Yorkshire Post - YP Magazine

Opening time

- With Christine Austin

Amarone is one of the great wines of Italy and the world – and here’s why it is the perfect answer after a month of abstinence.

At last, dry January is over and even if you don’t observe the rigours of abstinence in these first few weeks of the year, there are enough people who do to make opening a bottle seem almost sinful. Now we are into February, the weather is still cold and there is hearty food on the table, so opening a bottle of wine is a joy, not a sign of weakness.

This is the time to try an Amarone. Amarone della Valpolicel­la is the kind of wine that you never forget. It is powerful, full of rich, cherry fruit and dark, almost chocolatey tones that are particular­ly suited to drinking on cold winter evenings where it combines perfectly with wellflavou­red meat and game dishes. The name Amarone also gives an indication of its style – hinting at its slight bitter edge (amaro) wrapped up in so much flavour that it is complex, not bitter.

Valpolicel­la may not be the first name you think of when you contemplat­e quality Italian wine. That’s because the name was devalued decades ago by overproduc­tion of low-quality wine so now many of us think of ‘Valpol’ as a thin, cheap, acidic red to be knocked back with a bowl of pasta in the local trattoria.

Amarone is a completely different wine, made from grapes that have been allowed to dry to concentrat­e flavours. This is a historic way of making wine, probably from Roman times or even before, but drying grapes is not straightfo­rward in the hills above Verona. This is not sunny Spain where grapes can be left to dry in sunshine.

Grapes for Amarone are picked at the usual harvest time. Some are picked as early as August, some slightly later, but every bunch must be whole and undamaged. Instead of being immediatel­y made into wine, the bunches are taken to specialist drying lofts known as ‘fruitaio’ situated on hillsides to catch the breeze. They are laid on bamboo racks and stacked so that air constantly circulates around them.

Long before electricit­y and dehumidifi­ers helped in the process, these buildings were the only way to process the grapes. With doors on the south and north facing sides, air blows through the building, and dries the grapes. Heat is never used since this would cook the grapes rather than dry them. Now these fruitaio have become high tech. There is a constant noise as large fans circulate the air at the correct temperatur­e and humidity to allow the grapes to desiccate slowly. “The whole process is computer controlled, and takes the ambient conditions into account,” said Andrea Dal Cin, oenologist at Masi, one of the most important producers of Amarone. “We want the process to last around 90 to 130 days, to allow the right flavours to develop. This means that there are still racks of grapes in lofts at the start of the year following harvest.”

Drying the grapes does more than just concentrat­e the sugars and acids. The process switches on various genes within the fruit which give another level of complexity.

The region of Valpolicel­la stretches back into the hills behind Verona, spread across the valleys of Fumane, Marano, Negrar, Grezzana and Mezzane which run north south, like the fingers of a glove. Soils vary from the rich loam of the valley floors to almost pure white limestone on the hills.

The main grapes of this region are Corvina, Corvinone and Rondinella with the local university doing significan­t research into many old indigenous varieties. One of these, Oseleta, a variety with small tight bunches that was almost extinct in the 1970s is now being revived and replanted. Big pips and small berries give a low yield of juice which meant that in the past it was uneconomic but now it is recognised for its valuable contributi­on to the mix.

Drying the grapes causes them to lose at least 30 per cent of their weight.

 ?? ?? GRAPE TRADITION: The vineyards of Valpolicel­la; above, and, below, grapes drying in the traditiona­l way to make Amarone.
GRAPE TRADITION: The vineyards of Valpolicel­la; above, and, below, grapes drying in the traditiona­l way to make Amarone.
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