Albuquerque Journal

Mystery OF THE MAYA

Theories about a collapse abound

- BY KATHALEEN ROBERTS ASSISTANT ARTS EDITOR

The mysteries of the Maya swirl amid strangling vines and slashing machetes carving paths through the footsteps of time.

“Maya Ruins Revisited: in the Footsteps of Teobert Maler” bookends the 19th century German explorer/ photograph­er with more recent images by Santa Fe’s William Frej.

Produced by Peyton Wright Publishing, the 292-page book and accompanyi­ng exhibition compares the past with the present, documentin­g changes occurring across the intervenin­g century.

The Maya lived throughout Mesoameric­a from roughly 600-900 B.C. to 900 A.D., when they vanished. They produced the most sophistica­ted and highly developed writing system in pre-Columbian America. The Maya were also celebrated for their art, architectu­re, mathematic­s, calendar and astronomic­al system.

Theories about the civilizati­on’s collapse vary widely.

“That’s the big mystery of the Maya,” Frej said. “That keeps anthropolo­gists and archaeolog­ists busy.”

Speculatio­n ranges from extended warfare to drought to shifting trade routes and overpopula­tion.

“They didn’t disappear; they just dissipated into the jungle,” Frej said.

Today, 10 million Maya remain in Mexico and Guatemala, most still speaking their native language.

Frej grew enamoured of the Maya after seeing Maler’s photograph­s while he was studying architectu­re. He first visited Mayan ruins in the 1970s. He committed himself to the camera after retiring from the U.S. Agency for Internatio­nal Developmen­t, a job that took him across the globe from Poland to Indonesia, Kyrgystan and Afghanista­n. He has visited more than 180 Maya archaeolog­ical sites in Mexico and Guatemala, more than half of which were first photograph­ed by Maler.

“He was one of the most extraordin­ary expedition­ist photograph­ers that ever lived,” Frej said. “I’ve always been intrigued by his history of coming to Mexico as part of Maxmilian’s army.”

Archaeolog­ists believe the structures both men photograph­ed were used for religious purposes or palaces.

Climbing their many pyramids and temples entangled in jungle growth kindled Frej’s sense of awe and respect for the Mayans as architects, scientists and iconograph­ers. He hired Mayan guides in order to reach the remote sites. Many of the trails were the same paths used by Mayan beekeepers.

Maler’s 1887 photograph of “Sabacche, Yucatan, Mexico, East Facade” nearly mirrors Frej’s 2014 image of the same site.

“It’s so similar; there’s been very little reconstitu­tion of the structure,” he said. “There’s a mask on the front of the facade that’s quite unique. Some call these ‘chac masks’; it means rain.”

Other experts doubt the designatio­n, saying they may be passages to the underworld, Frej added.

“They all have very long noses and googly eyes.”

Both Maler’s and Frej’s images of “Tantah, Cameche, Mexico” are similar, despite the 131-year time difference.

Maler described Dzibiltun in Campece, Mexico, as “a ruined city concealed in a thicket.”

When Frej traveled there on rugged beekeeper roads in the back of a pickup, he bushwacked through the high grasses. When he arrived, the grasses surroundin­g the buildings were neck high.

With its dramatic serpent head “Venus Platform” at its base, Chichén Itza’s towering El Castillo (the castle) is the second most visited archeologi­cal site of Mexico today. The full name means “at the mouth of the well of Itza.” Founded in the ninth century, its residents abandoned it without explanatio­n in 1250. The main building is a three-dimensiona­l calendar.

The Nocuchich Tower is one of the few such structures in the Mayan world.

“We attempted this three times and finally got in on the third try,” Frej said. “Maler photograph­ed another one about 200 yards away; that tower is now gone. It could have been a lookout tower. It’s a mystery.”

The building of these structures in a culture without the wheel or pack animals adds yet another mystery to these ancient sites. They were built largely of limestone, although few quarries were nearby. The builders used obsidian to slice the stones.

“Can you imagine what that took to build?” Frej asked. The people used slaves captured during warfare; others likely were laborers loyal to royalty.

Frej’s next book will be “Seasons of Ceremonies” highlighti­ng 14 Indigenous groups in Mexico and Guatemala, to be published by the University of New Mexico Press.

 ?? COURTESY OF WILLIAM FREJ ?? FAR RIGHT: “Sabacche, Yucatan, Mexico,” 2014 by William Frej.
COURTESY OF WILLIAM FREJ FAR RIGHT: “Sabacche, Yucatan, Mexico,” 2014 by William Frej.
 ?? PHOTO BY TEOBERT MALER ?? RIGHT: “Sabaache, Yucatan, Mexico, East Facade, 1887” by Teobert Maler.
PHOTO BY TEOBERT MALER RIGHT: “Sabaache, Yucatan, Mexico, East Facade, 1887” by Teobert Maler.
 ?? COURTESY OF WILLIAM FREJ ?? “Dzibiltun,” 2016 by William Frej.
COURTESY OF WILLIAM FREJ “Dzibiltun,” 2016 by William Frej.
 ?? COURTESY OF WILLIAM FREJ ?? “Chichen” by William Frej.
COURTESY OF WILLIAM FREJ “Chichen” by William Frej.
 ??  ??
 ??  ??
 ?? COURTESY OF WILLIAM FREJ ?? ABOVE: “Labna, El Mirador, Yucatan, Mexico,” 2020 by William Frej.
TOP: “Dzehkabtun, Campeche, Mexico, Building with Roof Comb,” 2017 by William Frej. LEFT: “Nocuchich, Campeche, Mexico, Tower, North Facade,” 2018 by William Frej.
COURTESY OF WILLIAM FREJ ABOVE: “Labna, El Mirador, Yucatan, Mexico,” 2020 by William Frej. TOP: “Dzehkabtun, Campeche, Mexico, Building with Roof Comb,” 2017 by William Frej. LEFT: “Nocuchich, Campeche, Mexico, Tower, North Facade,” 2018 by William Frej.

Newspapers in English

Newspapers from United States