Yorkshire Post

Artist’s project to rebuild ruins is approved

Goldsworth­y can finish his work in national park

- STUART MINTING LOCAL DEMOCRACY REPORTER ■ Email: yp.newsdesk@ypn.co.uk ■ Twitter: @yorkshirep­ost

A WORLD-RENOWNED artist has moved a step towards completing his most important work in the heart of a national park, despite fears it could damage the landscape.

Andy Goldsworth­y’s Hanging Stones project involves turning existing buildings in varying states of disrepair, in Rosedale, North Yorkshire, into artworks and connecting them with a sixmile walk.

He has been allowed to rebuild five of the properties as part of the project funded by Carphone Warehouse billionair­e David Ross’s foundation.

Now he has been allowed to rebuild five other ruined historic properties.

The North York Moors National Park Authority’s planning committee gave officers authority to approve the Yorkshire-raised artist’s project once a heritage assessment was complete.

The two-hour debate followed months of deliberati­ons about the artwork.

The meeting heard Mr Goldsworth­y, who is known for works created outdoors from natural materials found on-site, appealed for the scheme to be granted after a decision was postponed to develop a plan to manage volumes of visitors and to assess the potential impact of visitors on the valley.

Committee members heard the project had received widespread support among the global artistic community as well as from the majority of locals and some committee members murmured approval as they were shown photos of the completed Hanging Stones buildings.

Resident Paddy Chambers said residents of Rosedale will feel “justly proud” to host important art.

However, the authority’s director of planning Chris France said some of the ruins were in prominent positions and rebuilding them would represent new building in open countrysid­e, harm the character of the landscape and dilute the special qualities of the national park, particular­ly tranquilli­ty and a sense of remoteness. The meeting heard Mr Goldsworth­y had pledged an archaeolog­ist would be on site to advise whenever

A fantastic idea for re-using a traditiona­l building.

Chris France, North York Moors National Park Authority’s director of planning.

digging would take place and insist that his project would conserve heritage and the landscape’s character.

Mr France added the project was “a fantastic idea for re-using a traditiona­l building which is absolutely inspiratio­nal”, plans to restrict visitor numbers by a booking system would limit the environmen­tal damage, the artwork would be on public rights of way, so any number of people could view it. Withstandi­ng the environmen­tal impact and concerns that farmers could argue they should be allowed to rebuild properties elsewhere if Mr Goldsworth­y was permitted to, members said the economic and cultural benefits of the scheme were plentiful.

Jim Bailey, the park authority’s chairman, said the artwork would renew the character of Rosedale “in an exceptiona­l way”.

 ?? PICTURES: TONY BARTHOLOME­W/TURNSTONE MEDIA/JONATHAN GAWTHORPE ?? BUILDING ART: Kate Gillies, top, walks past one of Andy Goldsworth­y’s works in Rosedale, Fireplace; right: Kate inside the same converted building; left: Andy Goldsworth­y in the Clay Room at the Yorkshire Sculpture Park.
PICTURES: TONY BARTHOLOME­W/TURNSTONE MEDIA/JONATHAN GAWTHORPE BUILDING ART: Kate Gillies, top, walks past one of Andy Goldsworth­y’s works in Rosedale, Fireplace; right: Kate inside the same converted building; left: Andy Goldsworth­y in the Clay Room at the Yorkshire Sculpture Park.

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