Arkansas Democrat-Gazette

Fiber arts show to open in North Little Rock

- BY CAROL ROLF Contributi­ng Writer

NORTH LITTLE ROCK — Several local artists will be featured in the 2018 Arkansas Fiber Arts Exhibition, which opens Monday in the gallery of the William F. Laman Public Library in North Little Rock.

This is the third year for the fiber arts exhibition and the second year that it will be at the main branch of the Laman Library System. Rachel Trusty of Russellvil­le continues as curator of the show.

Among the 25 artists with works in the show are Melissa Gill of Little Rock, who teaches at Hendrix College in Conway; Deborah Kuster, Holly Laws and Cathy Wester, all of Conway; and Trusty. The fiber artists work in a variety of techniques, including quilting, embroidery, dyeing and more.

The show will be on display through Jan. 5, with an opening reception set for 6-8 p.m. Friday. The exhibition and the opening reception are free to attend, and no tickets are required.

“The show has grown every year in terms of participan­ts,” said Trusty, who is working on her doctorate in women, gender and sexuality studies at the University of Kansas in Lawrence, as well as teaching art-appreciati­on courses online at the University of Arkansas Community College at Morrilton.

“I look throughout the year for fiber artists in Arkansas to invite. This is the first year I invited male fiber artists to participat­e,” Trusty said.

“The first year I really wanted the show to be all women because of the history of fiber arts and to promote more female artists. I was open the second year to male fiber artists, but I did not know of any at that time in Arkansas, so it was only female artists again. This past year, I have come across a handful of excellent male artists working in quilting and mixed-media fibers in Arkansas, so I was very excited to have them participat­e.”

She changed the name of the show from the Arkansas Women’s Fiber Arts Exhibition to the Arkansas Fiber Arts Exhibition to reflect the shift.

Following is a look at the local participat­ing artists in the fiber-arts show, which do not include any male artists from this area:

MELISSA GILL

Gill is a multidisci­plinary artist whose practice includes printmakin­g, mixed media, drawing, collage, embroidery, artist books and installati­on. She is in her 10th year as associate professor of drawing and printmakin­g at Hendrix College in Conway.

“You might say that I am a printmaker who is deeply in love with the textile arts,” Gill said. “My work combines relief, intaglio and stencil printing, with textile processes such as dyeing, pigment-lifting, embroidery, quilting and piecing. The imagery I use — the human figure, flowers, undergrowt­h and trees, as well as decorative patterns — points to existentia­l questions about the relationsh­ips between body and mind, physical and ephemeral. It is directly inspired by Buddhist concepts such as interdepen­dence (all things are interconne­cted) and impermanen­ce (the nature of everything is that it changes).

“I work with this idea of constant change and transforma­tion, both internal and external to ourselves,” she said. “In that sense, my work reflects the state of the world today in the sense of shifting identities, rapidly changing ecological and political systems, and the enduring presence of the potential for rebirth and renewal.”

DEBORAH KUSTER

Kuster has been involved in the field of art education for 40 years, having taught art to all ages in schools and museums. She has been a professor of art education at the University of Central Arkansas since 2003. Her art is made from her personally hand-woven textiles and has been featured in many regional and national exhibition­s and was most recently featured in issues of the national publicatio­n Art Quilting Studio.

“Most recently, I have been forming my pieced weavings into three-dimensiona­l vessels,” Kuster said. “I have sewn terra cotta clay feet onto these vessels to represent our human experience in this world. Each of them is obviously flawed, but carefully and thoughtful­ly formed and embellishe­d, making it highly treasured.”

HOLLY LAWS

Laws is a sculptor who makes objects and multimedia installati­ons. She said her approach is informed by “a love of experiment­ation with all manner of materials and processes.” She said her sculpture has focused on issues of personal fragmentat­ion and perception­s of memory.

Laws, associate professor of art at UCA, teaches classes in three-dimensiona­l design and sculpture.

She said that lace, first developed in the 1500s, was a luxury item reserved for royalty, clergy and the aristocrac­y.

“Rusted Lace is a metaphoric­al snapshot of our current social, cultural and political climate. The work Pink Lace

Stalagmite­s explores a moment in history, caught between stagnation or reactionis­m, and the desire for outward transforma­tive movement.

RACHEL TRUSTY

Trusty is a native of Russellvil­le and a 2006 graduate of UCA and received her Master of Fine Arts degree in studio art in 2001 from Lesley College in Cambridge, Massachuse­tts.

Trusty said her piece in the show, At the Beach, is a hybrid piece from two series that she is currently working on — the embroid(HER) series and the Friends and Lovers series.

“Embroid(HER) was begun in 2016 and featured famous women in sewn fiber portraits,” she said. “Like At the

Beach, these portraits were created from mixed-media fiber techniques and were displayed in wooden hoops. Friends and Lovers seeks to show samesex love and companions­hip through anonymous portraits of women.

“In At the Beach, two anonymous women stand in casual embrace for a portrait,” Trusty said. “Their relationsh­ip is undefined. At

the Beach balances between the two series as it takes a fiber approach but shows anonymous women in a double portrait.”

CATHY WESTER

After many years away from art, Wester said, she began drawing again in 2012, exploring oil pastels, and is exploring combining photograph­y, painting and embroidery into a single medium.

“I remember from an early age watching many of my family members make embroidery by hand with a needle and thread,” Wester said. “That inspired me to join them in their creative fiber endeavors at an early age.

“Currently, I am exploring

painting with analog pixels. My piece in the show, Analog

Pixels: Learning Curve 2.2, is a counted cross-stitch of 38,720 stitches and is the latest version of this image, which began as a micro section of a photograph, then became a painting and drawing and now is fiber art,” she said.

Gallery hours at the William F. Laman Public Library, 2801 Orange St. in North Little Rock, are 9 a.m. to 8 p.m. Monday through Thursday and 9 a.m. to 5 p.m. Friday and Saturday. The gallery is closed on Sundays. Call (501) 7581720 for more informatio­n.

For more informatio­n about the exhibition, visit www.racheltrus­ty.com/ arfiberart­exhibition.

 ?? SUBMITTED PHOTOS ?? Holly Laws created Pink Lace Stalagmite­s in 2018, using nylon, thread, urethane foam and pigment.
SUBMITTED PHOTOS Holly Laws created Pink Lace Stalagmite­s in 2018, using nylon, thread, urethane foam and pigment.
 ??  ?? Melissa Gill created Transform in 2018, using relief, pressure print and embroidery.
Melissa Gill created Transform in 2018, using relief, pressure print and embroidery.
 ??  ?? Rachel Trusty created At the Beach, 1954, in 2018, using fabric, felt, applique and hand embroidery on cotton, with seashells, displayed in a wooden hoop, measuring 24 by 24 inches.
Rachel Trusty created At the Beach, 1954, in 2018, using fabric, felt, applique and hand embroidery on cotton, with seashells, displayed in a wooden hoop, measuring 24 by 24 inches.
 ??  ?? Deborah Kuster created Hopeful in 2018, using hand-woven fibers, cheese cloth, small beads, hand-spun yarn and terracotta clay. The work is machine-pieced with embroidery.
Deborah Kuster created Hopeful in 2018, using hand-woven fibers, cheese cloth, small beads, hand-spun yarn and terracotta clay. The work is machine-pieced with embroidery.
 ??  ?? Cathy Wester created this counted cross-stitch, Analog Pixels: Learning Curve 2.2, in 2017-18.
Cathy Wester created this counted cross-stitch, Analog Pixels: Learning Curve 2.2, in 2017-18.

Newspapers in English

Newspapers from United States