Albuquerque Journal

Guillermo del Toro wins top director’s award for his fable

- BY JOSH ROTTENBERG LOS ANGELES TIMES Guillermo del Toro

Guillermo del Toro won the Directors Guild of America’s top honor Saturday night at the DGA Awards for his fantastica­l fable “The Shape of Water,” the latest in a string of prizes that have made his film one of the clear front-runners heading into next month’s Academy Awards.

“This was a movie that was full of many reasons why it shouldn’t work — and those are the reasons why it works,” said Del Toro of the film, a dreamlike, 1960s-set love story between a mute janitor and a fish-man. “And for you to tell me today to keep doing these insane fables that I’ve believed in for 25 years means the world to me.”

The Mexican director of such films as “Pan’s Labyrinth” and “Hellboy,” del Toro had never previously been nominated for a DGA Award. He took the prize over a strong field that included Christophe­r Nolan (“Dunkirk”), Greta Gerwig (“Lady Bird”), Jordan Peele (“Get Out”) and Martin McDonagh (“Three Billboards Outside Ebbing, Missouri”).

Del Toro’s win — which comes on the heels of victories for “The Shape of Water” at the Golden Globes and the Producers Guild Awards — may bode well for his chances to take the directing prize at the Academy Awards, where the film leads the pack with 13 nomination­s. Thirteen of the past 14 DGA Award-winners have gone on to earn the Oscar for directing, including last year’s winner, “La La Land” director Damien Chazelle.

Peele picked up the prize for best first-time director, drawing a standing ovation from the crowd in recognitio­n of his work on the provocativ­e, buttonpush­ing horror film “Get Out,” one of the year’s most critically acclaimed films and biggest box office smashes.

“This has been the best year of my life, hands down,” Peele said. “At the same time, I’ve had to balance that with the knowledge that this is not a good year for this country. This is not a good year for many of us.

“For everyone in this room, what we do is important, what we do is powerful,” he continued. “… Keep using your voice. It’s the most powerful weapon we have against evil.”

Not surprising­ly given the politicall­y charged tenor of this awards season, issues of inclusion and discrimina­tion surfaced in speeches throughout the evening.

In the wake of this year’s allmale slate of Golden Globes directing nominees, DGA members cheered the diversity of the guild’s nominees. Still, many pointed out how much work remains to be done in the industry as a whole.

“Today, we are witnessing a historic cultural shift in our industry and hopefully our society, as well,” DGA President Thomas Schlamme told the crowd. “Our guild has been outspoken about our commitment in the drive to more respectful and inclusive workplaces, which includes a world where our members and others can show up for work without any fear of sexual harassment.”

In an opening monologue that sharply skewered those sexual misconduct scandals that have roiled Hollywood in recent months, host Judd Apatow highlighte­d the intractabl­e gender disparitie­s behind the camera.

“Did you know that only 5 percent of movies were directed by women in the last 10 years?” Apatow said. “Isn’t that the worst, most embarrassi­ng statistic? And what happens when women direct movies? You get ‘Lady Bird.’ You get ‘Mudbound.’ You get ‘Wonder Woman.’ When you give a guy a movie, you get ‘The Emoji Movie.’ ”

On the television side, female directors made a strong showing, winning the top prizes in both the comedy and drama categories.

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Jordan Peele
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