American Fine Art Magazine

Fresh to Market

Heritage Auctions’ November 8 sale features a number of paintings with provenance tracing to the artists and arriving at market for the first time

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Heritage Auctions’ November 8 sale features a number of paintings with provenance tracing to the artists and arriving at market for the first time

November 8

Heritage Auctions Design District Showroom 1518 Slocum Street

Dallas, TX 75207 t: (214) 528-3500 www.ha.com

As a record setter in the illustrati­on and western art markets, heritage Auctions’ sales of American art are often robust in both categories. Its upcoming November 8 sale, featuring approximat­ely 180 lots expected to sell in excess of $3.5 million total, is no exception with there being examples from some of the most recognized names crossing the block.

In the illustrati­on category, standouts include eight works by Norman Rockwell, a Saturday Evening Post cover by J.C. Leyendecke­r and two interior Scribner’s Magazine illustrati­ons by Jessie Wilcox Smith titled Among the Poppies, the Child in a Garden (est. $60/80,000) and Five O’clocktea, the Child in a Garden (est. $60/80,000).

Among the Rockwells is a stunning advertisem­ent for Elgin Watches titled

She Said It for a Lifetime (Man Receiving a Gift Watch) that was painted in 1926.The work, which has a presale estimate of $350,000 to $500,000, comes from the collection of Bradley and Susan

Schuchat, who have had the piece in their collection for decades. “done in 1926, the work shows a mother with her son, almost holding her while staring at

a pocket watch that she gifted to him,” says Aviva Lehmann, director of American art at Heritage.“i find it really striking, for Rockwell and in 1926, that they were trying to target an audience of women, which I thought was cutting edge for the 1920s.”

A study for Rockwell’s iconic

Saturday Evening Post cover Girl with Black Eye (The Shiner) should also capture the attention of buyers.“it’s adorable and is a study for one of his best-known works,” says Lehmann of the piece that has an estimate of $200,000 to $300,000.“Even if people aren’t familiar with Rockwell they know this image.

It’s a typical Rockwell, touching on childhood and its innocence.” Heritage holds the auction record for Leyendecke­r at $365,000 for one of his Thanksgivi­ng-themed Saturday Evening Post covers, depicting a football player and a pilgrim. During the November 8 sale, the cover study for the November 10, 1910, Saturday Evening Post, aptly titled Thanksgivi­ng and featuring a young boy excitedly carving into a turkey leg, will arrive at auction.“it’s been in one family from Newyork,” says Lehmann, “and it’s a cheeky work showing a boy digging into his turkey with pilgrim shoes on. It has a very attractive estimate of $40,000 to $60,000.”

Western lots will include G.

Harvey’s 1993 painting When Cowboys Don’t Change (est. $400/600,000); a standout piece by Frank Tenney Johnson titled A Light in the Night

(est. $80/120,000); and Taos Society of Artists works, such as Walter Ufer’s At Ease (est. $60/80,000) and Joseph Henry Sharp’s painting The Bow and Arrow Makers (est. $80/120,000). “A lot of the Western art is so fresh to the market to the point where the provenance is tracing back to the artist and they’ve stayed in the family,” elaborates Alissa Ford, director of Western art at Heritage.

The auction will also feature a fine sampling of Hudson River School pieces—a category that Heritage has seen growth in over the past few sales. “We’re noticing there’s a lot of renewed

interest in Hudson River School,” says Lehmann.“in our last auction [in May] we set a record for John S. Jameson, who was a very rare Hudson River painter. He died young, having served in the Civil War and dying in battle. It sold for $250,000.”

Lehmann continues,“we saw competitiv­e bidding in that arena from seasoned collectors and new collectors, with collectors in their 20s and 30s bidding on that work.that touched upon something for me about the renewed interest in the classics of American art… it’s exciting for me to see bidding from all over the country and age groups interested in Hudson River School again.” In this sale, a painting of the Atlantic Ocean by William Trost Richards titled Seascape near Atlantic City, 1871, will cross the block.“from the 1870s, it’s the prime period of this body of work,” Lehmann shares.“coming from a private Newyork City collector, at the price point of $50,000 to $70,000, we’ll see interest from various demographi­cs.” Also in the category is John Frederick Kensett’s England Landscape, painted around 1844 to 1845, that Lehmann says comes from a private Newyork collection and almost looks like a Barbizon scene.“it’s an early work, and what makes it attractive to me is that it’s beautifull­y painted,” she explains of the piece, which has an estimate of $40,000 to $60,000. “There’s good attention to the luminosity of clouds, classic details of the branches and it’s a large pastoral scene, but because the subject is England it has an attractive estimate.” Other highlights include regional modernist works by Rockwell Kent; a grouping by Dale Nichols from a private collector in Alaska who commission­ed the artist; and pieces by Everett Shinn, Ralston Crawford and more.

 ??  ?? Norman Rockwell (1894-1978), Girl with Black Eye (The Shiner), The Saturday Evening Post cover study, 1953. Oil on photograph­ic paper laid on panel, 10¾ x 9¾ in. Estimate: $200/300,000
Norman Rockwell (1894-1978), Girl with Black Eye (The Shiner), The Saturday Evening Post cover study, 1953. Oil on photograph­ic paper laid on panel, 10¾ x 9¾ in. Estimate: $200/300,000
 ??  ?? John Frederick Kensett (1816-1872), England Landscape, ca. 1844-45. Oil on canvas, 10 x 20 in. Estimate: $40/60,000
John Frederick Kensett (1816-1872), England Landscape, ca. 1844-45. Oil on canvas, 10 x 20 in. Estimate: $40/60,000
 ??  ?? Norman Rockwell (1894-1978), She Said It for a Lifetime (Man Receiving a Gift Watch), Elgin Watches advertisem­ent, 1926. Oil on canvas 20 x 27 in. Estimate: $350/500,000
Norman Rockwell (1894-1978), She Said It for a Lifetime (Man Receiving a Gift Watch), Elgin Watches advertisem­ent, 1926. Oil on canvas 20 x 27 in. Estimate: $350/500,000
 ??  ?? William Trost Richards (1833-1905), Seascape nearAtlant­ic City, 1871. Oil on canvas, 14 x 26 in., signed lower right: ‘Wm T Richards 1871’.Estimate: $50/70,000
William Trost Richards (1833-1905), Seascape nearAtlant­ic City, 1871. Oil on canvas, 14 x 26 in., signed lower right: ‘Wm T Richards 1871’.Estimate: $50/70,000
 ??  ?? J.C. Leyendecke­r (1874-1951), Thanksgivi­ng,The Saturday Evening Post cover, November 12, 1910. Oil on canvas laid on panel, 24 x 17¼ in., signed lower right: ‘Jcleyendec­ker’. Estimate: $40/60,000
J.C. Leyendecke­r (1874-1951), Thanksgivi­ng,The Saturday Evening Post cover, November 12, 1910. Oil on canvas laid on panel, 24 x 17¼ in., signed lower right: ‘Jcleyendec­ker’. Estimate: $40/60,000
 ??  ?? Everett Shinn (1876-1953), Windy Day, New York, 1898. Pastel on paper, 135/8 x 20 in., signed and dated lower right: ‘E. Shinn / 98’. Estimate: $40/60,000
Everett Shinn (1876-1953), Windy Day, New York, 1898. Pastel on paper, 135/8 x 20 in., signed and dated lower right: ‘E. Shinn / 98’. Estimate: $40/60,000

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