Yorkshire Post

Victims of child abuse to help police improve

- PAUL WHITEHOUSE CLAIRE WILDE

A ‘SURVIVORS’ group’ for child sexual abuse victims could be formed in South Yorkshire to help police develop improved ways of investigat­ing cases in the wake of the Rotherham scandal.

The South Yorkshire force has undergone extensive changes since the child sexual abuse scandal broke in 2012, but the senior command team has said it wants to continue with further improvemen­ts.

Current arrangemen­ts with separate child and adult protection teams will be scrapped and one new public protection unit formed, with all staff members trained in dealing with cases that involve children, providing greater flexibilit­y in the way they operate.

But a further developmen­t is expected to be the creation of a group for those who have experience­d exploitati­on themselves, who are best placed to tell police how they can improve the way they react when cases are exposed.

Assistant Chief Constable Tim Forber said the aim was to set up a victims’ and survivors’ group to help guide the force’s progress, but he warned the need to continue learning was permanent.

He said: “I cannot stress how difficult and complex these cases are.

“When I look at some of the stories of people who have survived CSE (child sexual exploitati­on), it is beyond tragic.”

The aim would be to use the group for feedback on how cases could have been better handled, even in situations where conviction­s had been secured.

“We have done an awful lot with partners in terms of training,” he said.

“The issue with CSE is that it is often a hidden crime.

“I think there is more to do about how to develop eyes and ears on the ground. It can often be a snippet of informatio­n which leads to something more significan­t.”

Although not all prosecutio­ns succeed, the justice system was now more ambitious about the type of cases it would take to court, he said.

Mr Forbes was speaking at the public accountabi­lity meeting of South Yorkshire police commission­er Alan Billings.

Dr Billings said: “Survivors say they would much rather have their day in court, even if it was lost, because it gives closure.”

In 2014, a report by Professor Alexis Jay revealed that the largescale exploitati­on of 1,400 victims had been effectivel­y ignored by police and other agencies for more than a decade.

The National Crime Agency then began Operation Stovewood, an investigat­ion into abuse in Rotherham, after it was called in by South Yorkshire Police three years ago. It is the biggest such inquiry in the UK, with a £6.9m annual budget.

Last month, senior investigat­ing officer Paul Williamson told a briefing that there were now 1,510 potential victims of abuse between 1997 and 2013.

He also revealed that his team of 144 officers had identified 110 “designated suspects”. THE DECOR is traditiona­l 18th century but the faces on the walls at Beningbrou­gh Hall, near York, are, for the moment, strikingly contempora­ry.

A portrait of the actress Dame Judi Dench, born 10 miles away at Heworth, is among those to have been hung for a new exhibition celebratin­g the achievemen­ts of creative women.

Dancer Dame Darcey Bussell and author JK Rowling, creator of Harry Potter, are also featured.

All are from the National Portrait Gallery, to whose collection of 18th-century portraits Beningbrou­gh is also home.

The new collection, displayed over four saloon galleries, includes a costume from the 2008 film , in which Keira Knightley played the 18th-century aristocrat Georgiana Cavendish, Duchess of Devonshire.

The exhibition, staged partly to mark the centenary of women getting the vote, is the biggest to be staged at the hall since it forged its partnershi­p with the National Portrait Gallery in 1979. It runs until November.

In its Georgian heyday, Beningbrou­gh was itself at the centre of the creative world, playing host to evening balls, amateur theatrical­s, music, art and portraitur­e.

Alison Smith, chief curator at the National Portrait Gallery, said: “We are delighted to be sharing portraits of some of the most exciting and influentia­l creative women of the last 100 years.

“These include significan­t gallery commission­s of Dame Janet Baker, Dame Helen Mirren, Dame Iris Murdoch and Dame Darcey Bussell.

“These remarkable women are an inspiratio­n to future generation­s.”

 ??  ?? Katt Nellist, top, from Beningbrou­gh Hall, looks at a painting of Dame Judi Dench. Above left, a film costume worn by Keira Knightley. Inset, Dame Helen Mirren.
Katt Nellist, top, from Beningbrou­gh Hall, looks at a painting of Dame Judi Dench. Above left, a film costume worn by Keira Knightley. Inset, Dame Helen Mirren.

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