American Fine Art Magazine

Modernist Beginnings

Paul Kasmin Gallery highlights the unrealized WPA mural studies of Lee Krasner

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Paul Kasmin Gallery highlights the unrealized WPA mural studies of Lee Krasner

In 1937, Lee Krasner was assigned to finish a mural by Willem de Kooning, who was dismissed from his Works Progress Administra­tion project because he was not a United States citizen. Krasner didn’t finish the project, but the experience influenced her own designs for the space. Mural Studies at Paul Kasmin Gallery brings together eight of Krasner’s rarely exhibited, small-scale studies for an unrealized WPA mural. Gallery directors Laura Lester and Eric Gleason say,“kasmin Gallery is honored to present an important and rare glimpse into Lee Krasner’s early modernist

beginnings, which coincide with a watershed moment in American visual history.we are indebted to the Pollockkra­sner foundation for giving us the opportunit­y to explore this fascinatin­g aspect of Krasner’s oeuvre.”

The gouache on paper studies on view were created in 1940, just as the artist began exploring abstract forms. On flat background­s, the geometric and biomorphic forms dance off the page in vivid colors.the same designated window and doors spaces appear in each study, suggesting she had a specific, unknown space in mind while she was working. Evidence of her 1937 foray into murals is clear, with de Kooning’s interest in Fernand Léger and British abstractio­nist Ben Nicholson reflected in the studies.

A critical figure in the first generation of abstract expression­ist painters, Krasner’s early art classes with Hans Hofmann proved to be formative in the maturation of her style. In the 1930s and ’40s, Krasner integrated herself fully into the Newyork art scene, running in contempora­ry circles that included Jackson Pollock, who eventually became her husband. During their marriage, she created some of her most recognizab­le work, including her Little Image series of paintings developed in the late ’40s.

The small works on display at Kasmin provide rare insight into Krasner’s year of transition toward gestural abstractio­n, but are also historical­ly significan­t as a window into the era of the Works Progress Administra­tion. From 1935 until its closure in 1942, the WPA fostered the early careers of many 20th century artists, commission­ing tens of thousands of public artworks during its short tenure.

Mural Studies opens on September 13 and remains on view through October 27.

 ??  ?? Lee Krasner (1908-1984), Untitled Mural Study, 1940. Gouache on paper, 17 x 22 in. © 2018 Pollock-krasner Foundation / Artists Rights Society (ARS), New York.
Lee Krasner (1908-1984), Untitled Mural Study, 1940. Gouache on paper, 17 x 22 in. © 2018 Pollock-krasner Foundation / Artists Rights Society (ARS), New York.
 ??  ?? Lee Krasner (1908-1984), Untitled Mural Study, 1940. Gouache on paper, 17 x 22 in. © 2018 Pollock-krasner Foundation / Artists Rights Society (ARS), New York.
Lee Krasner (1908-1984), Untitled Mural Study, 1940. Gouache on paper, 17 x 22 in. © 2018 Pollock-krasner Foundation / Artists Rights Society (ARS), New York.
 ??  ?? Lee Krasner (1908-1984), Untitled Mural Study, 1940. Gouache on paper, 15 x 20 in. © 2018 Pollock-krasner Foundation / Artists Rights Society (ARS), New York.
Lee Krasner (1908-1984), Untitled Mural Study, 1940. Gouache on paper, 15 x 20 in. © 2018 Pollock-krasner Foundation / Artists Rights Society (ARS), New York.

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