Yorkshire Post - YP Magazine

Fortuitous­ly gifted

Lost treasure... John Vincent reports on an unknown Henry Moore sculpture discovered on a farmhouse mantelpiec­e.

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Hardy farmer John Hastings was an outdoors man, more interested in tending to his animals than in fine art, and he paid little heed to the seveninch high “trinket” his father had given him several decades ago. After being moved around over the years, it finally found a resting place on the sitting room mantelpiec­e of the sparse and eccentrica­lly decorated Wiltshire farmhouse where nobody bothered to lock the doors.

Now, following Mr Hastings’ death aged 91 in 2019, the little-regarded ornament has been authentica­ted as a previously unrecorded sculpture by Henry Moore and is to surface at Berkshire auctioneer­s Dreweatts on March 16. It has been afforded a modest pre-sale estimate of £30,000-£50,000 but could well fetch much more.

The story of the lost treasure began when the great Yorkshire sculptor created Mother and Child in lead in 193940 and a few years later gave – or perhaps sold it – to fervent supporter and friend, architectu­ral publisher and editor

Hubert de Cronin Hastings (1902-86), who presented it to his farmer son some time in the early 70s.

The unique sculpture, in trademark semi-abstract style, is particular­ly rare because Moore cast in lead for only a short time while experiment­ing with different materials and incorporat­ing elements in string and wire for a series of stringed sculptures. Unusual markings on the front of the piece could mean it was originally intended to be stringed and the Henry Moore Foundation was able to link it to a 1939 sketch, Eighteen Ideas for Sculpture.

Awaiting the verdict of the foundation was a “nailing-biting experience” for Dreweatts specialist Francesca Whitham. “The sculpture has always been called ‘The

Moore’ within the

family and they are naturally elated, especially as it had always been believed that the sculpture was gifted by Moore to Hubert de Cronin Hastings and remained within the family. It’s an exciting new discovery which provides a rare opportunit­y to own a unique sculpture by Henry Moore. “

Hastings Snr, a great promoter of Modernism and usually referred to H de C, was chairman of the Architectu­ral Press

and editor, from 1927, of Architectu­ral Review

and Architects’ Journal,

through which he met and became firm friends with Moore. Among writers employed on the magazine were Osbert Lancaster, Cyril Connolly, Evelyn Waugh and John Betjeman. Hastings also wrote books under the pseudonym Ivor de Wolfe, one of which bore the unusual title Civilia: The End of Sub Urban Man, published in 1971. Moore, born in Roundhill Road, Castleford, in 1898, became one of Britain’s most important artists of the 20th century and in 2016 his groundbrea­king 1951 modernist sculpture Reclining Figure: Festival

fetched a recordbrea­king £24.7m at Christie’s.

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 ?? ?? HAY DAY: Below, Henry Moore’s little lead sculpture; above, Hubert de Cronin Hastings, the original owner of the little-regarded ‘trinket’ which he gave to his farmer son
HAY DAY: Below, Henry Moore’s little lead sculpture; above, Hubert de Cronin Hastings, the original owner of the little-regarded ‘trinket’ which he gave to his farmer son

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