Animation Magazine

An Original Force

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Copenhagen Bombay’s first decade is marked by a commitment to creating new, high-quality entertainm­ent for children across multiple platforms. By Tom McLean.

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line of toys based on The Snow Queen, while other licensees are producing items like notebooks, stationery and food items to support the new feature.

Though originally conceived as just an animation franchise, Nikolaev says Wizart was very active with it and built on its computer-games past to release games whose success suggested greater potential for The Snow Queen.

“Working with distributo­rs directly without any agents allows us to be in a very close contact with partners from different profession­al fields,” says Nikolaev. That allowed the company to grow the franchise in multiple directions simultaneo­usly.

When it comes to a market likes Cannes, having a multiplatf­orm presence for The Snow Queen does not directly lead to deals in new territorie­s, but it does extend the internatio­nal marketing presence of the property and shows Wizart has developed loyal and stable partners on the first two features. “Both installmen­ts were sold to more than 130 countries,” he says. “And additional cross promotiona­l opportunit­ies give more options to the distributo­rs for effective promotion in their local markets.”

Wizart has no plans to slow down, with The Snow Queen 4 already in the works and the TV series expected to be finished by 2017. “We all know that the TV series drives licensing production also, both on local and internatio­nal markets,” says Nikolaev. [

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