American Fine Art Magazine

Illustrati­ve Results

Sotheby’s American art sale is dominated by Norman Rockwell illustrati­ons

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Norman Rockwell illustrati­ons won the day at Sotheby’s May 23 auction of American art. The sale totaled $43.3 million, with the Rockwells accounting for six of the top 10 lots.the 12 works offered from the artist realized a total of $19.8 million, led by the monumental Blacksmith’s Boy—heel and Toe (Shaftsbury Blacksmith Shop)

(est. $7/10 million), which achieved $8.1 million.

“The sale went very well overall, and we were pleased with the results,” says Sotheby’s vice president of American art Kayla Carlsen. “the significan­t takeaway was really in the strength of the illustrati­on market in general, and Norman Rockwell in particular.”

Other Rockwell successes included Boy Playing Flute Surrounded by Animals (Springtime), which achieved $4.1 million, above its high estimate of $2.5 million; Little Girl Looking Downstairs at Christmas Party (est. $1/1.5 million), which sold for

$2.1 million; Overheard Lovers (est. $800/1,200,000), which realized $1.6 million; The Little Model (est. $1/1.5 million), which achieved $1.2 million; and What a Difference Light Makes! (Young Couple Surprised by Young Brother) which soared passed its high estimate of $500,000 to sell for $1.2 million. “In the past, Rockwell collectors have traditiona­lly valued cover illustrati­ons over advertisem­ent, but with What a Difference Light Makes!, there were many bidders that drove the sale price over its estimate,” Carlsen elaborates. She sees this as a sign that people are beginning to bid based on the image itself, rather than because of the image’s original use. N.c .wyeth also performed well, setting a new world auction record with Portrait of a Farmer (Pennsylvan­ia Farmer) (est. $2.5/3.5 million), which was the second-highest achieving lot in the sale at

$6 million.“it was rendered by N.c. wyeth as a personal work rather than a commission, explains Carlsen. “it appealed to illustrati­on buyers, Bucks County collectors and regionalis­t collectors, so it was not a surprise at all that it did so well.”

George Luks’ The Swan Boats, a circa 1922 painting depicting the pond in the Boston Common, sold for $1.2 million, well above its high estimate of $700,000. Proceeds from this sale will benefit the Museum of Fine Arts, Boston. Another highlight was Milton Avery’s The Seamstress, which achieved $2.2 million.

 ??  ?? Milton Avery (1885-1965), The Seamstress, 1944. Oil on canvas, 48 x 32 in., signed and dated center left: ‘Milton Avery / 1944’. © 2018 Milton Avery Trust / Artists Rights Society (ARS),New York. Estimate: $2/3 million SOLD: $2,175,000
Milton Avery (1885-1965), The Seamstress, 1944. Oil on canvas, 48 x 32 in., signed and dated center left: ‘Milton Avery / 1944’. © 2018 Milton Avery Trust / Artists Rights Society (ARS),New York. Estimate: $2/3 million SOLD: $2,175,000
 ??  ?? Norman Rockwell (1894-1978), Little Girl Looking Downstairs atChristma­s Party, 1964. Oil on canvas, 28 x 29 in., signed lower right: ‘Norman/rockwell’. Estimate: $1/1.5 million SOLD: $2,055,000
Norman Rockwell (1894-1978), Little Girl Looking Downstairs atChristma­s Party, 1964. Oil on canvas, 28 x 29 in., signed lower right: ‘Norman/rockwell’. Estimate: $1/1.5 million SOLD: $2,055,000
 ??  ?? Norman Rockwell (1894-1978), The Little Model, 1919. Oil on canvas, 30 x 16 in., signed lower left: ‘Norman/rockwell’. Estimate $1/1.5 million SOLD: $1,215,000
Norman Rockwell (1894-1978), The Little Model, 1919. Oil on canvas, 30 x 16 in., signed lower left: ‘Norman/rockwell’. Estimate $1/1.5 million SOLD: $1,215,000
 ??  ?? N.C. Wyeth (1882-1945), Portrait of a Farmer (Pennsylvan­ia Farmer), 1943. Tempera on Renaissanc­e panel, 40 x 60 in., signed lower left: ‘N.C. Wyeth’. Estimate: $2.5/3.5 million SOLD: $5,985,900
N.C. Wyeth (1882-1945), Portrait of a Farmer (Pennsylvan­ia Farmer), 1943. Tempera on Renaissanc­e panel, 40 x 60 in., signed lower left: ‘N.C. Wyeth’. Estimate: $2.5/3.5 million SOLD: $5,985,900

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