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‘I am not SUPERWOMAN. I just say YES where I can: YES to HELP and YES to change’

BRITA FERNANDEZ SCHMIDT, director of the charity Women for Women Internatio­nal UK, has steel, style and a stellar contacts book. She tells Louise Carpenter how teaming up with fashion brands and A-listers is helping her to fight the very worst in humanity

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It’srare that a day will pass in which Brita Fernandez Schmidt does not have to contemplat­e some of the world’s most sickening atrocities against women: rape, torture, kidnap and the murder of children as a weapon of war. As executive director of the charity Women for Women Internatio­nal (WFWI) UK, she has devoted her profession­al life to facing head-on the inhumane acts around the world that the rest of us can bear to think of only fleetingly.

‘It never gets easier,’ she says. ‘After all this time, I am still learning. I don’t think I will ever become less sensitive to it – and I don’t want to either, because it’s important that we feel what happens to women like that. You just have to find a way to focus…’ She pauses; her eyes fill with tears.

Brita recalls being in Rwanda and meeting a beautiful woman called Fatima, dressed in glorious pink. She was dancing, but Brita says she noticed ‘by her eyes’ that ‘something terrible had happened to her’. She later found out that rebels had cut Fatima’s unborn child from her womb and murdered her family in front of her. ‘How do I deal with it?’ Brita says. ‘It is really hard. I do ask, “How can humanity do this? How could anybody do this to another human being?”’

She can’t answer the question, so instead she focuses on raising Brita with WFWI graduate Rebecca in Rwanda money to help the women – through education and counsellin­g – living in the seven countries where WFWI operates: Afghanista­n, Bosnia and Herzegovin­a, the Democratic Republic of Congo, Kosovo, Nigeria, Rwanda and Northern Iraq. (Until recently the charity also worked in South Sudan, but it has become too dangerous for staff and women on the programme.)

Brita’s outward appearance belies her inner steel. Tall and willowy, she has a serene and gentle manner – helped by daily meditation and 6am runs – and fantastic style. If her profession­al life is a response to acts of violence and cruelty, her private life couldn’t be more stable and loving. At 46, she has been with her husband for 23 years (they married in 2000) and they live in Bedfordshi­re with their two teenage daughters.

‘I have such a strong base,’ she says of her family and their home. ‘And I wonder if I could have done what I have for all these years without burning out if I hadn’t had them. It’s just happiness. I come home and it’s, like, “Ahhh, I love my home.” It’s tiny and imperfect but I treasure it. It is important to ground me, because I put a lot of energy into what I do.’

Since setting up the UK office of the US charity WFWI, Brita has expanded it from a team of just two people to 28. One strategy proving successful is a series of fundraisin­g collaborat­ions with top designers including Alice Temperley, shoe designer Charlotte Olympia Dellal, make-up artist Charlotte Tilbury and LK Bennett. Black-tie fundraisin­g galas are another lucrative source of donations.

WFWI’s income almost doubled from £1.7 million in 2012 to £3.7 million in 2016. More than 65 per cent of the charity’s funds come from large grants from foundation and government sources, but these high-profile fashion collaborat­ions are increasing­ly playing a part. Income from celebrity and brand partnershi­ps over the past four years has grown by more than 400 per cent. Through her stellar contacts Brita has managed to raise money, as well as the charity’s profile.

High-profile businesswo­men and celebritie­s are queuing up to help spread the word. Current ambassador­s include Dame Helen Mirren (she’d been on their wish list – ‘and then she just called and said, “I want to get involved”’), actress Sophie Turner, who got in touch after starring in a rape scene in Game of Thrones, Nadja Swarovski, Space NK boss Nicky Kinnaird and Wahaca founder Thomasina Miers.

Brita grew up in Werther, Northwest Germany, until the age of 14. Her desire to help others began when her parents (her stepfather adopted her when she was five) – who were both teachers – moved to Caracas, Venezuela, because they wanted an adventure. ‘You can imagine, I was 14 and had to leave my friends,’ she says. Even the drive from the airport was shocking: ‘There were shanty towns everywhere. Quickly I got a real sense of the poverty and how it disproport­ionately affects women. I went to a German expat school and some children looked down on my parents for being teachers. I couldn’t believe it.’

It was during this time that Brita became vocal about feminism and social injustice. At 19, she decided to study English literature and Portuguese at the University of Essex, followed by a master’s in women’s studies at the University of Sussex. At 23, she began dating the man who would become her husband, Spanish/French student José-Luis Fernandez (now an associate professori­al research fellow at the London School of Economics). A role in the European Women’s Lobby in Brussels followed, then a stint at the Peru Support Group (raising awareness of human and women’s rights in Peru). In 1998 she joined the welfare charity Womankind Worldwide. She worked her way up to become policy director, looking after 60 humanitari­an programmes in 20 countries, and in 2008 she was headhunted to open the UK office of WFWI.

Her very equal marriage to José-Luis is, she says, part of her success: ‘He has grown with me.’ She has a photograph of him and their daughters Emma, 16, and Sara, 14, on her desk. Despite all the field trips required by her job, they have never had a nanny and have always tried to share the childcare, sitting down on Sunday nights to look at their diaries to work out who is taking the children to school and who is picking them up.

She recalls being on holiday and watching her daughters playing in the sand as she read about the plight of

It never gets easier. I ask, ‘How could anybody do this to another human being?’

the Yazidi women in Iraq, kidnapped by Isis and turned into sex slaves. ‘I thought, “I’ve got to do something about this.”’ WFWI didn’t then have a programme in Northern Iraq so Brita decided to use the charity’s 2015 She Inspires Art fundraiser to get the ball rolling. Dressed in Temperley London, Brita stood before the crowd and said: ‘Hello, my name is Brita, I hope you all have had a wonderful holiday. I have two daughters – and I also have a third daughter who is a sex slave.’ The room went completely silent, but she continued: ‘Of course, she is not my blood daughter, but she could be. She could be my daughter.’ The evening raised £830,000, which has gone towards providing displaced Yazidi and Syrian women with counsellin­g to help them with their trauma. ‘Our aim is to show these women that we care and to make them feel less alone,’ says Brita.

When we meet, she is dressed in LK Bennett (the brand recently launched a range of ballet flats embroidere­d by Kosovar women to raise money for the charity). She is also wearing a delicate silver necklace designed by Alice Rivers- Cripps of Posh Totty Designs for WFWI’s ‘Share a Hug’, another campaign for the women in Kosovo.

Events include an auction yesterday at London’s Somerset House, where Havaianas flipflops created by designers including Manolo Blahnik and Mary Katrantzou were sold; a collaborat­ion with jeweller Monica Vinader in September, and a beauty launch with Sienna Miller’s designer sister Savannah and the brand Bagsy in October.

It would be easy to assume that Brita is also wealthy, but she insists: ‘I don’t have access to the same resources as these incredible women, but it doesn’t unbalance me. I feel very grounded and clear about why I am doing what I am doing. My purpose is strong. If I have one skill, it is to try to connect and impress upon everybody that they can make a

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 ??  ?? LK Bennett flats sold in aid of WFWI, embroidere­d by Kosovar women
LK Bennett flats sold in aid of WFWI, embroidere­d by Kosovar women
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