Yorkshire Post - YP Magazine

With a flourish

-

John Vincent looks at the connoisseu­rs and patrons whose vision

helped shape artistic tastes in God’s own country.

Yorkshire’s artistic heritage owes much to its magnificen­t and diverse scenery – an inspiratio­n to generation­s of artists, from Turner to Hockney. Even Lowry ventured from Lancashire to paint Huddersfie­ld in 1965 to capture the mill chimneys.

But this week, and with considerab­le help from Jane Winfrey, picture specialist for Bonhams in Leeds, attention is focused on the visionary collectors and patrons who supported the arts and shaped the popularity of artists and art groups.

One such collector was industrial­ist Colonel Thomas Walter Harding, Lord Mayor of Leeds in 1898-99, who financed City Square in 1904 featuring eight lightbeari­ng nude nymphs, Morn and Even, by sculptor Alfred Drury, controvers­ial at the time. He was also instrument­al in founding Leeds City Art Gallery.

Another important figure was Ossettborn Sam Wilson, a Leeds JP who bought the Frank Brangwyn panels from the Venice Biennale in 1905 to present to the City Art Gallery and also bequeathed his collection of Modern British pictures, including work by Mark Senior, Frank Brangwyn, George Clausen, and William Orpen, along with drawings, sculptures, furniture and porcelain, plus £1,000.

Michael Sadler, vice-chancellor of the University of Leeds from 1911, was another major benefactor. He commission­ed the controvers­ial campus War Memorial, sculptor Eric Gill’s Christ Driving the Money Lenders from the Temple (1923), suggesting perhaps that Leeds merchants had profited from the war.

Sadler was an early supporter of

Der Blaue Reiter (The Blue Rider) art movement in Germany, which was fundamenta­l to Expression­ism. Last year Bonhams sold an early purchase of his by the artist Franz Marc, entitled Pferd, featuring one of the German artist’s favourite animal motifs, for £1.1m.

Another important figure in the developmen­t of contempora­ry British art was Eric Craven Gregory (1888-1959), who encouraged some of the finest modern artists to take up residencie­s in Leeds, including painters Terry Frost, Alan Davie, Trevor Bell and Norman Stevens, sculptors Austin Wright, Kenneth Armitage, Hubert Dalwood, Reg Butler and William Tucker and poets James Kirkup, Kevin Crossley-Holland, William Price Turner and Jon Silkin.

Leeds City Council enlisted JA Grimshaw’s help in buying Roundhay Park for the public, commission­ing him to paint views of the lake and he often incorporat­ed a lone heron.

More next week on other far-sighted connoisseu­rs who helped shape artistic tastes in the North and establishe­d the popularity of our most famous painters and sculptors.

Leeds City Council enlisted JA Grimshaw’s help in buying Roundhay

Park for the public.

 ??  ?? ANIMAL MAGIC: Franz Marc’s Pferd, depicting one of the artist’s favoured animal motifs, which fetched £1.1m at Bonhams.
ANIMAL MAGIC: Franz Marc’s Pferd, depicting one of the artist’s favoured animal motifs, which fetched £1.1m at Bonhams.

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