful-life/ JAKE CLOTHIER

READING Rep Theatre is presenting a double bill of seasonal shows this Christmas following the establishm­ent of its in-house company, The Reading Repertory Company.

Actors Mark Desebrock, Eugene Evans, and Charlotte Warner return following appearance­s as part of the theatre’s 10th anniversar­y season last year, joined by newcomer Orla O’Sullivan.

While they are taking part in Potted Panto in rotating pairs, all four are on hand for the second festive production, It’s A Wonderful Life.

It is based on the Frank Capra film of the same name from 1946 and adapted by Mary Elliott Nelson, which follows banker George Bailey as spiralling events in his life lead him to suicidal ideation.

All four of the cast are to be commended on their performanc­es, as each shines individual­ly and as part of an ensemble.

Mark Desebrock portrays George with excellentl­y-observed pathos and a judicious balance of optimistic bravado and internal struggle.

The performanc­e immediatel­y endears the audience to the character, which is, naturally, essential to a story which focuses on the tribulatio­ns of a single character.

Little touches in the performanc­e go a long way to supporting the depiction of a hard-working, communitym­inded man in mid-century America.

Orla O’Sullivan provides a confident performanc­e of George’s guardian angel, tasked with saving his life to earn her wings, with an ethereal but assured portrayal.

Both Charlotte Warner and Eugene Evans display adaptabili­ty, dexterity, and versatilit­y as they portray fifteen different characters with relative ease.

Warner’s portrayal of Aunt Dilly is particular­ly enjoyable, as is

Evans’ portrayal of Henry Potter, which turns up the pantomime villain touches without becoming too overblown or arch.

Stage production has been worked effectivel­y, especially considerin­g it has to be light and versatile due to the hectic schedule of the theatre over the Christmas period.

Transition­s into the ethereal realm of the angels are wellcrafte­d and give the production an especially seasonal feeling.

The first act of the production speeds by in a blur of characters and scenes from George’s early life, but do not dispense with the momentousn­ess or emotional beats on which the rest of the play relies.

Overall, it is a compelling production which captures the spirit of the work on which it’s based, hitting all of the notes one would expect from a classic Christmas show and exemplifyi­ng why It’s A Wonderful Life has become a touchstone of the festive season..

It’s A Wonderful Life is showing at Reading Repertory Theatre until Saturday, December 30, including a number of relaxed and reduced capacity performanc­es.

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