Yorkshire Post - YP Magazine

Twill power

Yorkshire designer denim brand the Smockworks is branching into bridalwear. Founder Louise Stocks-Young talks to Stephanie Smith and shows how to wear one dress three ways.

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Take one denim smock dress and it will take you pretty much everywhere you might wish to go. Louise Stocks-Young should know – she has worn one almost every day of her adult life. Denim is a passion, she says, adding: “Real denim, not the stretchy type that dominates so much of the women’s market, but proper quality denim.”

She founded her company the Smockworks in 2019, designing her own dresses which are hand-made in Yorkshire by a small team of experts, using a technique and style that harks back to the Middle Ages, when farmers and other manual workers needed the freedom of movement that smocking gave, before the invention of elastics.

There are seven styles, mostly made in Japanese denim but also in a denim especially woven by the London Cloth Company, one of only two companies making denim in the UK. So versatile are the dresses proving that Louise’s atelier has branched out into bridalwear, offering all the designs in an ecru shade

Originally from Boston Spa,

Louise took a degree in Photograph­y, Journalism and Media at London College of Printing. She was part of the founding team of the Fashion & Textile Museum, which opened in 2003, working alongside Zandra Rhodes.

She worked extensivel­y in fashion PR in London before moving back to Yorkshire with her husband, Jason Stocks-Young, a leather craft worker and teacher who has appeared in the BBC TV series Made in Great Britain and Saved and Remade. They live in Holmfirth and both have studios at Woodend Mill at Mossley in Saddlewort­h, where Louise has her atelier and Jason runs his Diamond Awl leather-working courses and his JS-Y Leatherwor­ks brand.

Louise is also a senior lecturer teaching the Fashion, Management and Communicat­ion degree course at Sheffield Hallam University. During lockdown, she developed three new styles – Enid, Eve and Carter – retaining the volume silhouette­s and signature elements of smocking and pleating, but simpler in design. “They are really beautiful to wear, functional with the pockets, to dress down or elevate throughout the seasons,” she says.

The official fashion shoot of her collection took place in her studio, and art director Caroline Baxter, whom she met in the fashion cupboard while they were both on work experience at Elle magazine, came up to assist.

Clients can visit Louise for a fitting. She says: “What they all have in common is that they are looking for something that is really versatile, and they like denim as a fabric, and the fact that it can be elevated.”

Bride Kate Parker recently wore the Honeycomb dress in ecru for her barn wedding in Wales. “When you get married, it’s lovely to be able to retain your own style, but elevate it. Also, they can wear it again and again,” adds Louise.

In the pipeline is a collection of separates in indigo denim. “Most people like denim in some shape or form so there is an automatic connection,” she says. “The dresses are very flattering, and that is very attractive to a lot of women of all ages.”

■ Smockworks dress prices range from £395 to £650. Visit www. thesmockwo­rks.co.uk or email louise@ thesmockwo­rks.co.uk Instagram: @thesmockwo­rks

ONE DRESS, THREE WAYS – Honeycomb takes 10 hours to make, with honeycomb smocking over the shoulders. The fabric is a dark rope-dyed indigo woven by the London Cloth Company, with sleeve godets for extra fullness. All the dresses are available in two lengths – 110cm and 120cm. Every one can be made to order in a 9oz ecru denim, too.

HONEYCOMB ‘CLEAN’ WITH CLOGS: HONEYCOMB LAYERED UNDER A JACKET:

Louise says: “I love the opportunit­y to layer up indigo shades and here is a functional everyday look, which I’d wear in the studio, with my faithful Redwing Clara boots. I’ve layered Honeycomb under a simple “over jacket” we are sampling, made from a lightweigh­t Japanese selvedge chambray. The square shape fits nicely over all the dresses and the length ensures you get a nice layering effect. It’s finished with a dark taupe topstitch and features deep pockets, which is a must for all our dresses.”

HONEYCOMB WORN AS A COAT:

Louise says: “The versatilit­y of Honeycomb makes her one of those pieces you know you’ll get multiple wears out of. Here I’ve layered her over some of my favourite Evisu denim culottes and indigo patchwork blouse bought in Tokyo. Honeycomb has a lovely fullness and sleeve godets so she fits really easily over a layered outfit. I also love the flat shoes, again bought in Tokyo, and the cap is made from natural Japanese indigo which I bought in Kyoto from a master indigo dyer.”

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 ?? ?? Louise says: “I love Honeycomb worn simply, which would be perfect for going out for dinner. Honeycomb has a real specialnes­s about her with the intricate smocking and I feel she can really hold her own as a day or evening dress. I’ve chosen the clogs here as I love the tradition and function associated with them and they are super-comfy to wear with the low heel.”
Louise says: “I love Honeycomb worn simply, which would be perfect for going out for dinner. Honeycomb has a real specialnes­s about her with the intricate smocking and I feel she can really hold her own as a day or evening dress. I’ve chosen the clogs here as I love the tradition and function associated with them and they are super-comfy to wear with the low heel.”
 ?? ?? SIDE BY SIDE: Inset left, Louise Stocks-Young with her husband, leather worker and BBC TV crafter Jason StocksYoun­g, outside their studios in Mossley.
SIDE BY SIDE: Inset left, Louise Stocks-Young with her husband, leather worker and BBC TV crafter Jason StocksYoun­g, outside their studios in Mossley.
 ?? ?? PICTURES: JONATHAN GAWTHORPE / ONE DRESS, THREE WAYS PICTURES – EVELINE LUDLOW.
PICTURES: JONATHAN GAWTHORPE / ONE DRESS, THREE WAYS PICTURES – EVELINE LUDLOW.

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