Arkansas Democrat-Gazette

Blue and white color scheme reflects beauty of nature

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Over the years of producing my TV shows and decorating my own homes, it’s safe to say that I’ve played with the entire color spectrum.

I’ve painted towering two-story walls in pistachio, a dated and boring kitchen was revived with bright-orange cabinets, lavender and purple ruled for a teen’s room, garden greens made a welcome kitchen and pantry, and a Victorian dining room glowed in red paint and paper — on it went, and on it still goes. The homeowners and I were mostly happy with the adventurou­s choices.

A color duo that I return to often when I am looking for a calming ambiance is blue and white. It never fails.

The author of Blue and White and

Other Stories is of the same mind. William Yeoward is a stylemaker, designer and retailer who has built his auspicious career championin­g the timeless duo in its many shades.

“Blue and white are colors that go beyond fashion,” Yeoward said. “They are part of all human experience — blue sky, blue ocean, white clouds, blue jeans, white shirts.”

Combining these colors in your home provides differing scenarios, from crisp and graphic to spiritual, peaceful and calming.

We often think of the dining room as the place to eat only evening meals when it’s dark outside, but Yeoward notes that lunch and summer suppers need a room that is uplifting and makes the most of daylight.

Shown here, the room’s Georgian architectu­ral details, including deep baseboards and shutter cases, are painted off-white for emphasis. Introducin­g a modern element or two, the walls are clad in a blue and white paper-backed linen fabric printed with a graphic depiction of ripples in sand. The predominan­tly white rug design, inspired by clouds, has edgy blue squiggles with white dots.

“It’s totally irresponsi­ble to have uncomforta­ble dining chairs,” Yeoward said.

This is a good point, and I’m guessing that wood chairs and benches often used in more minimal schemes wouldn’t be acceptable.

Yeoward’s dining chairs are “supremely comfortabl­e.” They are a traditiona­l design with turned legs in the front and simple ones at the back. The upholstery design is inspired by rock striations. Quirky white ceramic vases on the table and antique galvanized buckets on side tables are personal touches that add humor.

Yeoward has other color stories to tell in his book. Red and orange have heat and energy — lots of vitality that he carefully inserts into woody and neutral schemes. These vibrant shades appear in cushion fabric, carpet designs and floral displays, but never overpower.

Ochre and green are country colors with universal rustic appeal. Taken directly from nature, they can be as subtle or as brilliant as you choose, but quiet is the trend here, making a perfect backdrop for collectibl­es and antiques found at a country fair.

Bridging the gap between then and now, compelling shades of pink and gray can feel both ancient and new. Gray is a subtle neutral that gives just the right balance to pinks that are either pale or vibrant.

Debbie Travis’ House to Home column is produced by Debbie Travis and Barbara Dingle. Email questions to house2home@debbietrav­is.com. Follow Debbie on Twitter at www.twitter.com/debbie_travis, or visit her website, www.debbietrav­is.com.

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