Albuquerque Journal

SURROUNDED BY ART

Bryce Nañez finds a ‘community of supportive counterpar­ts’ with Lapis Room’s ‘Camouflage’

- BY ADRIAN GOMEZ

Growing up in Las Cruces, Bryce Nañez was certain he would never live in two places – Austin, Texas, and Albuquerqu­e. Turns out, the Albuquerqu­e-based artist has lived in both places — each making a difference in his life.

“I’ve enjoyed both places and it’s where I ended up,” he says. “When I was growing up, my brother was sick and we came to Albuquerqu­e to go to the doctor. I didn’t associate it with a good time. But that’s all changed now that I’m living here.”

Nañez makes his way in the local art scene with his pop culture influenced pieces of work. He’s one of a dozen artists participat­ing in “Camouflage: A Perennial Mood Show” at Lapis Room in Old Town.

Nañez has always been surrounded by art.

Though, it wasn’t until after he finished college, he began painting again from within pop realism.

One of his most notable pieces is a 36x48 inch acrylic on canvas portrait titled “Pacman,” which was commission­ed by the world champion Filipino boxer, Manny Pacquiao, in 2016.

Beyond his artistic pursuits, Nañez is committed to making a positive impact in the community and donates services and artwork, annually, in support of local organizati­ons and the people they serve.

“In my artistic exploratio­n of pop realism, I select and integrate iconic symbols and references, infusing my creations with a contempora­ry vibrancy,” he says. “The use of details and techniques borrowed from realism ensures that the subjects retain a tangible, recognizab­le quality, while the infusion of pop culture elements adds a dynamic and current dimension to the artwork. This synthesis allows me to capture not only the essence of subjects or scenes, but also the pulse of the evershifti­ng cultural landscape.”

In the “Camouflage” group show, he has two pieces — “Boot Camp” and “Urban Warfare.”

Nañez was approached by Lapis Room owners to be in the show, which takes a look at camouflage and how it is used.

“I didn’t have anything that fit that theme,” he says. “I created a couple pieces for the show. ‘Boot Camp’ has an Air Jordan high top concept color wave and it has camo incorporat­ed through it.”

Meanwhile, “Urban Warfare” has a hanging parachute and a pair of shoes hanging from a wire.

“I’m excited to show alongside the artists in this show,” he says. “It’s a moment for us to get together to network and create a collaborat­ive group. It’s a community of supportive counterpar­ts.”

Nañez usually finds time to paint at night through the early morning.

He says there’s a lot that goes into his job, as he’s a web developer and salesperso­n.

“It’s at night when I feel the most comfortabl­e,” he says of his process. “I try to share the process through social media to give a glimpse of my life.”

Nañez finds time to spend with his son, who also takes a liking to painting.

“He’s joined me in the studio to create some of his own pieces,” he says. “It’s incredible to have him spend time with me in the studio and see what I do. Those are the moments I cherish.”

Nañez will also be the guest artist and give a demonstrat­ion at “Sip Quetzal” from 7-9 p.m. April 19, at Lapis Room in Old Town. Tickets are available at lapisroom.com.

 ?? COURTESY OF BRYCE NAÑEZ ?? Albuquerqu­e-based artist Bryce Nañez in the studio with “Boot Camp.”
COURTESY OF BRYCE NAÑEZ Albuquerqu­e-based artist Bryce Nañez in the studio with “Boot Camp.”
 ?? ?? “Urban Warfare” by Bryce Nañez.
“Urban Warfare” by Bryce Nañez.

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