American Fine Art Magazine

An American Place

Christie’s auctions off the unrivaled collection of Barney A. Ebsworth

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Christie’s auctions off the unrivaled collection of Barney A. Ebsworth

November 13-14

Christie’s 20 Rockefelle­r Plaza New York, NY 10020 t: (212) 636-2000 www.christies.com

On November 13 and 14, one of the most important private collection­s of 20th-century American art will go on sale in An American Place:the Barney A. Ebsworth Collection. Ebsworth, who died in April 2018, was the founder of Clipper Cruise Line and was an angel investor in Builda-bear Workshop. His interest in art was ignited while he was stationed in France in 1956. He wrote in his autobiogra­phy, “I was not an art connoisseu­r. I visited [the Louvre] because it was such an integral part of Paris, and what I found there changed me.”

Leading the sale is Edward Hopper’s Chop Suey, with an estimate in the region of $70 million.the 1929 painting depicts two people at an eatery, a representa­tion of the cultural fusion happening in the city at the time.with its modern usage of light and color, Chop Suey is considered the most important work by the artist left in private hands, and along with other selections from the collection, it will tour to Paris, New York, Hong Kong, London, San Francisco and Los Angeles before the November auction. Christie’s chairman

Marc Porter comments, “christie’s is honored to have been entrusted with this great collection, which brings Hopper’s great masterpiec­e back to Paris five years after his retrospect­ive at the Grand Palais.”

Executed at the height of Willem de Kooning’s career, Woman as Landscape is expected to sell in the region of $60 million .a large scale canvas at over 5½ feet tall, the work econmpasse­s de Kooning’s bravado. A Jackson Pollock, Compositio­n with Red Strokes, holds an estimate in the region of $50 million.the work was completed in 1950, a prolific period for the artist, and Christie’s notes, “it was these startling, original and accomplish­ed paintings that, in Willem de Kooning’s phrase, finally ‘broke the ice’ for American painting, completely revolution­izing it and in the process reshaping the entire history of 20th-century art.”

Major works by William Glackens, Elie Nadelman, Franz Kline, Stuart Davis, Charles Sheeler, Georgia O’keeffe and Patrick Henry Bruce will also cross the block as part of the collection.

 ??  ?? William Glackens (1870-1938), Café Lafayette, 1914. Oil on canvas, 31¾ x 26 in., signed lower right: ‘Wm. Glackens’; inscribed verso: ‘Kay Laurell’; titled on stretcher bar. Estimate: $250/350,000
William Glackens (1870-1938), Café Lafayette, 1914. Oil on canvas, 31¾ x 26 in., signed lower right: ‘Wm. Glackens’; inscribed verso: ‘Kay Laurell’; titled on stretcher bar. Estimate: $250/350,000
 ??  ?? Jackson Pollock (1912-1956), Compositio­n withRed Strokes, 1950. Oil, enamel and aluminum paint on canvas, 365/8 x 255/8 in., signed and dated lower left: ’50 Jackson Pollock’; signed and dated verso: ‘Jackson Pollock 1950’. Estimate in the region of $50 million
Jackson Pollock (1912-1956), Compositio­n withRed Strokes, 1950. Oil, enamel and aluminum paint on canvas, 365/8 x 255/8 in., signed and dated lower left: ’50 Jackson Pollock’; signed and dated verso: ‘Jackson Pollock 1950’. Estimate in the region of $50 million
 ??  ?? Edward Hopper (1882-1967), Chop Suey, 1929. Oil on canvas, 32 x 38 in., signed lower right: ‘Edward Hopper’. Estimate in the region of $70 million Images courtesy Christie’s Imagesltd. 2018
Edward Hopper (1882-1967), Chop Suey, 1929. Oil on canvas, 32 x 38 in., signed lower right: ‘Edward Hopper’. Estimate in the region of $70 million Images courtesy Christie’s Imagesltd. 2018
 ??  ?? Willem de Kooning (1904-1997), Woman as Landscape, 1955. Oil and charcoal on linen, 65½ x 49½ in., signed lower left: ‘de Kooning’. Estimate in the region of $60 million
Willem de Kooning (1904-1997), Woman as Landscape, 1955. Oil and charcoal on linen, 65½ x 49½ in., signed lower left: ‘de Kooning’. Estimate in the region of $60 million

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