Yorkshire Post - YP Magazine

Grandee designs

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Robert Sheffield is ready for a happy Christmas after bringing this stately home back to life with his modern art collection. Sharon Dale reports. Pictures by James Hardisty and courtesy of Sutton Park.

Big changes, if you dare to make them, can bring great joy and Robert Sheffield, heir to the title of 9th Baronet Sheffield, is proof of this. He is, to coin an Americanis­m, “living his best life” after leaving a job in stockbroki­ng and relegating his London flat to second-home status.

His primary property is now Sutton Park in the pretty village of Sutton-on-theForest, near York.

Originally built by a wealthy York lawyer as a nine-bedroom “pleasure villa”, Robert describes the house as “a stately home that has been shrunk in the wash”. He lives there with his partner Ellen, an actor, and their baby daughter Clementine and says: “I thought I might miss living in London but I absolutely love it here. Even if I go down to the City for meetings, I’ll get the train back here rather than stay over if I can.”

Robert, 37, swapped careers to pursue his passion for contempora­ry art and now he and his business partner, Linton Wang, run art agency Sheffield & Wang. Promoting contempora­ry and conceptual artists and helping wealthy clients to build their collection­s is something he excels at thanks to his enthusiasm for the works, his likeabilit­y and a rare gift of imparting the meaning of art that is non-conformist to those who struggle to understand what the point is. “Ooh, yes! I get it,” followed by “I like it” is often the reaction to one of his explanatio­ns, says Robert, whose father is

Sir Reginald Sheffield and whose sister is Samantha Cameron.

His love of art may have been inherited from his paternal grandmothe­r, Nancy Sheffield. She and her husband Edmund bought Grade I-listed

Sutton Park in 1963 after the family seat, Normanby Hall in Lincolnshi­re, was leased to the council for use as a visitor attraction, though they retained the vast Normanby estate, now overseen by Sir Reginald and Lady Sheffield, whose main home is Thealby Hall in Lincolnshi­re.

Nancy oversaw the interior decorating at Sutton Park, and it is exquisite, not least because she hired the renowned interior decorator John Fowler.

The period art and antiques came with the family from Normanby Hall. Some of the most notable paintings and furniture are from Buckingham House, the London seat of John Sheffield, the 1st Duke of Buckingham (1648-1721), later sold to King George II to become Buckingham Palace.

“After my grandmothe­r passed away in the 1990s, this house was used by the family for holidays so this is the first time in years that it has been a full-time home,” says Robert.

“Fortunatel­y, both my grandparen­ts and the previous owners really looked after the place so there isn’t a lot of work needed on the house. I see my role as adding something of the 21st century while being mindful not to spoil what my grandmothe­r did.”

His obvious response was to add contempora­ry art, especially that which reflects the socio-political. It sits alongside period portraits and antique furniture astonishin­gly well.

“The new works of art complement and sometimes clash with the old, creating a lively dialogue that

breathes fresh life and energy into the house and collection,” adds Robert, who swapped an old portrait over the fireplace in the library for an abstract painting by Frank Avray Wilson.

The panelled wall of the study now sports a compositio­n by US photograph­er Michele Abeles, who combines her pictures of common objects, such as wine bottles, pots and printed fabric, with nudes.

The fabulous bust by Cajsa von Zaipel’s is one of four entitled The Gossips, which draws on the idea of gossip as a socially defined female act.

The downstairs cloakroom is home to Rebecca Ackroyd’s sculpture Crier, which saw her cast the shutters on a closed shop front before pasting the top sections with black and white images of the rough texture of London streets.

The Chinese room has rare, handpainte­d Chinese wallpaper dating to 1805, which is a complete contrast with The Lobbyist, an outré sculpture made in 2016 by George Henry Longly.

Seductive, a mirrored piece by Leedsbased Simeon Barclay, one of Robert’s favourite contempora­ry artists, is in the Red bedroom.

Descriptio­ns of the new works at Sutton Park will be included in the new guidebook ready for next August when the house opens to the public for one month. The gardens are open in July and August. It is part of making the property pay as finding sources of income is vital for stately homes, which cost a fortune to run and maintain.

To that end, Robert is also planning to create a luxury tree house holiday let, due to open next year. “Income is important but I also want Sutton Park to be part of the community, not locked away. That is really important to me,” he says.

While the property has had an invigorati­ng dose of modern art, some things should never be changed and that includes Christmas.

Sutton Park will be filled with family and friends this festive season and it will be a traditiona­l affair, which includes attending church on Christmas Eve, present opening on Christmas Day morning, dinner at 1pm and watching the Queen’s speech in the afternoon.

■ www.sutton-park.co.uk

Income is important but I also want Sutton Park to be part of the community, not locked away.

 ?? ?? IN PLACE OF PORTRAIT: Robert Sheffield stood in front of an abstract painting by Frank Avray Wilson; inset below, Cajsa von Zaipel’s contempora­ry bust, which is one of four.
IN PLACE OF PORTRAIT: Robert Sheffield stood in front of an abstract painting by Frank Avray Wilson; inset below, Cajsa von Zaipel’s contempora­ry bust, which is one of four.
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WALLS: Above, the Chinese room has rare, handpainte­d Chinese wallpaper dating to 1805; right, Robert with his partner Ellen and baby Clementine; below, Sutton Park historic country house and gardens.
WONDER WALLS: Above, the Chinese room has rare, handpainte­d Chinese wallpaper dating to 1805; right, Robert with his partner Ellen and baby Clementine; below, Sutton Park historic country house and gardens.
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 ?? ?? HISTORIC MEETS CONTEMPORA­RY: Top left, the hall at Sutton Park with traditiona­l portraits and a tinsel garland; top right, The Lobbyist, an outré sculpture made in 2016 by George Henry Longly in the Chinese room; above left, Rebecca Ackroyd’s sculpture Crier in the cloakroom; above right, Seductive, a mirrored work of art by Leeds-based artist Simeon Barclay, in the Red bedroom.
HISTORIC MEETS CONTEMPORA­RY: Top left, the hall at Sutton Park with traditiona­l portraits and a tinsel garland; top right, The Lobbyist, an outré sculpture made in 2016 by George Henry Longly in the Chinese room; above left, Rebecca Ackroyd’s sculpture Crier in the cloakroom; above right, Seductive, a mirrored work of art by Leeds-based artist Simeon Barclay, in the Red bedroom.
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