American Art Collector

THE PORTRAIT SOCIETY OF AMERICA

The Founding Five

- by Christine Egnoski

In February 1998, Edward Jonas, the current chair of the Portrait Society of America, and Gordon Wetmore traveled to New York City to meet with four of the most accomplish­ed and heralded portrait artists of our time. At a table in the National Arts Club, they presented to William Draper, Daniel E. Greene, Everett Raymond Kinstler and Burton Silverman their plan to create a nonprofit organizati­on that would foster and enhance fine art portraitur­e and figurative art. Wetmore and Jonas asked each of these nationally known artists to lend their reputation and guidance as advisory board members. As each one said “Yes,” Wetmore and Jonas looked at each other with smiles of relief, because they knew if their answer was “No,” then the plan would not go forward.

Turning an idea into a winning plan is similar to any project, you have to go back to the fundamenta­ls and define the five W’s: what, why, who, when, where. The first step: identifyin­g WHAT. The answer was to build an educationa­l organizati­on founded by artists, run by artists, for the sole purpose of all becoming better artists. Next, if you have the what, you also need to address the WHY. Everyone involved was committed to the belief that creating a stimulatin­g environmen­t where artists would volunteer, contribute and share new ideas, techniques, concepts and inspiratio­n would build a bridge between establishe­d and aspiring artists to facilitate the personal and artistic growth through the open sharing of knowledge.

Now you have created a defined mission, but you have to identify the WHO. An all-volunteer executive and advisory board was establishe­d and paperwork was filed for 501(c)(3) nonprofit status. This would enable the Portrait Society to exist for many years as an entity

separate from one person who may have profit making as their sole motivation. The second part of who is, “who is your audience?” Our members consist of establishe­d artists, patrons, aspiring and emerging artists and the public. Finally, the fourth W, WHEN, was answered over two decades ago at that meeting in the National Arts Club, when the Portrait Society was establishe­d. Through a broad base of support, the Portrait Society has grown to 3,250 members from all over the world.

Answering the first four W’s provides a clear path as to how you get from WHERE you are now to where you want to be. You have identified what you need to move forward. Fast forward two decades later and the Portrait Society has built a financiall­y solid nonprofit based on a vision of an organizati­on with the sole purpose of keeping portraitur­e alive and well through educationa­l programs for art students, practicing artists and the interested public.

Through collaborat­ion we have made great strides, and as we embark on our third decade, we will continue to be centered on offering the highest quality of educationa­l resources and the most innovative programs concerning the history and techniques of portraitur­e and figurative art.

So, whether you are looking for inspiratio­n or an educationa­l opportunit­y, we invite you to join today. Our members enjoy a variety of benefits including: discounted tuition to programs, compliment­ary subscripti­on to The Art of the Portrait Journal and Internatio­nal Artist, monthly E-News, access to a tollfree artist hotline for questions on technique, aesthetic and marketing, and local support and networking through the State Ambassador Outreach Program. To find out more informatio­n visit: www.portraitso­ciety.org.

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Anna Rose Bain and Quang Ho demonstrat­ed how to approach a blank canvas with confidence.
1 1 Anna Rose Bain and Quang Ho demonstrat­ed how to approach a blank canvas with confidence.
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Everett Raymond Kinstler addressed the crowd during one of his popular presentati­ons.
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3 Everett Raymond Kinstler addressed the crowd during one of his popular presentati­ons. 3
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Michael Shane Neal gave a portrait demonstrat­ion on the main stage.
2 2 Michael Shane Neal gave a portrait demonstrat­ion on the main stage.
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