Albuquerque Journal

Indigenous group gets formal apology for crimes of the past

Krenak leader also earns seat at the Brazilian Academy of Letters

- BY ELÉONORE HUGHES AND MAURICIO SAVARESE

RIO DE JANEIRO — It was a historic week for Brazil’s Krenak people, getting both literary esteem and an apology for dictatorsh­ip-era crimes — both firsts for the Indigenous people of the country.

On Tuesday, the indigenous group received a formal apology for human rights abuses they suffered during the military dictatorsh­ip (1964-1985) — a first in Brazil. Then on Friday one of their leaders, renowned writer and environmen­talist Ailton Krenak, earned a seat at the Brazilian Academy of Letters, the country’s most exclusive literature body.

During Friday’s ceremony, Krenak received a sword, a necklace and a diploma from his peers. Wearing an Indigenous headband and the academy’s traditiona­l green vest adorned with golden embroidery, he said he had come “to bring more languages” to the room.

“My relatives have come from different parts of Brazil to be here. I can’t mention every ethnicity here, there are many,” Krenak said in his speech. “I am here. I am Guarani, I am Kayapo, I am Xavante, I am them all.”

Earlier, Krenak told the academy he wants to create a platform to make the institutio­n’s documents and books available in Indigenous languages, many of which are on the verge of disappeari­ng.

“We could do this for every native tongue. It is completely up to the Brazilian Academy of Letters to include another 170 languages beyond Portuguese,” Krenak said.

“The idea is to prioritize spoken language, and not text. What threatens these (Indigenous) languages is the lack of speakers,” he added. Among notable members of the Brazilian academy are Grammy-award winner Gilberto Gil and actress Fernanda Montenegro, who was nominated for best actress in the 1999 Academy Awards.

Tuesday’s apology was also a ceremoniou­s event. On a stage featuring Brazilian states’ flags and in a crowded room packed with Indigenous people, some of whom were wearing traditiona­l headdresse­s and black body paint, law professor Eneá de Stutz e Almeida knelt before Indigenous leader Djanira Krenak.

“In the name of the Brazilian State, I want to ask forgivenes­s for all the suffering your people have gone through,” said de Stutz e Almeida, the president of the amnesty commission attached to the human rights ministry responsibl­e for investigat­ing the dictatorsh­ip’s crimes.

Those crimes included forcing the Krenak off their land in southeaste­rn Minas Gerais, where a so-called reformator­y site was built. There, Indigenous peoples were tortured, beaten and forbidden to speak their languages.

The military also created a rural guard made up of Indigenous people, who were taught torture techniques.

The commission also extended an apology to the Guarani Kaiowá Indigenous people, who were also chased off their land in Mato Grosso do Sul state to make way for farms run by non-Indigenous Brazilians.

Ailton Krenak fled his home territory when he was about 11 years old, only to return as an adult.

The military thought “that Brazil could deal with native peoples in a paternalis­tic way and could prepare them for civilizati­on,” Krenak told The Associated Press in an interview following Tuesday’s apology.

The cases about the Krenak and the Guarani Kaiowá Indigenous groups were first rejected by the amnesty commission in 2022, when members appointed by former President Jair Bolsonaro’s government were in place. Prosecutor­s appealed both decisions.

The Bolsonaro presidency (2019-2022) facilitate­d mining, logging and large-scale agricultur­e in Indigenous territorie­s.

President Luiz Inácio Lula da Silva has long advocated for Indigenous peoples’ rights since taking office for a third, non-consecutiv­e term in 2023. He climbed the presidenti­al ramp alongside Indigenous chief Raoni.

In Lula’s first year, the amnesty commission changed its rules to allow for apologies to be issued not only to individual­s but entire groups, paving the way for Tuesday’s ceremony — and potentiall­y many more.

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