Albuquerque Journal

A hero, an author and an artist

MURAL DEDICATED IN SPAIN, ANAYA HONORED, BATAAN SURVIVOR DIES

- Dan Herrera

In today’s column, I offer some news about some of my favorite people who have appeared in this space before and a bit more about the heroes of Bataan.

Read all about it: artist Frederico Vigil, author Rudolfo Anaya, and journalist Frank Hewlett, who covered the news about those “battling bastards of Bataan” as it was being made.

Frederico Vigil

Just over a year ago, I wrote about New Mexico muralist Frederico Vigil and the work he had just started in Alburquerq­ue, Spain, painting a monumental mural in our sister city’s Salon de Plenos, where the local government meets.

Well, he went back to Spain this month so he could attend the dedication of the mural during the city’s annual fiestas. He was joined on Aug. 11 for the festivitie­s by Mayor Richard Berry and 22 members of the Albuquerqu­e Sister Cities Foundation. We published a photograph of the mayor and Vigil at the

dedication in Saturday’s paper.

“The dedication was wonderful!!” Vigil emoted in an email he sent me last Friday.

When Vigil was working on the 462-square-foot mural, he kept me updated with dozens of photograph­s taken as it took form, as well as pictures of the ancient city. You could sense his excitement and his gratitude for the welcome he received from the residents of our namesake city.

If you want to see Vigil’s most famous mural, you don’t have to go all the way to Spain. A 4,000-squarefoot mural in the round he painted can be seen at the National Hispanic Cultural Center in Albuquerqu­e.

More honors for Anaya

Renowned New Mexico author Rudolfo Anaya recently received word that a portrait of him painted by El Paso artist Gaspar Enríquez has been selected to become part of the permanent collection of the Smithsonia­n’s National Portrait Gallery in Washington, D.C.

The award-winning author of “Bless Me, Ultima” and dozens of other books received word in a letter dated July 27 from gallery Director Kim Sajet that says, “We are more than pleased with this very fine, meditative portrait, which brings you — a major figure of Chicano and Hispanic literature — into our collection, while also representi­ng the artwork of Enríquez, a pillar of Chicano art and its tradition of portraitur­e.”

Anaya told me he posed for Enríquez this year under a pear tree in the patio of his home in west Albuquerqu­e.

“The shadow of the tree was hitting my face, and I asked him, ‘Shouldn’t I be in the sunlight?’ But he said, ‘No. I like to work with shadows.’”

For his part, Enríquez says Anaya “was very cordial, considerin­g I moved him all over the place.”

The portrait, an acrylic on paper using an airbrush, will be on display at the National Portrait Gallery in November in a Recent Acquisitio­ns installati­on.

Enríquez, who has been painting for about 45 years, says, “It was an honor to be able to do a portrait of Rudy, as I admire his work and his dedication.”

Congratula­tions to both the author and the artist.

Update on Bataan

A couple of alert readers provided some interestin­g informatio­n to complement my column of July 25 about the effort to persuade Congress to award the Congressio­nal Gold Medal to the World War II heroes of Bataan and Corregidor, which included a number of New Mexico servicemen.

Both Margaret Garcia, the daughter of the late Bataan veteran Evans Garcia, and Elena Friot, a Ph.D. candidate in the department of history at the University of New Mexico, pointed out that the song, or poem, about the “battling bastards of Bataan” that I referred to was written by Frank Hewlett.

Hewlett died in 1983, and his New York Times obituary says he was “the Manila bureau chief for United Press, the forerunner of United Press Internatio­nal, when the Japanese attacked Pearl Harbor Dec. 7, 1941. He was the last reporter to leave Corregidor Island in Manila Bay before it fell to the Japanese in 1942, and his reporting of the fall of Bataan and Corregidor won the National Headline Award that year.”

Didn’t mean to slight a fellow newsman. And happy to make amends.

I’m also sad to report that one of the 19 New Mexico Bataan veterans who were still alive when I wrote the column has died.

Ernest Montoya, who spent more than three years in a Japanese labor camp after being captured on Corregidor, died on July 29. The Albuquerqu­e resident was 97.

If you want to help these heroes to receive the honor they deserve before they are all gone, contact your members of Congress. And have your friends and relatives in other states contact theirs, too. A bunch of co-signers are required for the bill authorizin­g the award to pass.

Up Front is a daily front-page news and opinion column. Comment directly to editorial page editor Dan Herrera at 823-3810 or dherrera@abqjournal.com.

 ?? COURTESY OF FREDERICO VIGIL ?? New Mexico artist Frederico Vigil recently completed this mural in Alburquerq­ue, Spain, the city Albuquerqu­e was named after, with a slightly different spelling.
COURTESY OF FREDERICO VIGIL New Mexico artist Frederico Vigil recently completed this mural in Alburquerq­ue, Spain, the city Albuquerqu­e was named after, with a slightly different spelling.
 ?? COURTESY OF GASPAR ENRIQUEZ ?? This portrait of Rudolfo Anaya by Gaspar Enríquez has been accepted into the permanent collection of the Smithsonia­n National Portrait Gallery.
COURTESY OF GASPAR ENRIQUEZ This portrait of Rudolfo Anaya by Gaspar Enríquez has been accepted into the permanent collection of the Smithsonia­n National Portrait Gallery.
 ?? JIM THOMPSON/JOURNAL ?? Ernest Montoya, who spent more than three years in a Japanese labor camp after being captured on Corregidor, died on July 29 at age 97.
JIM THOMPSON/JOURNAL Ernest Montoya, who spent more than three years in a Japanese labor camp after being captured on Corregidor, died on July 29 at age 97.
 ??  ??
 ?? COURTESY OF FREDERICO VIGIL ?? New Mexico artist Frederico Vigil shows off his work in October during the early stages of painting a 462-square-foot mural in the Salon de Plenos in Alburquerq­ue, Spain, where the local government meets.
COURTESY OF FREDERICO VIGIL New Mexico artist Frederico Vigil shows off his work in October during the early stages of painting a 462-square-foot mural in the Salon de Plenos in Alburquerq­ue, Spain, where the local government meets.

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