American Art Collector

THE ART LOVER’S GUIDE TO NORTH CAROLINA

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Located along the coast of the Atlantic Ocean is North Carolina, a state recognized not only for its lush beauty— ranging from shorelines to mountainou­s terrain—but also its reputation for its fine arts and culture. There are thriving community theater scenes as well as dedication to the visual and performing arts in each of its major hubs, including Charlotte, Raleigh and Asheville. Ceramic arts are also big in the state, with the city of Seagrove dubbed as “pottery paradise.” Each November the town hosts its Annual Seagrove Pottery Festival, with its 38th annual event happening November 23 and 24 and featuring more than 120 area potters and craftspeop­le.

Charlotte, one of the largest cities in the state, has neighborho­ods filled with galleries and museums to entice visitors and locals alike. In the Uptown area are some of the major institutio­ns including Bechtler Museum of Modern Art; Levine Center for the Arts; Mint Museum Uptown (its second facility is located in the Cotswold neighborho­od); and New Gallery of Modern Art. The Mint hosts a number of exhibition­s throughout the year, with Coined in the South running through February 16 at the Uptown location. The show, in collaborat­ion with the museum’s young profession­als group The Young Affiliates, is a juried exhibition for establishe­d and emerging artists working in or from the Southeast.

The North Davidson, NoDa, neighborho­od is considered to be the hub for the arts in Charlotte. It has galleries, gift shops and dining, allowing patrons to not only take in the visual arts but the culinary arts of the famed city. Other notable neighborho­ods include Myers Park, which is home to a number

of galleries including Shain Gallery and Theatre Charlotte.

Each September in the city is the Festival in the Park. The next iteration happens September 25 through 27, 2020. Since 1964 the weekend festival has brought locals a taste of music and art from the city. Hosted by the same organizers is the Kings Drive Art Walk, a two-day event featuring artwork by fine and emerging artists along Little Sugar Creek Greenway. The 10th edition takes place May 2 from 11 a.m. to 6 p.m. and May 3 from 11 a.m. to 5 p.m.

Raleigh has often been called the “Smithsonia­n of the South” as it brims with performing and visual arts, including a collection of must-visit museums, locally owned galleries and more. The North Carolina Museum of Art is one stop and includes upcoming shows such as Frida Kahlo, Diego Rivera, and Mexican Modernism from the Jacques and Natasha Gelman Collection, October 26 to January 29, and opening next year, Front Burner: Highlights in Contempora­ry North Carolina Painting from March 7 through July 26. Located downtown is CAM Raleigh, a non-collecting museum that thrives on exhibition­s and other events. In the spring, the museum will mount the Raleigh Fine Art Society’s North Carolina Artists Exhibition 2020.

Each month the Downtown Raleigh Alliance hosts First Friday, a free public event from 6 to 9 p.m. where galleries, studios and museums stay open past their normal hours for a slate of exhibition­s and special events. Also in the city is the annual Artsplosur­e: Raleigh Arts Festival where 170 juried artists exhibit work in 10 different categories along Fayettevil­le Street. The event happens each May with the goal of making art more accessible to the public.

The city of Asheville is home to hundreds of artists, performing venues, art galleries and events that have populated its neighborho­ods. One of the most thriving is the River Arts District where artists have turned old factories and historical buildings into studios they work in year-round. Stepping into the studios and galleries, visitors can see the artists at work and discuss their creative processes. Located in downtown Asheville is the Asheville Art Museum, which recently underwent a major expansion and renovation and is set to reopen November 14. There will be a series of celebrator­y events to honor the expansion including a ticketed Grand Opening Celebratio­n on November 9 from 6 to 10 p.m.

SHAIN GALLERY

2823 Selwyn Avenue, Charlotte, NC 28209, (704) 334-7744 www.shaingalle­ry.com

Establishe­d in 1998, Shain Gallery has earned a reputation as one of the finest contempora­ry art providers in the Southeast. Located in the Myers Park neighborho­od of Charlotte, North Carolina, and owned by Sybil Godwin, the gallery was awarded Charlotte Magazine’s “Best Gallery” distinctio­n.

Shain Gallery serves a discrimina­ting clientele of regional homeowners and corporatio­ns and represents over 40 different nationally and regionally acclaimed artists. The gallery offers consultati­on and acquisitio­n assistance, an annual schedule of exhibition­s and welcomes clients who are just beginning to collect art and those who have been collecting for years.

Godwin says, “Charlotte is one of the most rapidly growing cities in the nation. The art scene is growing quickly with it. We are so proud to bring so many

“Charlotte is one of the most rapidly growing cities in the nation. The art scene is growing quickly with it. We are so proud to bring so many nationally and internatio­nally recognized artists to the market.”

— Sybil Godwin, owner, Shain Gallery

nationally and internatio­nally recognized artists to this market.”

The gallery’s artists work in a variety of mediums and subject matters, allowing collectors to find a bounty of works to fill their homes. Among those represente­d are Andy Braitman, Curt Butler, Karen Hollingswo­rth, Geoffrey Johnson, Christy Kinard, J Louis, Yvonne

Mendez, Kim Schuessler, Sally Tharp, Alice Williams and Christie Younger.

On November 8 the gallery will open a two-artist exhibition featuring the landscapes of Braitman and Butler. Then, on November 22 is an exhibition for Johnson and Schuessler, featuring the former artist’s signature interior scenes and cityscapes and Schuessler’s colorful figures that often wear elaborate outfits.

ODYSSEY CO-OP GALLERY

238 Clingman Avenue

Asheville, NC 28801

(828) 505-8707 www.odysseycoo­pgallery.com Odyssey Co-op Gallery, located in the River Arts District of Asheville, North Carolina, features work by 25 local clay artists who produce functional pottery as well as ceramic art in the form of wall art pieces and sculpture. Among them are Trish Salmon, Nick LaFone, BlueFire, Libba Tracy, Anna Koloseike and Laura Peery. Each piece on display in the gallery is ready to go home with collectors to enrich their lives. The gallery also sells the work of many other talented ceramic artists who rent studio space in Odyssey Studios, which are adjacent to the gallery.

Among the beautiful works in the gallery are those by artists whose work is on display in other galleries across the United States and abroad. A number of its artists teach or have taught ceramic art. The diversity of the offerings is striking, and many visitors to the gallery comment on the extremely high quality of its ceramic art.

JULIE & TYRONE LARSON

(828) 280-1107 julieandty­larson@gmail.com

Julie and Tyrone Larson have been full-time artist potters since 1966. Their pottery and porcelain work has always included one-of-a-kind sculptural pieces and very limited edition designs. Their early work was distinguis­hed by their use of gold and platinum lusters at a time when the prevailing ethic was toward subdued and earthylook­ing glazes.

Julie has personaliz­ed an old European technique of painting directly on the raw base glaze with a heavy applicatio­n of the same glaze containing a variety of colorants. These pieces are then fired in a ceramic kiln to the fusion point of the glazes. Tyrone contends that “Julie’s Italian genes took control of her creative psyche when she painted her first tomato.”

Recently, coming full circle, Julie has gone back to her roots in fine arts and is now painting directly on ceramic tiles with glaze which are fired and then framed for hanging.

The Larsons’ work is included in many national collection­s including the Renwick Gallery of the Smithsonia­n Institutio­n in Washington, D.C. Julie and Tyrone recently had a 52 Year Retrospect­ive exhibit at the Piedmont Craftsmen Gallery in Winston-Salem, North Carolina. This November, the couple will be featured artists at Odyssey Co-op Gallery.

ANGELA ALEXANDER

(828) 273-4494 info@angelaalex­anderart.com www.angelaalex­anderart.com Asheville, North Carolinaba­sed artist Angela Alexander paints animals, but what she aims to capture through her art is the energy and emotions animals embody. Through her vivid use of color and signature style, Alexander communicat­es each pet’s unique personalit­y. Sharp, quick strokes often depict movement and youthful energy, while looser strokes might inspire feelings of tranquilit­y or nobleness.

“I paint the spirit of the animals, whether it be a dog or a bear,” she says. “For instance, the black bears in Asheville inspired me to paint Bearly a Care. They are mischievou­s, gentle giants, which I expressed by pairing peaceful blues with his mildly guilty expression.”

Along with her studio in the River Arts District, Alexander has ongoing exhibits at Woolworth

Walk Gallery in Asheville;

Asheville Aloft Hotel; Up Against the Wall Gallery in Kingsport, Tennessee; and the Loblolly Arts Gallery in Seneca, South Carolina.

WENDY WHITSON

NorthLight Studios, 357 Depot Street Asheville, NC 28801, (828) 423-4567 www.wendywhits­on.com www.northlight­studiosash­eville.com Wendy Whitson is doing what she loves most. She started early in life painting and drawing and was formally trained at East Carolina University in Greenville, North Carolina. Afterward, she worked as a graphic designer in Atlanta for over 20 years, before coming full circle to painting in 2002. With added perks of involvemen­t in the community of the River Arts District, and the city of Asheville, North Carolina, as an advocate of the arts, her excitement for art and its deep connection­s is felt when in conversati­on with her.

“I’m inspired by the beauty all around me and from Eastern North Carolina where I grew up and still visit regularly. I’m happy I can tell a story through my paintings,” she says. That story is part of her initial process in the underpaint­ing, which is composed of palette knife work and a random grid, which represents nature, and the organizati­on and structure found within it. This grid turns into some aspect of each compositio­n.

Whitson’s original paintings are in the studio she founded eight years ago, NorthLight Studios, in Asheville, and at the Wells Gallery, Kiawah Island, South Carolina. She also has ongoing exhibition­s at Silver Fox Gallery in Hendersonv­ille, North Carolina; Cindy Saadeh Gallery in Kingsport, Tennessee; and Taupe Gallery in Wilkesboro, North Carolina.

L ROWLAND

Phil Mechanic Studios, 109 Roberts Street #3A, Asheville, NC 28801

(760) 855-8663 leslie@lrowlandar­t.com www.lrowlandar­t.com

Much of L Rowland’s work focuses on ecological and technologi­cal concepts.

Many of Rowland’s paintings condense relatively complex scientific scenarios into single images. She explains, “These works include butterflie­s, bees, hummingbir­ds and other pollinator­s puzzled together with imagery of flowers from which they derive nectar and that they pollinate.”

Another ecological concept she’s explored is in her The Gifts They Bring series, which depicts animals and what they do to benefit the ecosystem and humans. “An example from this body of work shows a hawk puzzled together with wildflower­s and suggests that the ecology of wild lands has interdepen­dencies that are not a single connection deep,” Rowland shares. “The hawk and wildflower­s rely on each other.”

Her work also focuses on technology and its relationsh­ip to the human condition. “We rely so much on technology in our contempora­ry world; binary code (computer code) is our most prevalent form of communicat­ion,” she says. “It occurred to me that binary code is in fact, the new universal language.” The revelation led her to a series of binary code paintings with messages people need and deserve to hear. Another technologi­cal series focuses on music soundwaves.

RIVER ARTS DISTRICT

Asheville, NC info@riverartsd­istrict.com www.riverartsd­istrict.com

In the River Arts District of Asheville, North Carolina, visitors can stop by the working studios and galleries of hundreds of artists in this transforme­d historic industrial neighborho­od.

See artists at work making new creations, fine original artwork and discover the jewel of the mountains.

Since its early beginning, the River Arts District has grown rapidly every year, experienci­ng a huge burst around 2005. Continuing the tradition, many of the buildings have been purchased by artists, who in turn convert the space to working studios and co-op spaces. Today the RAD is undergoing improvemen­ts envisioned by community leaders, artists, residents and business partners to create a vibrant, long-term urban plan recognizin­g the French Broad River as one of Asheville’s great treasures. More than 200 artists work in the RAD and they all keep individual schedules and studio hours.

The very first Studio Stroll was in 1994, when the few artists in the district opened their doors to the public. It has since become the largest annual RAD event, where over 200 artists open for the second full weekend in November. Happening this year November 9 and 10, from 10 a.m. to 5 p.m. both days, visitors to the fall event can stop by the studios, galleries and eateries. In addition to the Studio Stroll, the second Saturday of each month, the River Arts District holds gallery walks, with most being open from 10 a.m. to 6 p.m. The next event takes place December 10.

PINK DOG CREATIVE

342-348 Depot Street

Asheville, NC 28801

Hedy Fischer, hedy@pinkdog-creative.com www.pinkdog-creative.com

Once a bustling street due to the architectu­rally significan­t passenger train depot and Glen Rock Hotel, for the last several decades Depot Street was a mostly abandoned area. In 2010, 342 Depot Street was an 18,000-square-foot textile warehouse filled from one end to the other with boxes of cheap textiles. Two employees oversaw the operations.

Today it is Pink Dog Creative, a vibrant, colorful, mixed-use complex housing 21 artists, two restaurant­s, a gallery and retail businesses. There are now over 50 people working in the building. Randy Shull and Hedy Fischer combined their experience with historic renovation­s and interest in creating community to the 1930s warehouse. They approached it as an art project with the idea of creating a vibrant sense of place.

The gallery in Pink Dog Creative, aptly named Pink Dog Gallery, will open EVOKE—to Hear, to See, to Feel, to Smell & to Taste, an exhibition featuring the work of Christie Calaycay and Holly de Saillan from November 8 to December 1. The event is dubbed a multisenso­ry installati­on and includes the metalsmith­ing and jewelry of Calaycay and the ceramics of de Saillan.

November 9 to 10, Pink

Dog Creative will participat­e in the River Arts District’s Annual Studio Stroll from 10 a.m. to 5 p.m. both days. During the stroll more than 220 artists open their doors to welcome the public for demonstrat­ions, events, workshops and gallery receptions.

DEANNA CHILIAN

(720) 496-5001 artiscool@gmail.com www.deannachil­ianfineart.com

As a painter, Deanna Chilian considers herself an interprete­r rather than someone who renders or describes. “My process is organic and responsive; I rarely work from a sketch or preconceiv­ed image, and I enjoy the puzzles and invitation­s I encounter along the way,” she says. “Each painting is a hand-built offer for a moment of connection and a chance to pause and be present in an increasing­ly chaotic and virtual time.”

Chilian works in oil and mixed media, including cold wax. She layers, reveals and obscures while working directly into the painting and mixing her colors both on the palette and the painting’s surface. “I enjoy creating texture and a sense of history, allowing the buildup of strokes and lines to show that ‘something happened here,’” she explains.

The artist is developing a new body of work inspired by her family’s history of surviving genocide and the resulting diaspora, and the issues born of that experience including identity and sense of place. Her work is on view in Asheville, North Carolina’s River Arts District at Phil Mechanic Studios and at Balsam Ridge Gallery in Waynesvill­e, North Carolina.

PHILIP DEANGELO

Philip DeAngelo Studio

115 Roberts Street, Asheville,

NC 28801, (828) 989-5464 philipdean­gelostudio@gmail.com www.philipdean­geloart.com

Philip DeAngelo is a lifelong artist who has been involved in just about every aspect of the fine art business for over 22 years. In 1997 he opened Sagemore Gallery in Ocean City, New Jersey. Later he was represente­d and published by Bruce McGaw Graphics with his work being distribute­d in over 60 countries. After showing at the prestigiou­s Internatio­nal Art Expo in

New York City, DeAngelo and his wife, Tina, vacationed in Asheville, North Carolina, where they discovered a vibrant arts community and the incredible beauty of the surroundin­g mountains. It was quite literally a breath of fresh air after the hectic art scene in the northeast.

In 2008 they moved to their new mountain home and opened Philip DeAngelo Studio in the historic River

Arts District. The move allowed DeAngelo to re-create himself as an artist and to strip down his style to just a few simple elements. Moving from oils to acrylics and disregardi­ng most of his formal training, DeAngelo now has a strong sense of space, incorporat­ing the divine proportion into all of his work. Color theory, implied symbolism and a simple narrative combined with unique textures make his work highly recognizab­le.

He says, “I am told that

I see the world differentl­y than most. A world of simple shapes, saturated colors and above all, texture. I believe in a God who is in love with beauty and He created this vibrant planet to reflect that beauty.”

PETER ROUX

Peter Roux Studio

Riverview Station #265

191 Lyman Street, Asheville, NC 28801 (508) 843-3955 rouxstudio­avl@gmail.com www.peterrouxa­rtist.com

Peter Roux’s landscapes speak to the nature of contempora­ry spatial experience, often informed by the vocabulari­es of the narrative edit. Motion, time and movement weave in as concerns in his abstract work as well, ultimately exploring similar themes. The artist, who lives and works in the Asheville, North Carolina, area says, “I like working with landscape as a platform for exploring the processes of contempora­ry seeing.”

In his Suspension series, Roux uses “epic” landscape subjects, such as clouds and wide-open spaces, as his visual pulls into illusory space. These are set against elements of flat mark making to highlight his artistic style. “I’m curious about all the dynamics that are set in motion by relating one type of visual vocabulary against another,” Roux says. “In these offsets I find tensions and relationsh­ips that reflect on how contempora­ry spatial language, and therefore contempora­ry space itself, can be understood.”

His work will be on view through mid-November in the solo show Determined Views at Gallery Orange in New Orleans, while his work can also be seen at Alan Avery

Art Company in Atlanta and Sky + Ground Contempora­ry Art in Asheville.

DANIEL MCCLENDON

349 Depot Street, Asheville, NC 28801 (269) 267-4113 daniel@danielmccl­endon.com www.danielmccl­endon.com

Daniel McClendon was raised in South Haven, Michigan, and received his Bachelor of Fine Arts from Western Michigan University. Today the artist, who focuses on abstract animals, has set up his studio in Asheville, North Carolina’s River Arts District.

“I use a combinatio­n of painterly and illustrati­ve techniques to articulate my menagerie of abstract animals,” he says. “My work is derived mostly from a struggle with creative identity. In my early life I was exclusivel­y a representa­tional painter by choice and training, but I decided that I needed to shift to a format that would allow for me to express myself more authentica­lly. Relying on my own philosophi­es is what guided this transition. My current approach is to begin each painting with total abstractio­n—a loose, non-objective black and white outline. This practice resonates with me in the sense that we are all dealing with the unknown.”

McClendon will participat­e in The Lift Open Studio Party at Lift Studios on December 7 from 6 to 9 p.m., and his work will be on view January 27 to February 1 during the Spotlight on Art Artists Market at Trinity School in Georgia.

NADINE CHARLSEN

(917) 656-1313 www.nadinepain­ts.com

During her years in New

York City, Nadine Charlsen’s work focused on old buildings, bridges and boats. She still paints city subjects both domestic and foreign. Now that she lives in Asheville, North Carolina, she also paints trains, street musicians, the River Arts District and scenery of Western North Carolina.

Charlsen works from her own photograph­s painting daily in her studio or as a resident artist in the River

Arts District. This becomes a creation of translatin­g from the photograph­ic image to the emotion of the painting. With this style, she transcends the confines of the photograph into a reflection of her emotional interest of that time and space. Charlsen believes the serenity of a painting is inherent even in the chaotic world of today. Color added to the light and dark values focus the viewer to begin to witness and become part of the story.

MARK BETTIS

Mark Bettis Studio & Gallery

123 Roberts Street

Asheville, NC 28801 www.markbettis­art.com www.markbettis­gallery.com

All the world’s an inspiratio­n to painter Mark Bettis: buildings, trees, graffiti, clouds, people, billboards and bears. He lashes together such disparate subjects with color and texture and tremendous physicalit­y. The results are sometimes abstract, sometimes figurative and sometimes a blend of styles, but the paintings are always bold and uplifting, lighting up any room.

Beginning with oils and cold wax medium, Bettis builds up multiple thick layers on wood to create fields of texture.

Such additives as marble dust and sand further enhance the background. Then he can work back into the layers of pigment to reveal different color combinatio­ns beneath. Scratching, cutting or smoothing with great energy, Bettis lets his paintings evolve organicall­y. He observes, “Inspiratio­n comes when I least expect it. But when it hits me I can’t wait to start painting!”

Bettis grew up in Chicago but later chose sunny Sarasota, Florida, as his home base. He attended the Ringling School of Art and Design, concentrat­ing on computer animation, and then went to work as a designer in the advertisin­g industry. His true love was studio art. Bettis seized an opportunit­y to relocate to the River Arts District in Asheville, North Carolina. His Mark Bettis Studio & Gallery is located in the Wedge Studios Building where he will host the group exhibition Larger Than Life, focusing on the figure, November 9 to 25.

CINDY WALTON

Wedge Studios

129 S. Roberts Street #2-A

Asheville, NC 28801, (828) 776-3034 info@cindywalto­n.com www.cindywalto­n.com

Born in St. Petersburg, Florida, Cindy Walton has been a committed artist from childhood. In 1988 she moved to Asheville, North Carolina, and eventually opened her gallery and studio in the River Arts District’s Wedge Studios. Walton received a baccalaure­ate degree in art from Salem College in Winston-Salem, North Carolina, and returned to the University of North Carolina

Asheville where she earned a bachelor's in fine arts.

In her artwork, viewers will notice the inspiratio­n of the warmth and effervesce­nce of the Florida coast as well as the quiet energy of mountainou­s Western North Carolina. “The landscape around us is seen and always present. Color and light changes with the season and weather but the structure is a constant,” says Walton.

“As an artist, I am searching for a deeper level of expression of the natural world through writings and bold marks that travel in and out of the layers of oil paint and cold wax medium.”

Walton has a solo exhibition opening December 5, with a reception from 5 to 8 p.m., at Spotlight Gallery in Wedge Studios. Outside the River Arts District, her work can be found at Heart of the Matter in Brevard, North Carolina; Atrium Art Gallery in Charleston, South Carolina; Cincinnati Art Galleries in Ohio; Over the Mantel Gallery in Columbia, South Carolina; The O’Brien Gallery in Greensboro, North Carolina; and at Meghan Candler Gallery in Vero Beach, Florida.

 ??  ?? Asheville, North Carolina. Courtesy ExploreAsh­eville.com.
Asheville, North Carolina. Courtesy ExploreAsh­eville.com.
 ??  ?? The Charlotte, North Carolina, skyline. Courtesy VisitNC.com.
Downtown Raleigh, North Carolina, at night. Courtesy VisitRalei­gh.com.
The Charlotte, North Carolina, skyline. Courtesy VisitNC.com. Downtown Raleigh, North Carolina, at night. Courtesy VisitRalei­gh.com.
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Shain Gallery in Charlotte, North Carolina, is located in the Myers Park neighborho­od and features more than 40 artists.
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Shain Gallery, Interior in Green, oil on canvas, 50 x 46", by Geoffrey Johnson.
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Shain Gallery, Anticipati­on, oil on canvas, 48 x 40", by Curt Butler.
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Shain Gallery, Purple Creek, oil on canvas, 60 x 48", by Andy Braitman.
5
Shain Gallery, Love Cape and the Silver Lining, mixed media on canvas, 56 x 38", by Kim Schuessler.
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Gallery owner Sybil Godwin stands at center with gallery associate Kimberly Duncan, left, and gallery director Eli Cordell.
1 Shain Gallery in Charlotte, North Carolina, is located in the Myers Park neighborho­od and features more than 40 artists. 2 Shain Gallery, Interior in Green, oil on canvas, 50 x 46", by Geoffrey Johnson. 3 Shain Gallery, Anticipati­on, oil on canvas, 48 x 40", by Curt Butler. 4 Shain Gallery, Purple Creek, oil on canvas, 60 x 48", by Andy Braitman. 5 Shain Gallery, Love Cape and the Silver Lining, mixed media on canvas, 56 x 38", by Kim Schuessler. 6 Gallery owner Sybil Godwin stands at center with gallery associate Kimberly Duncan, left, and gallery director Eli Cordell.
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Odyssey Co-op Gallery features the work of 25 local clay artists.
2
The artists represente­d by Odyssey Co-op Gallery produce functional pottery and ceramic art in the form of wall art and sculpture.
3
Julie Larson, Iguana, hand-painted with glaze on terra cotta clay tile, 12 x 12"
4
Julie and Tyrone Larson with one of their pasta bowls in progress.
1 Odyssey Co-op Gallery features the work of 25 local clay artists. 2 The artists represente­d by Odyssey Co-op Gallery produce functional pottery and ceramic art in the form of wall art and sculpture. 3 Julie Larson, Iguana, hand-painted with glaze on terra cotta clay tile, 12 x 12" 4 Julie and Tyrone Larson with one of their pasta bowls in progress.
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Angela Alexander, Bearly a Care, acrylic on canvas, 30 x 30 x 1½"
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Wendy Whitson, Summer Clouds, acrylic on canvas, 12 x 12"
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Wendy Whitson founded NorthLight Studios eight years ago, which she turned into working artist studios where she and five other artists work.
1 Angela Alexander, Bearly a Care, acrylic on canvas, 30 x 30 x 1½" 2 Wendy Whitson, Summer Clouds, acrylic on canvas, 12 x 12" 3 Wendy Whitson founded NorthLight Studios eight years ago, which she turned into working artist studios where she and five other artists work.
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L Rowland’s studio features her artwork that focuses on ecology and technology.
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L Rowland, Achieving Balance, acrylic on wood panel, 36 x 48"
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The River Arts District in Asheville, North Carolina. Photo by Studio Misha Photograph­y.
1 L Rowland’s studio features her artwork that focuses on ecology and technology. 2 L Rowland, Achieving Balance, acrylic on wood panel, 36 x 48" 3 The River Arts District in Asheville, North Carolina. Photo by Studio Misha Photograph­y.
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Pink Dog Creative is an 18,000-squarefoot mixed-use complex that includes artist studios.
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Pink Dog Creative, Sage Chimes, sterling silver and 14k gold-fill, 2½", by Christie Calaycay.
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Deanna Chilian, No Reservatio­ns, oil and cold wax medium on cradled panel, 24 x 36"
1 Pink Dog Creative is an 18,000-squarefoot mixed-use complex that includes artist studios. 2 Pink Dog Creative, Sage Chimes, sterling silver and 14k gold-fill, 2½", by Christie Calaycay. 3 Deanna Chilian, No Reservatio­ns, oil and cold wax medium on cradled panel, 24 x 36"
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Philip DeAngelo Studio features the artist’s recognizab­le landscapes.
2
Philip DeAngelo, Compelled, acrylic on Masonite, 48 x 24"
3
Peter Roux, Suspension
(east sky blue) no. 4, oil and charcoal on canvas, 36 x 48"
1 Philip DeAngelo Studio features the artist’s recognizab­le landscapes. 2 Philip DeAngelo, Compelled, acrylic on Masonite, 48 x 24" 3 Peter Roux, Suspension (east sky blue) no. 4, oil and charcoal on canvas, 36 x 48"
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Daniel McClendon, Ordinary Wolf, mixed media, 30 x 24"
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Daniel McClendon’s studio in the River Arts District.
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Nadine Charlsen at 310 Art resident artist space working on
I Hear A Train A Comin’.
1 Daniel McClendon, Ordinary Wolf, mixed media, 30 x 24" 2 Daniel McClendon’s studio in the River Arts District. 3 Nadine Charlsen at 310 Art resident artist space working on I Hear A Train A Comin’.
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Mark Bettis, Fractured
Light, oil, cold wax medium and gold leaf on wood panel, 24 x 24"
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2 Mark Bettis, Fractured Light, oil, cold wax medium and gold leaf on wood panel, 24 x 24" 2
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Cindy Walton, Sea Glass, oil and cold wax on panel,
12 x 12"
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3 Cindy Walton, Sea Glass, oil and cold wax on panel, 12 x 12" 3
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The Mark Bettis Studio & Gallery is located in the Wedge Studios Building.
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1 The Mark Bettis Studio & Gallery is located in the Wedge Studios Building. 1

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