The Great Dr. Seuss Hysteria
Now that beloved children’s-book author Dr. Seuss is an “outlaw,” parents across the land face a desperate conundrum: What can they possibly read to their children?
If that paragraph makes no sense, good for you: The Great Seuss Hysteria of 2021 is a faux controversy if there ever were one, worth following only for what it reveals about children’s literature and the limits of adults’ imaginations.
The short, sensible summary is as follows. Dr. Seuss Enterprises, which controls Theodor Geisel’s copyrights, decided not to print more copies of six works that contain racist imagery.
This ought to be relatively uncontroversial. The books won’t be pulled from public consumption, as Disney did with “Song of the South,” or edited to comport with different values. No one proposes treating Dr. Seuss like Woody Allen, a figure whose transgressions render his work untouchable. Everyone seems comfortable with the other 90 percent of Dr. Seuss’s books.
Amid this thicket of dishonest outrage, however, it’s useful to recognize two things that are actually true. First, some Dr. Seuss books for children contain depictions of people of color that, like his cartoons of Japanese people during World War II, are repulsive. Second, insisting that Dr. Seuss books are the alpha and omega of children’s literature shows a tiresome lack of imagination.
As the parent of a toddler, I’ve been recently reacquainted with the Seussian canon: “Green Eggs and Ham” and “Happy Birthday to You!” are in heavy rotation in our home—and their limitations are clear.
The wordplay can be fun, but its cleverness is undercut by Geisel’s penchant for invented words.
Were I to assemble a canonical list of children’s-book authors, Dr. Seuss would rank below, say, Peter Spier, the Dutch-American illustrator whose gorgeous picture books were a staple of my childhood and now are vital reading again a generation later.
I’d also list the husband-and-wife team of Alice and Martin Provensen, and the writer and illustrator Barbara Cooney.
And at risk of letting a list of past masters dominate this column, let us turn to the present. What a gift it is to have Mo Willems’ help in probing the complex emotions and everyday dilemmas of childhood in, among other books, his Elephant & Piggie series.
During a year of isolation, Raúl the Third’s Little Lobo books have transported our family to the markets and lucha libre rings of a Mexican border town. And as much as “Please, Baby, Please” has inspired our child to new heights of misbehavior, it’s a pure delight to have an artist as remarkable as Kadir Nelson making work for the very youngest readers.
No, Dr. Seuss has not been canceled. But if the only author we think to reach for is Dr. Seuss, our children’s literary worlds will be smaller and poorer for our lack of curiosity.