Albuquerque Journal

Saga of the SEVEN

New Mexico-filmed remake features all-star cast, stunning cinematogr­aphy

- BY KATIE WALSH

Seven warriors fight for the vulnerable in a formula that bears revisiting in “The Magnificen­t Seven.” Akira Kurosawa’s 1954 masterpiec­e, “Seven Samurai,” begat the classic 1960 Western “The Magnificen­t Seven,” then a late-’90s TV series and now, a big-budget action adventure Western directed by Antoine Fuqua. It’s an appealing concept — bad guys who can be good, loners who can work together and find camaraderi­e in a team when it comes to protecting innocents.

With the blockbuste­r cast that Fuqua has assembled, including Denzel Washington, Chris Pratt, Ethan Hawke, Vincent D’Onofrio and Peter Sarsgaard, as well as stunning cinematogr­aphy by Mauro Fiore, this Western epic remake filmed in New Mexico should be an easy home run. It’s all there — except for the writing, and that failure is the Achilles’ heel that never lets this version of “The Magnificen­t Seven” achieve liftoff.

Written by “True Detective” scribe Nic Pizzolatto alongside “Expendable­s” and “The Equalizer” writer Richard Wenk, “The Magnificen­t Seven” is long on violence and short on story, character developmen­t, motivation

and all the other things that make any kind of violence satisfying to watch. Therefore, despite all the star power, charisma and dusty heroics on screen, it’s impossible to care about any of it.

The biggest problem is a failure to adequately establish the villain, Bartholome­w Bogue. Sarsgaard does his sniveling best with the two scenes he is given to portray Bogue, a tyrannical capitalist who equates democracy with God with the free market, and who has seized the town of Rose Creek for the purposes of gold mining. In a pre-credits opener, we see just what a baddie he is, tormenting children, shooting up a church and mowing down innocent citizens, but it’s just not enough to justify the endless violence that the seven return, especially since the townspeopl­e are endangered and killed in the melee themselves.

To top it off, there’s just not enough backstory and character motivation to believe that these seven would put themselves on the line for this tiny town. Spunky Emma (Haley Bennett) retains the services of warrant officer Sam Chisholm (Washington), who has a deep secret memory of Bogue that sparks his interest in the job. The other six he strong-arms into joining him, including Faraday (Pratt) and Vasquez (Manuel Garcia-Rulfo). He calls on old pal Goodnight Robicheaux (Hawke) and his associate, Chinese fighter Billy Rocks (Byung-hun Lee), and somehow persuades Comanche warrior Red Harvest (Martin Sensmeier) and cowboy Santa Claus Jack Horne (D’Onofrio) to join up too. Why any of them participat­es in the massacre is, frankly, a mystery.

The Western genre has always worked as a metaphor — a fable that allows us to work out our contempora­ry quandaries through the screen of a period piece. In this “Magnificen­t Seven,” there’s a celebratio­n of guns that feels both of that era of lawless shootouts, and unfortunat­ely, of this era too.

These gunmen protect citizens entitled to freedom from unfettered capitalism. It’s a politicall­y complicate­d message, at once conservati­ve and liberal, speaking to both sides. While there might be an intriguing moral wrapped in this violent package, without the human element urging the story forward, the “Magnificen­t Seven” turns out to be rather insignific­ant after all.

 ?? COURTESY OF MGM/COLUMBIA PICTURES/SONY/SAM EMERSON ??
COURTESY OF MGM/COLUMBIA PICTURES/SONY/SAM EMERSON
 ?? COURTESY OF MGM/COLUMBIA PICTURES/SONY/SAM EMERSON ?? Denzel Washington, left, and Chris Pratt in a scene from “The Magnificen­t Seven,” which was filmed in New Mexico.
COURTESY OF MGM/COLUMBIA PICTURES/SONY/SAM EMERSON Denzel Washington, left, and Chris Pratt in a scene from “The Magnificen­t Seven,” which was filmed in New Mexico.

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