Albuquerque Journal

Healing quest

Exhibit explores New Mexico’s role in seeking a cure for TB

- BY KATHALEEN ROBERTS ASSISTANT ARTS EDITOR

NM’s role in seeking a cure for TB

The city of Albuquerqu­e was built on breath.

The tuberculos­is epidemic brought some of New Mexico’s brightest luminaries to the state:

U.S. Sen. Clinton Anderson, William Randolph Lovelace (founder of the medical center) and architect John Gaw Meem.

Billy the Kid first arrived in New Mexico when his mother sought treatment in Silver City.

Waves of desperate victims accelerate­d both Albuquerqu­e’s and New Mexico’s growth through sanatorium­s, boarding houses, grocery stores, banks, hospitals and, unfortunat­ely, mortuaries and cemeteries.

Starting this weekend, the Albuquerqu­e Museum is showing “Chasing the Cure,” an exploratio­n of the social, political and economic impact that came with the TB scourge in the late 19th and early 20th centuries. The exhibit chronicles the period with the help of vintage photograph­s, documents, patient artwork, pop culture and artifacts.

In 1901, there were seven grocery stores in Albuquerqu­e. In 1935, there were 198. In 1901, there were seven hotels; by 1935, there were 21.

“By the early 1900s, between 40 and 60 percent of the population of Albuquerqu­e were health seekers,” guest curator Katherine Pomonis said.

By 1910, Albuquerqu­e’s TB death rate was seven times the national average.

Tuberculos­is is an infectious disease caused by a slow-growing, rod-shaped bacterium called Mycobacter­ium tuberculos­is. This airborne pathogen passes from infected persons when they cough, sneeze or spit, invading the pulmonary system as well as other parts of the body. Today it kills an estimated 2 million people a year worldwide.

At first, the disease was misunderst­ood, even romanticiz­ed. It penetrated opera (“La bohème”), literature (“Crime and Punishment”) and art; in 1896 the expression­ist Edvard Munch painted his sister dying of TB.

From the 1700s to the early 1900s the gaunt, fragile look of tubercular­s was fashionabl­e. Observers thought the dying patient possessed a romantic spirit led by creative gifts. This misguided assumption was especially true of artists and intellectu­als, who watched as creative giants like Elizabeth Barrett Browning, Frederic Chopin, Robert Louis Stevenson, Anton Chekhov and Emily Brontë succumbed to the disease.

After the 1826 opening of the

Santa Fe Trail, TB patients started heading to the Southweste­rn Plateau because they heard it described as an Eden of the West, Pomonis said. The opening of the Santa Fe Railroad in 1880 expedited the hordes of people seeking a cure. Doctors believed the dry climate and high elevation were therapeuti­c. During the 19th and early 20th centuries, officials thought the disease was transmitte­d by the poor in urban population­s. Also known as consumptio­n or the white plague, tuberculos­is was the leading cause of death in America in the 1800s and early 1900s.

At the height of the sanatorium movement (1902-1937), Albuquerqu­e boasted 17 sanatorium­s; the state housed 52. Doctors seeking cures for themselves raised the standard for what was essentiall­y no medical care across the region.

There was no cure until the discovery of the antibiotic streptomyc­in in 1940.

“There was no health care per se at the beginning,” Pomonis said. “The people who came came because they could afford to. Those who could not lived in tents and shanties on the West Mesa.”

Santa Fe’s St. Vincent, opened in 1878 by the Sisters of Charity, was the first sanatorium in the state. In 1902, the same order opened St. Joseph in Albuquerqu­e.

Doctors and nurses cared for their patients under a rigid schedule dictating when they awoke, ate and visited others. Many were given what became known as the Piso’s cure, essentiall­y a cough syrup containing chloroform and cannabis.

Some patients recovered; most didn’t. As fears of contagion spread, patients were told to stay home.

“I was basically raised in Santa Fe,” Pomonus said. “My dad had a restaurant on the Plaza. The artists would come in for a cup of coffee.

“We all knew they came because of TB,” she continued, “and TB had a stigma. Parents would say, ‘Don’t do that; you might get TB’ There was a stigma that if you lived an open life. … it was like AIDS.”

 ?? THE COURTESY OF ASSOCIATIO­N AMERICAN LUNG MEXICO OF NEW COURTESY OF THE ALBUQUERQU­E MUSEUM PHOTO ARCHIVES ?? A group of tuberculos­is patients, above; mobile clinic, left.
THE COURTESY OF ASSOCIATIO­N AMERICAN LUNG MEXICO OF NEW COURTESY OF THE ALBUQUERQU­E MUSEUM PHOTO ARCHIVES A group of tuberculos­is patients, above; mobile clinic, left.
 ?? COURTESY OF THE ALBUQUERQU­E MUSEUM ?? Albuquerqu­e promotiona­l advertisem­ent for health seekers.
COURTESY OF THE ALBUQUERQU­E MUSEUM Albuquerqu­e promotiona­l advertisem­ent for health seekers.
 ?? COURTESY OF WIKIMEDIA COMMONS ?? “Falling Away,” a combinatio­n print by Henry Peach Robinson, c. 1858.
COURTESY OF WIKIMEDIA COMMONS “Falling Away,” a combinatio­n print by Henry Peach Robinson, c. 1858.
 ?? COURTESY OF THE ALBUQUERQU­E MUSEUM ?? “No spitting” brick.
COURTESY OF THE ALBUQUERQU­E MUSEUM “No spitting” brick.

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