Albuquerque Journal

WINDOWS //

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Fuentes was one of 60 artists chosen for a window art installati­on around northern New Mexico and Albuquerqu­e.

The collaborat­ing organizati­ons gave a $500 stipend to each artist.

Fuentes wanted his window to reflect how the traditiona­l

papel picado has evolved in a contempora­ry style.

“My hope is that people will be drawn to the window display because they recognize the papel picado tradition, but will find that it reflects our society today,” he says. “At age 62, I have been cutting paper, as my primary medium, since I was 5 years old, and have never stopped.”

He used the entire window space. Because it is papel

picado, the light shines inside the building, causing visitors to look through the artwork.

“Ultimately, my goal is that the work will have such an impact that people will go out of their way to approach the work and look at it in detail,” he says.

Fuentes’ piece features Mayan faces on each side — two looking inward, the other two looking outward.

In the middle is a white girl holding a bouquet of flowers. On the other side of her is a Black girl, also holding flowers.

“The message here is we are worrying about taking down bronze sculptures,” Fuentes says. “But there are still kids in cages and no one is worried about it. There is a homeless problem. Our air is polluted. This piece shows that we can offer equity and inclusion.”

Prior to beginning, Fuentes was going to go in a different direction, but didn’t want to create controvers­y.

Instead, he wanted a piece that showcases how we can teach our children about inclusion and equity.

“As a society, we teach young kids to dislike others for being different,” he says. “But we can change things at a molecular level. We can teach kids about love and inclusion. When that happens, they can carry those lessons with them all their lives.”

Fuentes will also install pieces at the Michael Gorman Gallery and the 107B Gallery in Taos.

“I wanted to get out of the city and be in a space that inspires me,” Fuentes says. “Taos was that place and it’s made my cutting paper for four days straight worth it.”

 ?? COURTESY OF TLACAEL FUENTES ?? Tlacael Fuentes used Mayan influences to create some of the pieces in his window installati­on.
COURTESY OF TLACAEL FUENTES Tlacael Fuentes used Mayan influences to create some of the pieces in his window installati­on.

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