Controversy aside, The Upside beats Aquaman
LOS ANGELES — The release of STX Entertainment’s The Upside has jolted a slow post-holiday box office back to life, knocking Aquaman from the top spot after three weekends at No. 1, according to estimates from measurement firm Comscore.
The film, which stars Kevin Hart as a live-in home health aide who befriends a paralyzed billionaire (Bryan Cranston), debuted in first place with $19.6 million, nearly doubling analyst predictions of $10 million.
A remake of the French film The Intouchables, it got an A from audiences on CinemaScore but only a 40 percent rotten rating from critics on review aggregation site Rotten Tomatoes.
The movie’s success is surprising, in wake of Hart’s recent controversy surrounding his prospective Oscars hosting gig. The comedian dropped out after Hart’s homophobic tweets resurfaced from years prior. Despite the picture’s overall success, the result is Hart’s smallest opening since his 2016 comedy special Kevin Hart: What Now? opened with $11.8 million.
The Upside represents STX Entertainment’s first No. 1 box office opener. Its over-performance proves Hart’s huge box office draw despite a high-profile controversy. It follows the box office and Golden Globe success of Bohemian Rhapsody despite director Bryan Singer’s fall from grace.
Also surprising is the picture’s ability to bounce back from original distributor Weinstein Co.’s bankruptcy. STX made a deal with Lantern Entertainment, the company that bought the remnants of the embattled studio, to release the film.
In second place, Aquaman earned $17.3 million in its fourth weekend for a cumulative $287.9 million as it became the fifth movie in Warner Bros. history (and the third in DC history) to surpass $1 billion worldwide, joining the ranks of Harry Potter and the Deathly Hallows Part 2 ($1.3 billion), The Dark Knight Rises ($1 billion), The Hobbit: An Unexpected Journey ($1 billion) and The Dark Knight ($1 billion).
The superhero movie, led by Jason Momoa, has a cumulative global ticket sales to $1.02 billion, according to the studio. The film and its strong international turnout has cemented Momoa — a Game of Thrones alumnus — as a moneymaking leading man.
Columbia’s A Dog’s Way Home was the only other debut in the top 10, landing in third place with $11.3 million during its first weekend in theaters, according to Comscor. This family film directed by Charles Martin Smith stars a real dog making a difficult journey alongside a CGI cougar.
The $18 million film follows a rescued pup that travels 400 miles to be reunited with its owners. It earned mixed reviews, with an A-minus CinemaScore and a 59 percent rotten rating on Rotten Tomatoes.
Canine movies are having a moment at the box office. Universal’s A Dog’s Purpose opened with $18.2 million in 2017 before going on to earn a respectable $205 million globally. The studio has already announced a sequel, A Dog’s Journey.
At No. 4, the studio’s Spider-Man: Into the Spider-Verse earned $9 million in its fifth weekend for a cumulative $147.8 million.
Rounding out the top five, the studio’s Escape Room earned $8.9 million in its second weekend for a cumulative $32.4 million.
Also new over the weekend, Entertainment Studios Motion Pictures’ sci-fi thriller Replicas bombed with $2.5 million, well under analysts’ already weak projection of $6 million. Starring Keanu Reeves, the film was universally panned, with a C rating on CinemaScore and an 11 percent rotten rating on Rotten Tomatoes.
Focus Features’ Ruth Bader Ginsburg drama On the Basis of Sex opened in wide release over the weekend, earning $6.2 million in its third weekend (a cumulative $10.6 million) and landing at No. 8. It earned an A rating on CinemaScore.
Comparably, Magnolia’s RBG documentary, a major success of the summer, earned $14 million over the course of its domestic run. The result, which is exceptional for a documentary, shows the bankability of stories about the 85-year-old Supreme Court justice.
Also expanding, Annapurna’s If Beale Street Could Talk added 683 locations (for a total of 1,018) and $2.4 million in its fifth weekend for a per-screen average of $2,347 and a cumulative $7.7 million.
Golden Globes winners Green Book, distributed by Universal, and Bohemian Rhapsody, from Fox, also continue to post solid numbers deep into their theatrical runs: Green Book added 176 theaters (for a total of 742) and $2.1 million in its ninth weekend for a cumulative $38.5 million. Bohemian Rhapsody added 254 locations (for a total of 1,334) and $3.2 million in its 11th weekend for a cumulative $198.5 million.
This week will see the release of M. Night Shyamalan’s Glass, which is expected to open with $50-70 million. Advance reviews, however, have been poor, ranking 38 percent fresh on Rotten Tomatoes.