American Fine Art Magazine

Well-rounded

From modernism and impression­ism to landscapes and marine art, Bonhams’ upcoming November sale offers an expansive selection of works

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Collectors can expect the usual at Bonhams’ upcoming American art sale—and that’s nothing to be disappoint­ed about. The prominent Newyork auction house will offer an expansive array of offerings spanning 19th- and 20thcentur­y art across a diversity of art movements and a variety of price points, from three to six figures, according to American art director Jennifer Jacobsen. Included in the sale will be works in modernism from artists like Charles Burchfield and John Marin; impression­ism from Childe Hassam,

Jane Peterson and William J. Glackens; landscapes by Albert Bierstadt; maritime art by Antonio Jacobsen and James E. Butterswor­th; and even a few surrealist works by John Atherton.

Most of these pieces come from private collection­s says Jacobsen. “the Fine Arts Museums of San Francisco has consigned five deaccessio­ned works, including a very impressive large-scale, multi-figural work by Henryvarnu­m Poor,” she adds. In addition, the day before the sale Laurie Norton Moffatt, executive director and CEO of the Norman Rockwell Museum, will give a talk titled: Illustrati­on Art: then and Now. “We’re thrilled to have Laurie coming,” says Jacobsen.

While the auction is filled to the brim with superb lots, Jacobsen helps break down a few of the standouts. Bierstadt’s circa 1889 oil Mount St. Helens, Columbia River, Oregon (est. $250/350,000) comes from the L.D. “Brink” Brinkman Collection of Kerrville, texas, from which Bonhams sold its major collection of Western art earlier this year. “albert Bierstadt visited the Pacific Northwest twice in his career in 1863 and 1889.This work was likely inspired by the latter trip,” says Jacobsen. “It’s a lovely compositio­n

incorporat­ing a vibrant palette with fall foliage and deer in the foreground with the expansive, majestic vista beyond. The title of this work has historical­ly attributed this scene to depict Mount

St. Helens, and the painting has been requested for the February 8 to May 17 exhibition Volcano! Mount St. Helens in Art organized by the Portland Art Museum.”

Fresh to the market is Glackens’ impression­ist piece Tulips, which features a colorful arrangemen­t of flowers in “full of energetic brush strokes and a vibrant color palette,”

says Jacobsen.the oil, which has been in a significan­t private collection for 25 years, is estimated to sell between $60,000 and $80,000.

A major consignmen­t from a private corporate collection in Newyork includes modern works from Wolf Kahn, Sally Michel Avery and March Avery. “wolf Kahn is highly regarded as a colorist and has devoted decades of his career to painting the American landscape in his bold yet atmospheri­c style. His fascinatio­n with barns as a subject began in 1966 and continued through the 1970s and ‘80s,” says Jacobsen. Kahn’s 1976 oil The Clark Farm III has an estimate of $30,000 to $50,000.Another major lot in the sale

by Sally Michel Avery is Feline Family, depicting a woman in bright orange cradling a black-and-white cat (est. $10/15,000).

Butterswor­th’s The USS Ohio Battling Through a Storm (est. $120/180,000) is expected to generate significan­t interest as well. “the

USS Ohio was an American naval ship designed by Henry Eckford that first launched in 1820.The ship defended American interests in many internatio­nal engagement­s around the world and is here seen navigating rough seas under a dramatic stormy sky,” Jacobsen says of the piece. “the painting exhibits incredible detail with about 100 sailors depicted onboard the ship. ”the large-scale piece, measuring 50 inches across, has been in the same private collection for more than 20 years.

 ??  ?? Albert Bierstadt (1830-1902), Mount St. Helens, Columbia River, Oregon, ca. 1889. Oil on canvas, 18 x 32½ in., signed lower left with conjoined initials: ‘Abierstadt’. Estimate: $250/350,000
Albert Bierstadt (1830-1902), Mount St. Helens, Columbia River, Oregon, ca. 1889. Oil on canvas, 18 x 32½ in., signed lower left with conjoined initials: ‘Abierstadt’. Estimate: $250/350,000
 ??  ?? William J. Glackens (1870-1938), Tulips, ca. 1915. Oil on canvas, 24 x 19½ in. Estimate: $60/80,000
William J. Glackens (1870-1938), Tulips, ca. 1915. Oil on canvas, 24 x 19½ in. Estimate: $60/80,000
 ??  ?? Wolf Kahn (b. 1927), The Clark Farm III, 1976. Oil on canvas, 52½ x 60¼ in., signed lower right: ‘W. Kahn’; signed again lower left; inscribed with title on stretcher; on verso: ‘#9 1976’. Estimate: $30/50,000
Wolf Kahn (b. 1927), The Clark Farm III, 1976. Oil on canvas, 52½ x 60¼ in., signed lower right: ‘W. Kahn’; signed again lower left; inscribed with title on stretcher; on verso: ‘#9 1976’. Estimate: $30/50,000
 ??  ?? James E. Butterswor­th (1817-1894), The USS Ohio Battling Through a Storm. Oil on canvas, 36 x 50 in., signed lower right: ‘J.E. Butterswor­th’. Estimate: $120/180,000
James E. Butterswor­th (1817-1894), The USS Ohio Battling Through a Storm. Oil on canvas, 36 x 50 in., signed lower right: ‘J.E. Butterswor­th’. Estimate: $120/180,000
 ??  ?? Estimate: $20/30,000
Sally Michel Avery (1902-2003), Feline Family, 1980. Oil on canvas, 52 x 40 in., inscribed with title and signed on verso: ‘FELINE FAMILY / Sally Michel’. Estimate: $10/15,000
Estimate: $20/30,000 Sally Michel Avery (1902-2003), Feline Family, 1980. Oil on canvas, 52 x 40 in., inscribed with title and signed on verso: ‘FELINE FAMILY / Sally Michel’. Estimate: $10/15,000
 ??  ?? Fern Isabel Coppedge (1888-1951), Coastal Scene. Oil on canvas, 24 x 301/8 in., signed lower left: ‘F. Coppedge’.
Fern Isabel Coppedge (1888-1951), Coastal Scene. Oil on canvas, 24 x 301/8 in., signed lower left: ‘F. Coppedge’.

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