American Fine Art Magazine

In the Valley

The collection of Gerry and Marguerite Lenfest illustrate­s the long history of art in Bucks County

- By Erin E. Rand

The collection of Gerry and Marguerite Lenfest illustrate­s the long history of art in Bucks County

In 1999, Gerry and Marguerite Lenfest gave a gift to the Michener Art Museum of 59 Pennsylvan­ia Impression­ist paintings that would prove to be transforma­tive for the institutio­n. “It was a game changer for this institutio­n to have such a large gift, and such important works, all in one fell swoop—along with an endowment,” says the Michener’s executive director Kathleen V. Jameson. “It really transforme­d the Michener, and is in part why we have the focus that we have today on the Delaware Valley, and especially Bucks County.”

The Delaware Valley works had a special meaning to the Lenfests. It’s where they made their life together as Gerry built up Suburban Cable, which he sold to Comcast in 2000. Gerry also grew up in the valley, on a prerevolut­ionary War farm in Stockton, New Jersey.

“I was enamored with these artists,” Lenfest told The Morning Caller at the time of the donation.“i walked in the same areas that these artists painted in, and I feel the same love of landscape they felt when they were alive.”

The Lenfests followed up their first gift in 2010 with another significan­t donation. Again, it featured the work of Pennsylvan­ia painters, although this group of artworks pushed further into the 20th century with modernist works from Charles F. Ramsey, Louis Stone, Charles Rosen and more.

Together, these two extraordin­ary donations gave the Michener the ability to tell the full story of the history of art in the Delawareva­lley.they will do just that in the upcoming exhibition Impression­ism to Modernism:the Lenfest Collection of American Art, which opens September 28.

Gerry Lenfest passed away last year, and Jameson says,“we really wanted to do something to honor him and his wife, Marguerite.”though portions of the Lenfest collection have been exhibited at the museum before, this is the first time both gifts will be displayed together

in their entirety. More than 100 works from 30 artists will be shown together in the museum’s Martin Wing, representi­ng six decades of art from the 1890s to the 1950s.

The exhibition will be organized chronologi­cally to show the depth and breadth of the region’s art history. “It is an incredible story about the developmen­t of American art—it has those Pennsylvan­ia roots, but it’s really a part of American art writ large,” Jameson says of the show.“we can tell that story in a way that no one else can.” Impression­ism dominated the region in the late 19th and early 20th centuries.william Lathrop establishe­d an art colony in the mill town of

New Hope, Pennsylvan­ia.the bucolic landscapes along the Delaware

River attracted artists including

Edward Redfield and Daniel Garber. Impression­ist art thrived longer in Bucks County than it did in America’s big cities, but in the 1920s and ’30s, with the arrival of artists like Ramsey and Lloyd Ney, modernism began to make its mark.and the Michener exhibition tells the entire story. Redfield was a particular favorite of the Lenfests, and 11 of his paintings will be on display in the exhibition—the most of any artist. He studied in France with William-adolphe Bouguereau and admired the paintings of Monet and Pissarro before returning to the United States and settling at the art colony. Renowned for his winter landscapes, Redfield’s The Upper Delaware will be on view as an outstandin­g example of the genre. In it, icy floes on the water float about the snow-covered bank of the river as an unseen sun illuminate­s leafless trees and plants. Despite the monochrome of the season, the colors in the painting still feel bold and warm. “I’m really proud of the fact that the collection includes works by women, notably Fern Coppedge, who’s one of the great American artists of the early 20th century,” says Jameson. Coppedge settled at New Hope two decades after its founding and, like Garber, she is known for her snowy Pennsylvan­ia

landscapes. On view contrastin­g these winter scenes is her painting Sunday Morning, which depicts a harbor on a bright summer morning. Brightly colored buildings decorate a tree-lined hill, while sailboats dot the blue water in the background.

Rosen lived in the New Hope art colony for nearly two decades, and during that time his work underwent a radical change.when he arrived in Bucks County in 1903, he favored the impression­ist style of his friends Garber and Redfield. “Rosen’s painting Opalescent Morning was beloved by the Lenfests,” says Jameson. The circa 1909 painting is a close-up, impression­istic view of a flowering plant

with a river in the background. By the 1910s, however, Rosen had begun to experiment with his style, and by the end of the decade, his paintings had taken on a distinctly cubist style.

In the spirit of honoring the Pennsylvan­ia art community, the Michener will hold a series of programs in conjunctio­n with the Lenfest exhibition that highlight the region. Amanda C. Burdan, curator at the Brandywine River Museum of Art in Chadds Ford, Pennsylvan­ia, will give a guest lecture titled “America’s Impression­ism: Echoes of a Revolution,” which explores why the artistic movement was so popular in the United States for so long.

Laura Turner Igoe, who joined the Michener Art Museum as curator of American art in July, will discuss the industry that flourished along the Delaware River in the early 20th century, and how artists dealt with the changing landscape in her talk, “Meadows and Mills.”

With their gifts, Gerry and Marguerite Lenfest positioned the Michener to become a significan­t institutio­n of American art, and the museum in turn is thrilled to showcase their generosity.“because we have such a great concentrat­ion of work from this region that was such a hotbed for American art, to be able to see them all together is a unique opportunit­y. I do hope people will take advantage of that,” Jameson says. “We’re delighted to honor Gerry and Marguerite in this way.”

Impression­ism to Modernism will remain on view at the Michener through January 5, 2020.

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 ??  ?? Edward W. Redfield (1869-1965), The Upper Delaware, ca. 1918. Oil on canvas, 38 x 50 in. Gift of Marguerite and Gerry Lenfest.
Edward W. Redfield (1869-1965), The Upper Delaware, ca. 1918. Oil on canvas, 38 x 50 in. Gift of Marguerite and Gerry Lenfest.
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 ??  ?? Above: Fern I. Coppedge (1883-1951), Sunday Morning. Oil on board, 137⁄8x 157⁄8 in. Gift of Marguerite and Gerry Lenfest.; Left: George S. Phillips (1890-1965), Delaware River View. Oil on canvas, 26 x 28 in. Gift of Marguerite and Gerry Lenfest.
Above: Fern I. Coppedge (1883-1951), Sunday Morning. Oil on board, 137⁄8x 157⁄8 in. Gift of Marguerite and Gerry Lenfest.; Left: George S. Phillips (1890-1965), Delaware River View. Oil on canvas, 26 x 28 in. Gift of Marguerite and Gerry Lenfest.
 ??  ?? John Fulton Folinsbee (1892-1972), Mill by the River, Fall, ca. 1923-25. Oil on canvas, 24 x 30 in. Gift of Marguerite and Gerry Lenfest.
John Fulton Folinsbee (1892-1972), Mill by the River, Fall, ca. 1923-25. Oil on canvas, 24 x 30 in. Gift of Marguerite and Gerry Lenfest.
 ??  ?? George W. Sotter (1879-1953), Low Tide Rockport, Maine. Oil on canvas, 26 x 32¼ in. Gift of Marguerite and Gerry Lenfest.
George W. Sotter (1879-1953), Low Tide Rockport, Maine. Oil on canvas, 26 x 32¼ in. Gift of Marguerite and Gerry Lenfest.
 ??  ?? Robert Spencer (1879-1931), Concrete Bridge, ca. 1916. Oil on canvas, 25 x 301⁄8 in. Gift of Marguerite and Gerry Lenfest.
Robert Spencer (1879-1931), Concrete Bridge, ca. 1916. Oil on canvas, 25 x 301⁄8 in. Gift of Marguerite and Gerry Lenfest.
 ??  ?? Morgan Colt (1876-1926), Phillips Mill Barn. Oil on canvas, 19½ x 23½ in. Gift of Marguerite and Gerry Lenfest.
Morgan Colt (1876-1926), Phillips Mill Barn. Oil on canvas, 19½ x 23½ in. Gift of Marguerite and Gerry Lenfest.

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