Yorkshire Post - YP Magazine

Chapter and verse on the lessons of literature

- Reading Lessons by Carol Atherton Fig Tree, £18.99 Review by Moira Redmond

Passionate readers love books like this one, in which Carol Atherton, an English teacher, uses the texts she has taught at school to tell us about herself, her pupils, and her life over the past 40 years.

Each chapter in Reading Lessons is shaped around a different work of literature (or two, in the case of Jane Eyre and Jean Rhys’s Wide Sargasso Sea). The authors covered range from Charles Dickens to Jeanette Winterson to Maya Angelou; from Shakespear­e to Malorie Blackman.

We learn how Atherton first came to the book and reacted to it, and then how she teaches it, and what her pupils thought. It is one of those structures that is so simple and so clear that you think it must have been done before, but Reading Lessons is original and clever and at times very moving.

The teaching of the arts can be a battlefiel­d, but Atherton lays out exactly why young people should study literature: “[Teachers are] getting young people to read between the lines, examine texts carefully and look critically at the values that underpin them – activities that are central to the developmen­t of a humane society, and more urgently needed now than they have perhaps ever been.”

Meanwhile, she writes, in these lessons there are “ambiguitie­s and scope for interpreta­tion” in a way that is missing in chemistry and physics: students are allowed to have opinions.

While some see literature as “a collection of texts embodying some eternal truths, to be handed down reverently from one generation to another”, Atherton makes the case for more varied books in the classroom. The workingcla­ss 1960s classic by Barry Hines, A Kestrel for a Knave (made into the film Kes) teaches her students “the importance of the learning that young people do outside of school”, and the more recent YA historical novel Coram Boy by Jamila Gavin gets them to think about 18th century life and its parallels with the world we live in now.

Atherton is also very funny. For instance, when reflecting on the puzzle of the real-life Lady Macbeth’s son Lulach – who is “dispensed with by Shakespear­e” – she quips: “It is tidier, dramatical­ly, for the Macbeths to be a selfcontai­ned couple, rather than having a stepson hanging round like a grumpy medieval Kevin the Teenager”.

This isn’t just a book about books, but one about the importance of teachers, who are a “significan­t adult influence” in our students’ lives. “We mop up tears and share joy,” she writes. “We have secret stashes of cereal bars for children who don’t get breakfast at home.” You can only think how lucky we all are that there are people like her.

Atherton is obviously very talented, and she considered doing academic research after taking her first class degree from Oxford, but decided to teach in secondary schools instead. At the time she made her decision, some people would have thought she was taking a wrong turn: there existed a view that what you were paid reflected your worth, and that no-one would become a teacher who could do anything else.

You want to force this book on people who think like that, and on the educationa­l experts and politician­s who are so sure they know how schools should operate. We should make Carol Atherton Secretary for Education – except that would take her out of the classrooms where she is clearly such a superstar. At least we have this book.

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