Albany Times Union

Ticketmast­er issues enrage Eurovision fans

- By Annabelle Timsit

LONDON - Just months after the Taylor Swift saga enraged fans around the world, Ticketmast­er is in hot water again this time after tickets to the final of the Eurovision Song Contest sold out in a half-hour, as some fans reported tech issues that left them ticketless.

Tickets to Eurovision - a yearly musical competitio­n known for its colorful performanc­es and devoted fan base - went on sale Tuesday at noon British time. Just 36 minutes later, organizers said tickets to the Grand Final were sold out.

A spokespers­on for the BBC, the broadcaste­r for this year’s contest in May, said “tickets for all nine shows sold out in 90 minutes.” The demand was “extremely high,” it said.

Fans quickly took to Twitter to report issues with the sale, which was managed by Ticketmast­er. Some said they were placed in a virtual queue and then kicked out due to “inactivity,” while others said they received error messages when trying to pay for the tickets in their carts.

Ticketmast­er in an email acknowledg­ed that “a very small number of fans experience­d issues accessing the queue,” but said its website did not crash. It said “ticket sales were unaffected, and thousands of fans secured their seats” to the contest. The company did not respond to follow-up questions about the tech issues or how many fans were impacted.

This latest controvers­y comes as Ticketmast­er is under pressure from U.S. regulators to prove that it is providing the best service to fans and artists, after consumer groups complained that the company - which merged with Live Nation in 2010 - was behaving like a monopoly. The issue was brought to the forefront last year when fans reported widespread systems issues during the presale for Swift’s “Eras” tour, prompting Ticketmast­er to cancel the public sale. The company was later forced to apologize.

This year’s Eurovision Song Contest is particular­ly symbolic. Ukraine won last year’s contest but could not host this year’s - as is traditiona­lly the winner’s right because of the ongoing war.

The city of Liverpool, England, is hosting the contest on Ukraine’s behalf, and the British government has offered to subsidize about 3,000 tickets for Ukrainian refugees living in the United Kingdom. The sale of those tickets will go through a separate ballot process.

For many fans, particular­ly in Europe, where the contest is largely held, Eurovision is a highly anticipate­d tradition, and a chance to gather around the television with friends and family to celebrate one’s country and its musical talents - or lack thereof.

In the United Kingdom, “it used to be a joke,” said Michaeljon

Fosker, 45, a Londoner who has been a fan of Eurovision for 15 years. In fact, the sometimes outlandish nature of the contest was recently parodied in the Netflix film, “Eurovision Song Contest: The Story of Fire,” starring Will Ferrell and Rachel Mcadams. But now, “more people are getting into it and understand that actually, there is good music that comes from Eurovision,” said Fosker.

He cited Italian rock band Maneskin, which won Eurovision in 2021 and went on to be nominated for a Grammy, as an example.

In addition to spotlighti­ng up-and-coming music, many say watching the contest has allowed them to discover other cultures and to see diverse artists represente­d on screen. The event is known for being Lgbtq+friendly, with several LGBTQ+ contestant­s having won the contest.

Oliver Adams, a Eurovision blogger based in Liverpool, told the BBC that he has followed Eurovision since he was a child and that the contest helped him explore his own identity. “I found my queerness through Eurovision,” he said.

Ahead of the sale of Eurovision tickets, Adams told the BBC: “I’ve got my laptop ready, I’ve got my phone ready, I’ve got my work laptop ready. I’ve got every person in my family on standby, ready to hit various assigned shows.”

Yet many fans like Adams, who prepared for the ticket sale to go live and were in the queue when it did, faced difficulti­es navigating the Ticketmast­er website or paying for tickets. On Twitter, some shared screenshot­s of gateway timeouts or error messages that appeared on Ticketmast­er’s website when they were far along in the queue or at the payment stage.

One user joked that Ticketmast­er was “letting the UK down worse than Jemini ever did” - a reference to the 1990s pop duo from Liverpool that represente­d Britain at Eurovision in 2003 and finished last, earning the country zero points.

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