NM’S HIDDEN GEMS
Nearly 20 years in, the National Hispanic Cultural Center’s permanent collection continues to grow in diversity
In a new feature, Journal Arts Editor Adrian Gomez tells the stories behind some of the treasures you can see at museums across the state in “Gimme Five.”
Editor’s note: Beginning today, and continuing the third Sunday of each month, Journal Arts Editor Adrian Gomez tells the stories behind some of the hidden gems you can see at museums across the state in “Gimme Five.”
Museums. Each is full of relics from the past that highlight a morsel of history. Entering a museum can send one into a visual overload.
As visitors, we often tend to concentrate on what is put in front of us, thus passing by many other items of interest.
In less than 20 years, the permanent collection of the National Hispanic Cultural Center has steadily grown — all without a big acquisitions budget.
The NHCC relies on donations to its permanent collection as well as monetary donations for its budget.
The curatorial team often delves deep into the center’s collection to put together exhibitions that tell a piece of Hispanic culture.
The NHCC is in the heart of Barelas, at Fourth and Avenida César Chávez, and is home to hundreds of pieces that help tell the Hispanic story.
NHCC Visual Arts Director Tey Marianna Nunn leads a staff in creating exhibits.
Although it’s not wise to choose favorites, Nunn was willing to highlight five pieces in the permanent collection that are hidden gems — mostly in plain view.
3 “GUADALUPE MAGIC ETCHA-SKETCH”
With the “Virgin of Guadalupe — Magic Etcha-Sketch,” by Steve Hanks, there can be a lot of head scratching.
Acquired in 2002, it is part of the Schlenker collection, which contained over 100 objects with the image of the Virgin of Guadalupe, Nunn says.
The image is drawn onto an Etch-a-Sketch, a mechanical drawing toy that has a thick, flat gray screen in a red plastic frame. There are two white knobs on the front of the box that, when turned, draw on the screen. If the box is shaken, the picture will disappear.
“This is one we like to show on collection tours,” Nunn says. “We like to tease people with it because they think that if we shake it, it will disappear. We don’t tell them it’s glued. From the museum perspective, we have to figure out how to preserve the glue.”
Nunn has learned of an artist in Santa Fe in the 1980s and ’90s who showed Etch-aSketch art in a gallery. She is trying to track down the artist.
4 MEXICAN PIÑATA
One of the newest additions to the NHCC collection found its home in 2018 — it’s a piñata.
The Mexican piece was created in the 1920s or ’30s, and its maker is unknown.
Finding it was serendipitous.
“It was found by one of the curators in an antique store in Santa Fe,” Nunn says. “We were thinking of doing a piñata show because they are ephemeral. Not many antique ones exist because piñatas, of course, are supposed to be smashed.”
Sitting in the antique store was this piece, made out of papel de chine, newsprint, clay pot and ceramic head.
“It’s made out of the jarro,” Nunn says. “It is probably one of the oldest piñatas in any museum collection. This also poses a special set of circumstances: How do you keep this ephemeral thing from disintegrating?”
5 “CHOOE’ SHOE”
Staying with the topic of Virgin of Guadalupe is Goldie Garcia’s “Guadalupe’s ‘Chooe’ Shoe.”
The piece is a gift from the artist and is made of paper, glitter, sequins, beads, tin, rhinestones, fabric and resin on a leather shoe.
Garcia is an artist and comedian from Albuquerque who is known for her bottle cap art.
“What people don’t realize is that Goldie hand-places the major components to her compositions,” Nunn says. “She composes each piece, which makes them so extraordinary. It’s also cool to know that Guadalupe has beautiful shoes.”