American Fine Art Magazine

Cape Cod Visions

An exhibition at Debra Force Fine Art features works from Herman Maril’s time in Provinceto­wn

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An exhibition at Debra Force Fine Art features works from Herman Maril’s time in Provinceto­wn

In the mid-1930s, Herman Maril began spending his summers in the Cape Cod community of Provinceto­wn.already a wellestabl­ished art colony, the town left such an impression on Maril that he returned every summer for the rest of his life. Beginning September 5, Debra Force Fine Art will celebrate the artist’s decadeslon­g relationsh­ip with the coastal town with the exhibition Herman Maril:the Provinceto­wn Paintings, which runs through October 19.

The show primarily focuses on Maril’s works created in the 1950s through the 1980s, in mediums ranging from watercolor­s and oils to a large tapestry. In them, Maril highlights the scenes and places he became intimately familiar with after many years of making his summer home on the Cape Cod peninsula. He was a regular visitor

to Kendall Lane Beach, where he would swim and paint on a near-daily basis.a large oil in the show shares its name with the locale.

One of the earlier works in the exhibition is The Weirs, a seascape executed in 1955. Bethany Dobson, director of Debra Force Fine Art, describes,“it’s a particular­ly strong piece, and the bright green and blue colors are beautifull­y done. It’s a watercolor, and you have these heavily saturated pigments among lighter washes.”

A 1977 work on paper stands out among a body of work that is mostly characteri­zed by bright, vibrant colors. Breakers is an abstracted ocean view

done with a limited palette of blacks, grays and whites.“it’s quite a bit different from the other pieces we’re highlighti­ng in the show,” says Dobson. The exhibition isn’t solely made up of marine views.a large watercolor, titled Evening Roots, Provinceto­wn, shows the town with the water in the distance.“it was a favorite of the family’s,” Dobson notes.“his wife wouldn’t allow for it to be sold during her lifetime, so we’re honored to have it in the gallery now.”

There are also several views from the artist’s home.“the Window shows the household items that were in Maril’s sight as he looked out the window to paint the landscape,” Dobson describes.

In a large tapestry, Maril captures the essence of his garden.

The Debra Force exhibition runs concurrent­ly with a retrospect­ive of the artist’s work at the Cahoon Museum of American Art in Cotuit, Massachuse­tts, titled Herman Maril: The Strong Forms of Our Experience, on view through October 28.

 ??  ?? Herman Maril (1908-1986), Coming In, 1960. Casein, watercolor and pencil on paper, 19½ x 24½ in.
Herman Maril (1908-1986), Coming In, 1960. Casein, watercolor and pencil on paper, 19½ x 24½ in.
 ??  ?? Herman Maril (1908-1986), Fisherman’s Shack. Casein on paper, 135/8 x 203/8 in.
Herman Maril (1908-1986), Fisherman’s Shack. Casein on paper, 135/8 x 203/8 in.
 ??  ?? Herman Maril (1908-1986), The Window. Oil on canvas, 40 x 50 in.
Herman Maril (1908-1986), The Window. Oil on canvas, 40 x 50 in.
 ??  ?? Herman Maril (1908-1986), Trees and Road, 1980. Oil on canvas, 40 x 36 in.
Herman Maril (1908-1986), Trees and Road, 1980. Oil on canvas, 40 x 36 in.
 ??  ?? Herman Maril (1908-1986), Breakers, 1977. Brush with black ink and ink wash on paper, 151/8 x 22½ in.
Herman Maril (1908-1986), Breakers, 1977. Brush with black ink and ink wash on paper, 151/8 x 22½ in.
 ??  ?? Herman Maril (1908-1986), The Weirs, 1955. Casein, watercolor and pencil on paper, 17¼ x 23¼ in.
Herman Maril (1908-1986), The Weirs, 1955. Casein, watercolor and pencil on paper, 17¼ x 23¼ in.

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